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Uncovering STAR WARS: THE LAST JEDI

On Sunday, December 3, 2017, a group of journalists from across the globe were brought together at an undisclosed location in Los Angeles, where they’d be transported to a galaxy far, far away. Seated in a big auditorium, with the <em>Star Wars: The Last Jedi</em> logo at the front of the room, and John Williams’ familiar score filling the air, the excitement in the room was palpable. We were waiting for the cast of <em>The Last Jedi</em>, and the film’s director Rian Johnson, to grace us with their presence for an hour long Q&A delving into the newest film in the <em>Star Wasr</em> saga, the eighth film in the episodic saga, and the third under Kathleen Kennedy’s watchful eye since Luacsfilm’s merger with Disney. But more than that, this is the middle chapter of the series, which many see as the most important as it’s the one where the game normally changes in a big way for those in the story, and you could that everyone in the room was waiting with bated breath to get as many details about the new film that the cast would allow us. Then, suddenly, the red suited Praetorian guards from the new film filled the room, leading Mark Hamill, Rian Johnson, Daisy Ridley, John Boyega, Oscar Isacc, Kelly Marie Tran, Laura Dern, Gwendoline Christie, Adam Driver, and Andy Serkis down the middle of the room, keeping a watchful eye on us, as the cast made their way to the front.

What followed was an enlightening and fun back and forth with the cast as they broke down the new film without giving anything, no easy feat to be sure, but they managed to do it all the same. Now it’s my chance to take you farther into that day, as we dive deeper into what the cast discussed while they made <em>The Last Jedi</em>, and how it reflects in the movie.

Of course, as mentioned above, one of the biggest questions for director Rian Johnson came in the form of what Rian Johnson tried to do differently from both <em>The Force Awakens</em> and </em>The Empire Strikes Back</em>, while also talking about what he tried to do different with the film:

“It’s a second movie in the trilogy and I think we’ve been kind of trained to expect it’ll be a little darker and obviously it looks a little darker and the thing is though for me I loved the tone of the original films and also that J.J. captured in The Force Awakens of fun, and that’s like to me it’s a Star Wars movie, you know, first and foremost we were trying to make it feel like a Star Wars movie. And that means you have the intensity and you’ve got the opera, but it also means that it makes you come out of the theater wanting to run in your backyard, grab your spaceship toys and make them fly around, you know, and that’s a key ingredient to it. So we’re going to go to some intense places in the movie but I hope also it’s fun, it’s funny. I don’t know, you’ve seen it.”

What Rian is alluding to definitely shows in <em>The Last Jedi</em>, as the movie is a bit more humorous as many might be expecting, but it’s also very properly a space opera first and foremost. The stakes certainly feel real, and Rian has clearly gone back to what made the original series so special to try and replicate it for a new generation here. But the comparisons to <em>The Empire Strikes Back</em> didn’t end there, as another reporter asked what visual cues Johnson may have pulled from when modeling the film in a way to the aforementioned film, and Johnson had this to say:

“Yeah. Well, I mean, my cinematographer Steve Yedlin who I’ve been best friends with since I was 18 years old, we met in film school, and so to be standing next to each other on the Star Wars set was pretty surreal. But I mean, I think Empire is, you know, I think it’s just the most beautiful – I mean all the films are beautiful – I think for my just tastes, I think the cinematography in Empire is the most gorgeous of the whole series. And so Steve and I looked at the lighting in that it’s also kind of the most – it’s pretty daring in terms of how dark they were willing to go with some of it – literally dark, and how gorgeous they went with some of the choices they made with the shaping of the lighting. But then in terms of like an actual visual aesthetic I made a choice very early on that I thought, well, I can either try and kind of copy my idea of what the original movies did, which was much more of kind of a formal, the camera didn’t move a ton and it was a much more formal type visual aesthetic, or I realized, you know,we’re going to take visual cues lighting wise and design wise from, you know, the previous movies, but I need to just shoot this movie the way that I would shoot a movie, because at the end of the day, if I’m not engaged with it, and I’m not trying to tell the story the way that really makes me excited, then it’s not going to be up there on the screen. So I kind of cut myself loose camera movement wise and shot wise from trying to imitate the past and just try to tell the story as excitingly as I could up on the screen.”

This was maybe the most important answer of the day in a lot of ways, because so many are convinced that this film is going to mirror <em>The Empire Strikes Back</em>, but Rian’s insistence on doing his own thing, even down to the look is definitely welcome. While the film does offer some visual nods to what’s come before, it also largely feels different from anything we’ve seen in the series before, which is incredibly exciting. This feels like a shifting point for the series, even down to the look, and Rian has gone all out with it.

One of the most exciting things about <em>The Force Awakens</em> was the fact that not only did we get what is arguably the most diverse cast the series had seen up to this point, but it also put Rey as the female lead in the series. When asked what it meant to the female cast members to be representing so many young girls with strong female heroines in the series, Daisy Ridley, Kelly Marie Tran, Laura Dern, and Gwendoline Christie opened up that:

Ridley: “I think like as a girl growing up in London, obviously I knew there was a disparity in films but I wasn’t so aware of it, like growing up in a liberal household. I was never really made to feel any one way. So when I got involved I didn’t really – like, I knew it was a big deal, but the response was so beyond anything I could have imagined, that I’m still like – it was only afterwards was like, oh, oh yeah. And it’s not like I ever took it for granted or anything but it was   just  so  monumental, the  response  and  how  people  felt about it,  and obviously that’s a testament to Kathy, J.J., Michael, Larry, everyone who created the characters in the beginning, and I think what’s great about everyone is it’s not like she’s a girl, this is a  guy,  this  is anything, everyone’s just, it’s just  greatc haracters that happily are falling into broader categories now, so I’m thrilled.Yeah.”

KELLY MARIE TRAN: “Yeah, I agree. I think that it feels like both an honor and a responsibility at the same time. I feel like from the beginning when I initially found out I got this role, I just felt like I wanted to do the whole thing justice, and I’m so excited that guys, the girls in this movie kick some butt. Every single one is so good, and I can’t wait for everyone to see it. Yeah.”

LAURA  DERN:  I just  want to  pay  tribute   to  Rian for   being  one   of  the most brilliantly subversive filmmakers I’ve ever been able to bear witness to, and in the case of the look of my character, I was moved by the fact that he really wanted her strength to first lead with a very deep femininity and to see a powerful female character  also   be  feminine is  something that   moves  away  from  a stereo type that’s sometimes perceived in strong female characters must be like the boys. I thought that was a really interesting choice to get to witness.”

Gwendoline Christie: “I was so delighted. I wasn’t cast in the first Star Wars film yet when I heard about the casting, and I was utterly delighted to see that there was a  more representative  selection of actors that were going to be  in these incredible Star Wars   films,  and that   has  continued.  And   you   know,everything that my amazing colleagues say is absolutely right. You get to see women that are not being strong just because they’re acting like men. They’re doing something else. And also you’re seeing a developed character or at least a developing character, that’s showing some complex character traits. And I’m just delighted about that. I’m delighted that something as legendary as Star Wars has decided to be modern and to reflect our society more as it is.”

Their words are certainly refreshing, as it shows just how far female representation has come, and how seriously Rian took it with the film. In the film itself, there are so many strong female characters, and it’s hard not to be excited to see that in a big studio blockbuster, especially one with <em>Star Wars</em> in the title.

But, of course, we can’t talk about the female characters in this film without talking about everyone’s favorite princess who we sadly lost last year, Carrie Fisher. The moderator asked the women on the panel about the impact that Carrie Fisher and Leia had on generations of girls and women, and how it spoke to them.

Gwendoline Christie:  Well, she was very significant because I was first shown A New Hope   when I was six,  and I   remember thinking, wow, that character’s really different. I watched TV and film obsessively from such a young age but it stayed with me throughout my formative   years, of she’s really interesting, she’s really smart, she’s really funny, she’s courageous, she’s bold,she doesn’t care what people think, and she isn’t prepared to be told what to do.And   she doesn’t look the same as a   sort   of   homogenized   presentation of a woman that we had been used to seeing. So that was really instrumental to mea s someone that  didn’t feel  like they fitted  that  homogenized  view of what  a woman was supposed to be, that there was inspiration there, that you could bean individual and celebrate yourself and be successful without giving yourself over, without necessarily making some sort of terrible, huge compromise. So it was a big inspiration for me. And you know, to play a character as well from what we’ve seen in The Force Awakens, I was very excited when I was shown just the basic element of the costume, and here we were seeing character whereby a woman wasn’t – her femininity was not delineated in terms of the shape of her body, in terms of her physical attractiveness. Those elements, that weird random group of elements which we’re born with in some kind of odd lottery and then we’re judged  on in   society. And  I  was just  delighted  to  be able to  have that opportunity.

Laura Dern:  Well, endless thoughts and also you know, a profound impact that she made on me as a girl, and spoken so beautifully by Gwen, so I’ll just speak to this present experience, to say that as we always had with Carrie, not just Leia, her wisdom, and you know, people speak about people who are brave or fearless, but beyond  that, I’ve known luckily a few people that would hold those descriptions, but not that they would be without shame, and that’s what moved me the most about the icon she gave us, but also what she gave us individually and personally which is to Carrie, who she was so directly and to be without shame, and to share her story, and to expect nothing less from any of us.And the privilege of watching how Rian has so beautifully captured all of that and her grace in this amazing, beautiful, pure performance, but also I think she found an equal irreverent subservice and they had this dance that gives us this performance that I was just so moved by.

Daisy Ridley:  I don’t think I can really follow that, except to just say Carrie’s daughter Billie is I think all of those qualities. She’s smart and funny and shameless and wonderful. And I think Carrie bringing up a daughter obviously with Brian,bringing up a daughter who is all of those qualities and then some, in this world, if that’s what she did, you know, just her being her, I think it speaks volumes to what she did as her in the spotlight and also her as Leia

Kelly Marie Tran: Yeah, I mean, I agree with everything that was said. I think that something about Carrie that I really look up to is, and something I didn’t realize until recently, was just how much courage it takes to truly be yourself when you’re on a public platform or when possibly a lot of people will be looking at you, and you  she  was  so   unapologetic   and   so   openly   herself and that is something that I am really trying to do, and it’s hard. And just like Daisy said, likeLaura said, like Gwendoline said, I think that she will always be an icon as Leia but also as Carrie. What an example, you know? And I am so fortunate to have met her and I think that she will really live on forever

To see what Carrie met to so many is not only hugely heartwarming, it’s also incredibly eye opening in a way. The incredible thought of all the joy and all the inspiration she brought to so many generations already, and even more to come, it can’t be overlooked. Thankfully, Fisher also gives what is arguably her finest performance as Leia in <em>The Last Jedi</em>, and she says goodbye to the character in the best way. We were all lucky to get to enjoy Fisher on the big and small screen for many years, and its great to see her legacy will continue to live on.

When asked about the potential moral of the story that could be learned in <em>The Last Jedi</em>, Adam Driver opened up with a very interesting comment about everyone learns different things from the same movie:

Adam Driver: I think that’s a personal kind of thing, for probably some it will be nothing, for others. I’ve heard this said, and it’s the best way that I understand how seeing a movie in a dark room with people who are total strangers kind of works, whether that be a play or a movie. No one lives the theater, everyone has lives outside, well hopefully, then there’s a kind of collective intelligence that happens in the  room and what is rewarding about it is realizing that you all are having a different experience but at the same time the same experience, and whatever your life is outside, whatever circumstances, whether there be death or drugs or birthdays, you know, you bring it to the theater, you know, and whatever is happening in the movie, obviously where you are in your life, I think, speaks to you in a different way than anybody else so it’s hard thing to kind of blanketly say,I think you’ll feel this, because again, we’re not you. You know, so that’s what I think. So may potentially nothing is what I’m trying to say.

This led to the conversation about Rian’s intention of using the theme about the idea of things not living up to your expectations, and why meeting your heroes may not always be for the best:

Rian Johnson: That’s definitely one of the things, yeah, in it. You know, I think these movies to some  extent  are always  about, I don’t  know, to really boil it down, you know, if you look back at Lucas kind of, you know, famously drawing from The Hero’s Journey myth that Joseph Campbell wrote about, and the hero’s journey  is  not  about  becoming a  hero,  it’s  not  about becoming   Hercules,  it’s about really adolescents, it’s about the transition from childhood into adulthood,and finding your place in the world, and you have these new powers that you’re feeling inside yourself for the first time, you don’t know what to do with them, you don’t know who it is you’re going to get help from, who’s going to be unreliable, who’s not. Navigating those very tricky waters that we all have to navigate, that’s why it’s so universal. So part of that is, you know, your relationship to heroes and people you thought were your heroes, people you don’t expect to become your heroes. And that’s definitely something that plays out in this film.

Those themes are very apparent throughout <em>The Last Jedi</em>, very much hardwired into the film’s skeleton. In a way, it also speaks to the fans of the series who are expecting it to go one way, only to go the complete opposite. Ryan has shifted and subverted around expectations in an incredible way, and that couldn’t be more true for Mark Hamill himself, who had this to add:

Mark Hamill: I don’t think any line in the script epitomized my reaction more than this is not going to go the way you think. And Rian pushed me out of my comfort zone, as if I weren’t as intimidated and terrified to begin with, but I’m grateful, because   you   have  to   trust  someone   and he was the only Obi-Wan available to me, not only in my choices as an actor, but my choices in sock wear. Because – well, I was so embarrassed. I looked at my drab black socks and I said, curse you, Rian Johnson, I’ll get my revenge.

As you can see, there’s so much to unpack from the things that the cast was talking about. It’s a truly wonderful thing to be a part of an event like this where you can sit and listen to those involved making a film gush about their experience, which couldn’t be more true here. A new <em>Star Wars</em> film always feels like a massive event, especially when it comes to the episodic chapters in the series. For my full thoughts on the film, you can check out my review here, on SoCalThrills!

STAR WARS: THE LAST JEDI Movie Review

Star Wars: The Last Jedi Luke Skywalker (Mark Hamill) Photo: Lucasfilm Ltd. © 2017 Lucasfilm Ltd. All Rights Reserved.

Anyone who has watched the trailers for The Last Jedi has heard Luke Skywalker murmur the words, “This will not go the way you think.” It turns out that cheeky play in the marketing with his dialogue defines exactly what Rian Johnson is doing with The Last Jedi, and how he is trying to move the Star Wars franchise forward. As a long time fan of the films, it’s hard not to want to see a series you have loved for so long stay in a neutral gear, moving forward in exactly the way you want and expect, while also learning to let go and let the series evolve beyond what you know. If we grow as individuals, it’s only fair to let the art that defines many to grow as well. So it should come as no surprise that Rian Johnson has taken it upon himself to deliver not only one of the strongest films in the Star Wars saga, but maybe the most essential in the way it completely alters the series moving forward.

While J.J. Abrams brought the series back in a familiar yet exciting way in The Force Awakens, Johnson takes the familiar and then flips it on its head. The Last Jedi is as much a love letter to the entirety of the Star Wars franchise as it is a commentary on how we need to let go of our expectations to accept things for how they are, no matter if they’re not exactly what we were hoping for. Every character seems to be faced with that very dilemma, from Rey and Luke to Poe and Finn, and each character seemingly represents the audience who has spent years feverishly trying to learn everything they can about the series, only to have it come out much different from what fans were expecting. It’s almost too funny that Johnson takes it on himself to really commentate on fan culture in a film series that has become synonymous with the loud fanbase around it, but if anything, it’s necessary. The Star Wars franchise has always had a bit of self-reflection on the world we live in, and here it may be one of the most fundamental points the series has tackled so far.

Not only has Johnson really delved into the commentary of life and fandom, the most important thing is that he’s a huge fan of the franchise, and he wants to see it go in new directions. After many fans spent so much time lambasting Abrams’ The Force Awakens, calling it nothing more than a retread of A New Hope, Rian knew those same fans would expect a film very similar to The Empire Strikes Back. That gave him the freedom to flip those expectations in a big way, and while there are some similarities to the Irvin Kershner’s film – – even down to a some shots in the film that are clearly a nod to Peter Suschitzky’s cinematography – – the films are in no way similar. Where The Empire Strikes Back feels like the middle chapter in a series, in a lot of ways The Last Jedi feels more like a new beginning. Yes, it’s picking up the threads that Abrams started, but Johnson uses those threads to try and build something much more unique, and creates something that’s much more game changing for the series moving forward. In a lot of ways, The Last Jedi unshackles the series to certain things that many may not expect, and leaves the series in a place where the opportunities honestly feel limitless.

Thankfully, this isn’t a detriment to the series, and really takes the cast of characters we know and love – – both new and old alike – – in new and interesting directions. It’s fascinating watching someone like Johnson pushing younger talent like Daisy Ridley and Adam Driver into territory we’ve never seen. Driver in particular is doing excellent work as Ben Solo – – or also known by his evil bad guy name, Kylo Ren – – giving what is maybe one of his strongest performances on film. It’s absolutely fantastic watching him work this time, with a swagger or arrogance, much like his father, but while fighting the darkness his grandfather Anakin struggled with. Ridley as well gives a magnetic performance that truly cements her as a rising star, and you can’t help but rally behind her character, pulling for her to not only persuade Luke to join in the fight against the First Order, but also hoping she finds the answers to the pain she faces in not knowing her past. However, the truth is, the standout in the film is Mark Hamill, who makes his triumphant return as Luke Skywalker, giving what is not only maybe the best performance in the film, but this is his best performance in the series by far. Luke is so different now from that young flyboy who we first met on Tatooine, having fought Darth Vader and destroying the Empire, only to see the seeds of it rise again, while watching his work to reignite the Jedi Order come crumbling down around him. Hamill plays it with so much pain and remorse, it’s a truly fantastic evolution for the character, and you can see just why it threw Hamill himself for a loop when he read it for the first time. But the thing that makes it such a compelling performance is that underneath it all, you can still see that glimmer of the young man who watched the twin suns on Tatooine, looking for a way off that wayward desert planet. There truly is a youthfulness at times to the performance that makes you realize that while Luke may be broken, he’s still got hope inside himself, and sees that he can possibly help turn the tide. It’s whether he can fully embrace that or not.

The film’s B storyline, which has Finn, Poe, Leia, and Rose standing off in their final hour against the First Order also gives us some fantastic time with these characters. Though at times, the Finn and Rose side of the story doesn’t always feel as cohesive as everything else in the film, it still works thanks for John Boyega and Kelly Marie Tran. The two are so much fun to watch together on-screen, and the spark they have share is undeniable. But of course, much must be said about Carrie Fisher in her final performance as General Leia, honestly giving the perfect cap to her character in a way that only she could. It’s honestly a little heartbreaking to think we’ll never see the tough as nails, though sympathetic, and overall kick-ass actress on-screen again, bringing her most iconic character to life. Though in a lot of ways, her final performance, which is arguably her best in the role, under Rian’s watch feels incredibly special. Johnson loves the character, and he brings her back to a place of power, and really lets her stand out in a way that we haven’t seen in almost thirty years. It’s also interesting that Leia is instrumental in the idea of not only letting go of the past, but reigniting the fire in those to preserve the future of the galaxy, and that may be the best place to leave that character.

Enough can’t be said about just what Rian Johnson has accomplished with The Last Jedi. This is not only a monumental step forward the series, it’s also an important love letter to what’s come before, while letting go of it. There’s nothing more satisfying than seeing an incredibly talented director like Johnson, who is also a fan of the material, get to really go all out and play in a big sandbox like the Star Wars universe, but I’m certainly glad that he got to. Not only has he taken so much of what we love about the series and infused it with new life, but he’s also created what will largely become some of the most iconic moments for the franchise in the future. The film’s entire third act plays as one of the most purely wonderful, emotional, and downright fantastic pieces of the series to ever be put on-screen, and while forever altering the series forever. It’s an incredibly fine line to play nostalgic and trying to change things, but Rian has done a magnificent job doing just that here.

Fans of Star Wars may not love everything Rian Johnson has done within The Last Jedi, but make no mistake, he’s made a fantastic film that will be long remembered. In a lot of ways, this is exactly the film this saga needed, even if we weren’t asking for it. This is not going to go the way you think, and for many that may be uncomfortable, but it’s a necessary push forward for the Star Wars saga moving forward, and I for one am glad to be a part of that ride. The Last Jedi is the tip of the iceberg for what the series can be moving forward, and I can’t wait to see where it goes next.

The Disney Diaries: The Walt Disney Family Museum

“To all that come to this happy place, welcome!”

This week marks a special moment for the magic kingdom, a milestone that will forever be immortalized by a man that was the leader in imagination, wonder, and innovation. This week celebrates Walt Disney’s birthday and we will honor him by taking a look at a magical place dedicated to him.

For once, I am not talking about Disneyland or even Walt Disney World. Off in the misty San Francisco Bay lives another place full of the same joy and magic that can be found inside the park gates. Nestled in the historic Presido complex alongside the iconic Golden Grate Bridge, the Walt Disney Family Museum welcomes guests and hardcore Disney nerds from across the globe.

The design of the museum brings you directly into the life of Walt from start to finish. It’s a real life history book, as each hall and exhibit turns the page into the rich memories that helped shape the foundations of what Disney means to all of us today. From his early childhood, to his early work on the Alice Comedies and the creation of Mickey Mouse, you are taken on a full tour of what it means to be Walt Disney.

Fans and admirers will get a chance to look at the first honorary Oscar for Snow White and the Seven Dwarves, Walt’s first attempts at animation, the turmoil of war and protest in the early studio days, in addition to many of the wonderful pieces surrounding the original Disneyland project.

The Disneyland exhibit is breathtaking, providing a full picture view of the parks foundations and groundbreaking achievements. My favorite part of the exhibit is the vibrant and expansive model of the park which highlights both past and present additions to Disneyland’s ever changing look.

Since opening in 1955, the park has grown and evolved so much. The model is by far one of the best representations of how powerful Disneyland is in the hearts and minds of fans young and old.

You also get a chance to learn more about the process of audio animatronics in a guided tour by the famous Tiki Room Barker Bird, a fun look at the animation work needed for Mary Poppins, along with other neat surprises.

Among those surprises, the museum hosts special seasonal exhibits that focus on the art, concepts, and work of various artists and animators throughout the Disney canon. The current exhibit, Awaking Beauty, features the early work of Eyvind Earle and his special touch with the animation for Sleeping Beauty.

During the holidays, Walt also gets a unique addition setup downstairs that celebrates family and his love of trains called Home for the Holidays. The festive installation includes a model of Walt’s family home and model train, The Lilly Belle. Free with regular museum admission, the exhibit includes has a special screening of Christmas with Walt Disney, which is an exclusive film that can only been seen at this location.

If you haven’t ventured into the halls of the museum yet, it’s a wonderful excuse to visit San Francisco and take in the spectacular life of Walt. It has become a yearly tradition to visit and each time is just as amazing as the year prior.

There are sure to be tears of joy and smiles as you venture through the halls. Please be warned, tissues will be a necessary companion when entering the final exhibit. As stated earlier, the museum follows the life of Walt from start to finish. The finale is a touching and very emotional tribute to his final days and projects. Even after all this time, it’s hard to go through the hall without shedding a tear. It is best to prepare yourself, as it will definitely hit you when you least expect it.

After all these years, it’s hard to remember a day where Disney wasn’t a part of our lives. Walt spent his entire life providing positive energy and magic into the world and we are forever in his debt for the gifts he has given us all.

This week is a time to celebrate not only the man behind our childhood whims and fantasies, but also a reminder to remember that all it takes is an idea and the passion to pursue your dream to make all the difference in the world.

Happy Birthday Walt!

Disney’s Mouseketeers Release Holiday Song and Holiday Special

“When December Comes” is Club Mickey Mouse’s new, original single, a candy cane-sweet pop song pulling inspiration from holiday classics with jazz untones of the era and remixed with flavors of today’s generation. Resident rockabilly crooner Sean Oliu kickstarts the medley on the electric guitar, while lyricist Regan Aliyah intercuts the upbeat second verse with a rap breakdown.

The song is written and performed by the eight Mouseketeers, who follow in the legendary footsteps of Club alumni Justin Timberlake and Britney Spears — and whom have become viral sensations in their own right (150 million views).

Club Mickey Mouse is an always-on, digital-first variety program from Oh My Disney that reboots the 90’s pop culture sensation, Mickey Mouse Club, for the digital age. As one of the first digital content programs created entirely for the social feeds and specifically for Facebook and Instagram, the program took fans behind the scenes into the creative process in making seven original songs and music videos.

Between backstage rehearsals and first-person social vlogs, the Mouseketeers made their worldwide debut with a reimagined version of the 1955 theme song, “Mickey Mouse Club March,” with help from mentor and influencer Todrick Hall. Since debuting in Sept., Club Mickey Mouse has also reached more than 150 million digital impressions with their viral original songs and choreography.

Warner Bros. Studio Tour Hollywood is bringing you the first gift of Christmas

The Holiday Season is here and Warner Bros. Studio Tour Hollywood is ready to celebrate with you! Family in town and looking to entertain? The entertainment you love is right in your Los Angeles backyard.

Slide over on the orange Friends couch with the authentic Central Perk set. Join the Amazons in the DC Universe Exhibit where Wonder Woman herself is displayed with her costumes in all her glory.

Venture to Hogwarts to get sorted and head on over to join Newt Scamander and all of his Fantastic Beasts, see sets props and the picture car vault and more! Warner Bros. Studio Tour Hollywood offers gift cards and holiday extended hours from 12/15-1/6 from 8:30am-4pm

For more info Click HERE

Holiday TrainFest and Toy Drive to Brighten Spirits at Los Angeles Union Station

Public invited to share holiday cheer at free event on Dec. 16 supporting Toys for Tots, featuring historic steam locomotive, rail car display, and visit from Santa Claus

The public is invited to celebrate the spirit of the season and help those in need at the Holiday TrainFest and Toy Drive at Los Angeles Union Station on December 16, 2017.

The free, family-friendly event will take place from 4 p.m. to 8 p.m. on Track 14 at Los Angeles Union Station, located at 800 N. Alameda St. in Los Angeles. Event highlights include holiday refreshments, a visit from Santa Claus, vintage rail cars, and an 874,346-pound steam locomotive decked out for the holidays. Staff will be on hand to collect donations of new, unwrapped toys in support of Toys for Tots and socks to assist the Los Angeles Homeless Services Authority. Last year’s inaugural Holiday TrainFest drew families and train enthusiasts from across Southern California and more than 1,200 toys were collected during the four-hour event. This year’s event will continue to provide opportunities to brighten spirits and support those in need during the holidays.

Attendees will be able to:
• See the historic Santa Fe 3751 steam locomotive up close
• Tour vintage rail cars from the 1940s and 1950s decorated for the holidays
• Explore Amtrak® and Metrolink train cars
• Enjoy holiday refreshments, including hot cocoa and cookies, and holiday music
• Meet local police and firefighters and see a vintage 1930s-era fire engine, and
• Visit with Santa Claus

The Holiday TrainFest and Toy Drive is presented by the Los Angeles – San Diego – San Luis Obispo (LOSSAN) Rail Corridor Agency and Amtrak® Pacific Surfliner® in partnership with Metrolink, the San Bernardino Railroad Historical Society, L.A. Rail, the Los Angeles County Metropolitan Transportation Authority, Morlin Asset Management and Toys for Tots. The U.S. Marine Corps Reserve Toys for Tots Program collects new, unwrapped toys to distribute as holiday gifts to less fortunate children in the community.

Participants can travel to the event by train from points throughout southern California, including Orange County, Ventura County, San Bernardino and the Antelope Valley using Amtrak Pacific Surfliner or Metrolink service. Visit PacificSurfliner.com or MetrolinkTrains.com for additional information, including schedules and fares.

For more information about the Holiday TrainFest and Toy Drive at Los Angeles Union Station, visit PacificSurfliner.com/TrainFest.

THE SHAPE OF WATER Movie Review

Richard Jenkins and Sally Hawkins in the film THE SHAPE OF WATER. Photo by Kerry Hayes. © 2017 Twentieth Century Fox Film Corporation All Rights Reserved

Every time that Guillermo del Toro releases a film, it feels like an event. del Toro always takes the audience on a unique journey that gives us his perspective on the world around him in only the way that he could, and The Shape of Water is no different. Much like Pan’s Labyrinth before it, The Shape of Water is a beautiful dark fairy tale that whisks the viewer into a period setting, where they’re introduced to incredible creatures, fascinating characters, and a story that reflects as much on our modern world as it does our past. In fact, the way that del Toro has put this film together, there’s almost a timeless quality to it that is hypnotizing and familiar, while also feeling like a completely separate world. It’s a fine balancing act, but it should come as no surprise that del Toro handles it brilliantly, crafting a film that may be his magnum opus.

Set in the perfect period of life that is 1962, a mute woman named Elisa (Sally Hawkins) goes about her business day in and day out at a government facility in Baltimore. But one day, her repetitive life is shaken when the lab brings in a mysterious creature (Doug Jones) from South America. Against orders from Strickland (Michael Shannon), the shady government agent who brought the creature in, Elisa begins to bond with the creature, and soon realizes that she’s the only who can save him from what’s to come. Against all odds, Elisa devises a plan to save the creature, and in the process, possibly save herself from her humdrum life as she knows it.

The most fascinating thing that del Toro does with The Shape of Water, as mentioned above, is the timeless feel of the story. In so many ways, the perfect Americana feel of 1962, and the murkiness underneath is as relevant to how we see that time now, to what we’re currently living in. Baltimore features the perfect suburbs, the happy families, and a perfect tranquil life, but it’s also just as easily shaken by dark secrets, racism, and homophobia, while also looking over their shoulders at the Red Menace known as Russia. It’s easy to paint something like this in broad strokes, but del Toro doesn’t, and he truly delves into the psyche of the people in this world he’s created, and how these things are affecting each person.

It helps that the film is stacked with a phenomenal cast, with many giving what are easily their best performances to date. Sally Hawkins in particular shines like never before as Elisa, and the amount of emotion she’s able to convey with no words is simply incredible. She fully grabs the audience, making you feel everything she does, and it’s a one of a kind performance that you can’t help but fall in love with. With no words, Elisa has quickly become one of the most interesting and beautiful characters of the year, and maybe of del Toro’s entire filmography, and that’s all down to Hawkins’ stellar performance. Much the same can be said about Doug Jones who cannot go overlooked as the Creature. Jones is del Toro’s muse, playing creatures of all kinds for the director, and here he brings to life what may be his best performance. His relationship with Hawkins is truly riveting, and the fact that the two can convey so much affection for each other with no dialogue is just incredible. Jones is a unique talent, and much like Hawkins, it’s absolutely fascinating how much he can do with just a look and the way he moves, not a single line of dialogue needed.

But every film hero is only as good as their villain, who here is played by a rather unhinged, yet oddly charming Michael Shannon. The slightly deranged Strickland is perfectly in the wheelhouse that Shannon has created for himself, and del Toro gives him incredible dialogue to really bring out what is a truly great performance. You truly believe that this man, who sees himself as a tool of God, will do anything in his power to get what he wants, and it doesn’t matter what he has to take out in the process. But as far as those big three go, there are some fantastic supporting performances as well from Richard Jenkins, Octavia Spencer, and Michael Stuhlberg – – the latter of which has had an incredible year for himself between Fargo season three, this, and the Oscar hopeful Call Me By Your Name – – that really fill out the film. Each character is uniquely situated to play a part in the darkness underneath the film, and you can’t help but love each one of the characters. It’s always been a del Toro magic trick to make characters, either supporting or lead, who are not only interesting, but layered as well, and The Shape of Water continues that trend beautifully.

Of course, one thing that the audience has come to expect from any del Toro film is something that’s not only layered, but it has to be visually arresting as well. The Shape of Water is no exception, and del Toro borrows from some of his favorite monster films and creature features, creating a uniquely interesting feel to this world. While it may not feel as fantastical as Pan’s Labyrinth or Hellboy, it doesn’t need to. The world still feels unique to itself, and while at times it feels familiar, the moments that it becomes more striking and beautiful, the more it stands out in a big way. Grounding the film the way they did actually helps a lot, because it really does make the most beautiful moments pop off the screen when they happen, but one scene in particular of the creature standing in the middle of a movie theater really stands out among the rest because it’s a uniquely defining character moment. It’s done in such a beautiful way, and del Toro captures it perfectly in only the way he can.

It’s just great that del Toro uses this film, which in a lot of ways feels like his homage to The Creature from the Black Lagoon, as a sort of mouthpiece for what’s wrong with the world right now. The blatant hate or disregard for those that are different, whether they’re a different nationality, skin color, sexual orientation, or just plain different like Elisa, and how that will truly be our downfall. The Creature knowns no better about this world, and he sees Elisa as beautiful, not because of how she looks, but because of who she is. del Toro uses his platform to preach the simplest, but most effective of rules of life: treat others with respect. It’s quite simple, and yet human nature has continually pit us against each other for years, which really adds to the timelessness of the film, while also being a bit of a dour warning. The world isn’t perfect, and it doesn’t need to be, but we need to better than what we do to each other, and del Toro shows this in a way that doesn’t feel like it’s beating you over the head, but in a way that says wake up, we can’t do this to each other anymore. This film also really pushes the beauty of love, and the lengths it will push those who find it. But more than that, it also shows that love is blind, and it’s more important who you are than what you look like.

The Shape of Water is a truly beautiful film that is beautiful, heartbreaking, and wonderful all at once. A true dark fairy tale from the master Guillermo del Toro is not only one the year’s most unique offerings, but it’s one of the year’s best as well. Stacked with a fantastic cast, with Sally Hawkins and Doug Jones really standing out ahead of the pack, this is easily one of the most relatable and beautiful films of del Toro’s filmography to this point. In many ways, this may be he his best film, but even if you don’t find it that, you’re sure to find that this is easily a film you can fall in love with. This is a film that must be seen, and must be heard, because del Toro has truly poured his heart and soul into it.

Super Mario Cereal from Kellogg’s Makes Breakfast a Playful Experience

Cereal Boxes Have amiibo Functionality Built In!

With Super Mario Cereal, Nintendo and Kellogg’s® have teamed up to take fans on a breakfast odyssey that will continue long after the cereal box is empty. In addition to collectible Super Mario Odyssey box art, each Super Mario Cereal box functions as an amiibo accessory, making breakfast a more playful experience.

“This powered-up partnership with Kellogg’s is another exciting way for us to expand the Nintendo brand in unique and creative ways,” said Tom Prata, Nintendo of America’s Senior Vice President of Strategic Initiatives. “We are always looking for new opportunities to bring smiles to people of all ages, and this is a fun way to kick off the day.”

The limited-edition cereal box will begin hitting store shelves across the U.S. as early as Dec. 11. Those playing the Super Mario Odyssey game can tap the cereal box on the Nintendo Switch system, like you would an amiibo, to receive gold coins or a heart in the game. Even the cereal itself has a Super Mario twist, with colorful power-up marshmallows and a blast of mixed berry flavor in every box.

“We are thrilled to pack so much fun into one box of cereal,” said Brad Schwan, Senior Director of Morning Foods Marketing. “The package adds value and excitement for fans, with marshmallow shapes in the cereal inspired by Super Mario power-ups to tie the theme together.”

For more information about Nintendo, visit https://www.nintendo.com/. For more information about Kellogg’s, visit https://www.kelloggs.com.

Remember that Nintendo Switch features parental controls that let adults manage the content their children can access. For more information about other features, visit http://www.nintendo.com/switch/.

The Queen Mary’s All-New CHILL Unveils Calendar of International Holiday Celebrations

The world-famous Queen Mary invites guests to embark on an international holiday expedition this winter with the unveiling of the all-new CHILL, open December 13, 2017 through January 7, 2018. Featuring the first-ever Ice Adventure Park in the U.S., the newly-inspired CHILL offers a rush of icy family fun with nightly entertainment throughout the park including international cultural celebrations, live music, Rockettes-style dance performances, fireworks, light shows, DJs, dancing, tasty food, a nightly Christmas Tree lighting ceremony and much more.

Experience the 38,000-square foot ice park honoring international holiday celebrations with one-of-a-kind entertainment and traditions of Germany, Switzerland, China, Russia, Holland, and the North Pole. Embark in traditional Chinese entertainment in CHILL’s version of the Forbidden City with nightly performances by Shaolin Monks and experience first-hand the beautiful rhythmic movements of the traditional Lion Dance. CHILL’s Kung Fu Forest will offer fireworks every Sunday night. Glide through the finish line of Shanghai Speedway nightly ($5 add on) on CHILL’s big wheel ice bikes. Saunter down Lantern Lane into the Lucky Bamboo and meet CHILL’s Panda Character for warm bear-hugs and unique selfie opportunities.

Take in the traditions of Germany with a stroll through CHILL’s Munich Market and raise a stein to the nightly live tunes from the authentic Alpine Band. Meet the ethereal Christkindle, the German gift bringer and bearer of lights, and shop traditional holiday trinkets and souvenirs at the nightly festive market. Cozy up in Switzerland’s Alpine Square by roasting marshmallows and building gooey s’mores at the toasty fire pit. Dine in the Alpine Lodge, open nightly, serving traditional Swiss bites overlooking the Matterhorn Mountain tubing slide and meet the gift bearer of the Alps, Sinterklaas, for photos and celebrations of the Twelfth Night.

Show off your best grooves as the DJ spins today’s top hits at the Russian Disco in CHILL’s Blizzard Boulevard. Experience the magic of the Northern Lights Show offered nightly at the Aurora Borealis Light show and meet the gift bringers of Russia, Father Frost and The Princess. Holland’s Windmill Way will offer nightly performances on the Illumination stage with hourly performances by Rockettes-style dancers and a nightly tree lighting ceremony. Meet the magical Father Time, Holland’s gift bearer who will share interesting facts on stargazing and how the Dutch discovered the telescope. Skate over to America’s North Polefor a visit and photo with Santa Claus and Mrs. Claus. Visit the Candy Bar to grab sweet treats for the little ones, and liquid candy sips for the adults.

The all-new CHILL also offers an opportunity to experience international fare. Tempt your taste buds with beverages and bites from around the globe including Germany’s Twisted Pretzel and Tasting Tavern and the Brat Haus. Pay tribute to Swiss delicacies with a visit to the Zurich Deli, the Fondue Pot, and the Alpine Lodge’s restaurant: Chateau Bar. Sip on traditional teas in China’s Zen Teahouse and the Hot Pot. Then warm up in the Russian Pierogi Paradise or the Stroganoff and Stew Pot. Curb your sweet tooth with gourmet donuts, make-your-own Gingerbread house or visit the Fire Pit to make holiday s‘mores.

CHILL pricing starts at $29.00 for adults (ages 9+) and $19.00 for kids. VIP Ultimate Expedition tickets are also available starting at $79.00 for adults (ages 9+) and $69.00 for kids. CHILL will run Dec. 13, 2017 – Jan. 7, 2018, excluding Dec. 31, 2017. For more information, including an entertainment schedule, hours of operation and to purchase tickets online, visit http://queenmary.com/chill/

Meandering Through Monterey’s Cannery Row and Aquarium

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Ever since reading John Steinbeck’s classic 1945 novel “Cannery Row,” I’ve dreamed of Monterey, California. The book’s imagery of old wooden piers, fish packing plants and colorful characters have lingered in my head for years. Add to this a yearning to also experience the world-famous Monterey Bay Aquarium and it’s easy to see why I was so excited to recently visit the town.

My Northern California getaway began on the way home from a stay in Carmel-by-the-Sea. While taking Highway 1 back, a friend and I decided to pull off in Monterey for some spontaneous fun. Exiting the freeway, we followed signs to Cannery Row, where we parked beneath an old building called “Aeneas Sardine Packing Company Cannery.” This was one of the last fish canneries built on Cannery Row, before the sardine industry collapsed in the mid-1940s.

Cannery Row is filled with great shopping, history and ocean veiws

We were now on the historic stretch of land from the book. As we walked down the street, which is now named Cannery Row, we past a few other old and colorful cannery buildings, such as the Monterey Canning Co and the Cannery Row Company, which have been turned into gift shops, coffee shops, clothe stores, restaurants and hotels, with nautical themes and references to the novel. We then grabbed an ice cream cone at a place called Dippin Dots and I read some local history.

The area began getting busy in the 1850s when Chinese fishing families crossed the Pacific in junks, settled at Point Ohlones (“China Point”) and helped establish Monterey’s fishing industry. After the Southern Pacific Rail Road arrived in the 1880s, the harbor began to grow and in the early 1900s the Monterey canning industry began, with the building of various canneries.

When World War I hit, the demand for fish products grew and additional canneries were erected and new fishing boats arrived. Then the Great Depression came and the industry was rocked, but managed to survive thanks to the usefulness of sardines as food and fertilizer.

The Cannery Row Monument is a tribute to the famous novel and people of the fishing industry 

It was in this tumultuous period that Steinbeck drew inspiration for his masterpiece Cannery Row, which followed the exploits of down and out characters against a backdrop of brothels, flophouses, a Chinese grocery store and the laboratory of a marine biologist named Doc.

While touring town, we came to Steinbeck Plaza and found The Cannery Row Monument, which pays tribute to nine important characters that played pivotal roles in Cannery Row’s history, including John Steinbeck, marine biologist Ed “Doc” Ricketts and some of the Chinese fishermen who helped start the industry. The monument is located on a wooden pier, with incredible views of Monterey Bay.

Tiny shacks once used by local canning workers are preserved on Cannery Row 

Across the street from the monument we bought a Monterey t-shirt at Mackerel Jack’s Trading Co. and then discovered some of the actual tiny, bungalow houses used by the early cannery workers. The simple, one-room shacks are well-preserved with original furniture and plaques on the outside to tell the stories of the Filipino, Japanese and Spanish workers who occupied them.

The pier on Cannery Row offers great food and views

At the end of the very busy and touristy Cannery Row street is the Monterey Bay Aquarium, where we spent a couple of hours visiting with sea otters, sharks, seahorses, tuna, penguins and thousands of other marine animals. In addition to changing special exhibitions, the facility’s acclaimed permanent exhibits include a towering three-story kelp forest; touch pools and other hands-on exhibits; the award-winning Splash Zone family galleries; and the million-gallon Open Sea exhibit.

As the aquarium’s largest exhibit, the Open Sea is highlighted by a 90-ft window which offers a front row seat to huge tuna and sharks, glittering schools of sardines, and slow-moving sea turtles. Nearby, colorful puffins await their next meal, and brilliant jellies pulse through the water.

The Monterey Aquarium showcases ocean life in incredible exhibits 

The Kelp Forest is another must-see. This 28-ft-high exhibit is one of the tallest Aquarium exhibits in the world and offers unique views of sardines, leopard sharks, wolf-eels and a host of other fishes as they weave through swaying fronds of kelp.

For more information on visiting Monterey and Cannery Row, visit: www.seemonterey.com or www.canneryrow.com. For more information on the aquarium, go to: www.montereybayaquarium.org

The Disney Diaries: A Disneyland Holiday Postcard

“It’s the Most Wonderful Time of the Year!”

Now that Oogie Boogie and the spooky haunts have officially vacated Disneyland, Santa Claus and Mickey have decked the halls and castle with their seasonal best. Christmas has arrived and will be with us until January here at the Disneyland Resort.

The Christmas Fantasy Parade has returned along with many seasonal favorites that span both parks that take over the majority of the park in holiday splendor. Though not much has changed from year’s past, you may find a few hidden gems and surprises sprinkled in with the familiar.

Toys for all the children!
Toys for all the children!

One of my personal favorites is the addition of holiday themed movie posters in Cars Land. Similar to the Halloween overlay, we get a punny look at Disney classics that really steal the show. Luigi and Mater also have their share of holiday magic with Christmas overlays of both attractions.

These posters are fantastic!
These posters are fantastic!

Back in Disneyland, you can still visit Haunted Mansion Holiday and now can trek down to Disneyana to get a replica of this year’s iconic gingerbread house. Though it isn’t rose gold, it’s bound to catch a few eyes for those hardcore Disney collectors.

You can also find some nice "Nightmare" themed ornaments for sale.
You can also find some nice “Nightmare” themed ornaments for sale.

Speaking of collections, Disneyland has finally brought back some more vintage Mickey designs for their Christmas accessories and merchandise. The past few years have been heavily dominant to a more Victorian sense of style and I am so glad to see some more classic Disney touches to the stockings, tree skirts, and items you can bring home for your own holiday designs.

Moving past the glitz and glamour of the storefront windows, another important thing to remember during the season is food. In Disney California Adventure, The Festival of Holidays has come back with a tour of various food and drink to enjoy. For $45, Annual Passholders also get to grab a “Sip and Savor Pass” that gives them 8 food/drink vouchers that can be used for any of the booths at the festival (excludes alcohol).

I was able to try the Baked Cheesy Scalloped Potatoes, Braised Lamp Cheeks, and Holiday Mickey and Minnie Cookies. There are plenty of foods I want to go back and try, creating a great incentive to visit the parks more than just once.

Candy, Chocolate, and Coco!
Candy, Chocolate, and Coco!

Chocolate!

During Halloween time, I made a habit of trying something new each weekend. From the bison burger to the hot mac and cheese cone, I had no complaints. Trader Sam’s is definite on the holiday list, along with a yule log, and potentially any other chocolate or peppermint offering they can throw at me. Christmas is the perfect excuse to drink and be merry!

This past weekend was my first trip back and I still love every moment of it. This time of year, though very crowded, is comforting and special. I can’t wait to venture back in and see what else I can discover.

It makes me also think about how things will be with years to come. Change is just around the corner, and though Christmas time is a reliable constant at Disney Parks, there are new additions that are bound to take center stage. Viva Navidad over in Paradise Pier is a great example of that. Though still a new concept, it’s a beautiful display of cultural immersion and spectacle that has become an annual tradition. It’s something I have really learned to appreciate.

Disney California Adventure is a great platform for new ideas and I would love to see more diverse options in the next few years. The Festival of Holiday’s inclusion of various music and performance art from around the world is a testament to that. It’s a positive message that really deserves to be noted.

Meanwhile, Disneyland has let go of some of it’s newer additions by axing Jingle Cruise this year. Though the initial year’s launch didn’t float everyone’s boat, the second year really turned some heads.

I’m really sad to see all those holiday puns go down the drain, but maybe there will be some new risks and chances for future holiday fun. As long as we don’t see Disney acknowledge the Star Wars Holiday Special (which doesn’t exist in my universe) when Galaxy’s Edge debuts, I am perfectly ready to see what’s coming next.

Here’s to many a Christmas to come!

The Voices of Disney/Pixar’s Coco talk about Music, Family Traditions, and Latin Culture.

Disney Pixar’s newest animated film, Coco, is filled with Latin culture and traditions. The press conference began with a surprise folkloric dance with mariachi.

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Across the cast, everyone was humbled by the opportunity to share the Latin tradition of Dia de Los Muertos with the world. We had the opportunity to meet with the cast, producers, and directors to hear how Coco came to fruition.

The panel began with the host directing the questions and then opened the floor for those invited to the event to ask questions. The host began by asking how the cast felt about the premier of the film, premiered at El Capitan Theater. The cast felt like they were on Cloud Nine from the modern cultural masterpiece.

So how did Coco come to fruition? Lee Unkrich and Adrian Molina discus this topic:

LEE UNKRICH: So Darla, and Adrian, and I all worked on Toy Story III together. And when we finished that film, I started to think about what was next, and I had a few different ideas that I was kicking around. And one of them was the idea of telling a story set against Dia de Mortos. I had always been interested in the tradition, and I spent some time doing some research, and really trying to understand more than I already knew. And the more that I dug in, the more that I learned about how central family is to this celebration, and that Dia de Mortos is, you know, is all about this obligation that we all have to remember our loved ones, and to pass their stories along. And I just really started to see the potential to tell a unique story, to tell a story that could only be told in animation, that could be visually dazzling, but also had the potential to have a real emotional core to it. And that was really kind of the beginning of this journey. And we immediately headed down to Mexico and started – went on the first of what proved to be many lengthy research trips, to spend time learning about the traditions, learning about the culture, and spending a lot of time with many beautiful families down in Mexico.

HOST: Interesting. Adrian, for you, having a Mexican background, how does it feel to be writing and co-directing this film?

ADRIAN MOLINA: It has been a pleasure. It has been, you know, the highlight of my career up to this point. I started on the film about a year and a half to two years into the production. I had finished the storyboarding on Monsters University, and it just one of those ideas that ticked off so many things, or checked off the boxes of so many things that I’ve always wanted to see in a film – that it deals so strongly with this idea of family, Miguel and his musical passion, and especially the expression of these Mexican traditions. You know, it’s one of those things that I felt like I had a lot of experience to bring to it, and also just the – the way we work at Pixar, it’s such a collaborative effort, and to be able to work with all of these actors, all of these musicians, and to really bring to life this culture on screen was something that I was thrilled by.

We got to hear from the voice of Miguel, Anthony Gonzalez, about his experience with his first movie.

ANTHONY GONZALEZ: Oh, well, I just really loved the making of it. I loved being with Lee, Darla and Adrian in the booth, and other people. And there was just so much fun, because it was very easy for me because I had the guidance of them three, and it was just – it was like a breeze for me, and it was just so much fun doing the voice of Miguel.

Anthony Gonzalez is a talented and ambitious 13 year old. This is one of the reasons why he landed the role. Lee explains his experience with Anthony Gonzalez auditioning for the role of Miguel.

LEE UNKRICH: At his very first audition, you know, we had him read a bunch of scenes, script pages. And then when we were all done, he took out a CD, and he said, “I brought a song I want to sing to you.” And at that point, we didn’t even know if Miguel was going to be singing in the movie, so that wasn’t part of the audition. And unfortunately, we didn’t have a CD player that day, where we were. So Anthony, true to his great spirit just said, “Oh, well, whatever – I’ll just sing it a cappella.” And he launched into this beautiful, like, 10 minute long, sweet rendition of this song, sung just to the few of us. And you know, we were already wowed by his audition, and then that just really sealed the deal.

Coco showcases a lot of Latin culture, specifically Mexican culture, throughout the entire film. So how did the rest of the cast feel about the opportunity to share their culture? We got to hear from Gael Barcia Bernal, voice of Hector, and Edward James Olmos, voice of Chicharron.

GAEL BARCIA BERNAL: Oh, wow, it – I mean, it is such a privilege to be here, I mean, to be now, right now, talking to you, to be talking about the movie, to know the result of it, because it is – it is always an act of faith in a way, no? I mean, and then 

you get invited to – when I got the invitation to meet with Lee, with Adrian, and with Darla and talk about the movie, I remember how already I was so convinced about it, you know, before going into the meeting with them. And after the meeting, I was just amazed by the amount of research; also the incorporation – the – kind of like the holistic kind of approach that they were trying to do to the Day of the Dead celebration, that they were also putting forth a very personal point of view, as well – which ultimately, personal point of views are what make a movie good, you know – is what makes a movie good. And I was willing to jump into that, into that trip, you know, and to interpret that point of view. And now the results – I’m just – you know, I’m – it has transcended all my expectations. And this is what happens when the film becomes good, as well, but there’s nothing you can expect that will match a result when a film is good. It’s just – it overcomes it, you know, it’s impressive. So I mean, I’m really happy for, and proud, and lucky to be part of this, with all this great team, with all this collaborative effort, me being a little part of it, being able to put forth, as well, into the world, a very, you know, story, a little fable about a mythology, and a tradition that I hold very dearly, like the other mortals, and that – very proud, as well, that Mexico can give this to the world, you know, and everyone in the world can adopt this tradition, this reflection on death – you know, which is a very, very important thing to do, I think, in life.

EDWARD JAMES OLMOS: when they asked me to play the role, I was privileged. I mean, this became a real honor, because it – that character is what the story is. I mean, every single person in the room that’s seen that movie understands very well that what it means is if you don’t remember your loved ones, they’re gone. If you don’t tell the stories of that loved one, they cease to exist. And it was that simple. And so when I ended up – they asked me to do it, I said, “Of course. It’d be my honor.”… And as it went along, and I – then my part came in, and I said, “Oh, my God,” I emotionally – I felt emotional for this guy. And Chicharron became, within a matter of a minute and a half to two minutes, became someone that I could identify with, you know – a relative, a friend, a person, that – and is said, “Wow.” … It’s gonna take that long for it to resonate throughout the planet, and really take hold of what art does to people in their subconscious mind, and what it does to – I mean, people who have never – are gonna see this movie, are gonna come out really moved, especially if you haven’t thought about your parents, or you haven’t thought about your loved ones, and you haven’t really gotten into your own family, and you haven’t – you’ve been too busy living your life, that you haven’t gone back to even say thank you.

Coco is a very touching movie that will make you feel the love for your family and friends. The cast talks about how they felt about the movie. Alanna Ubach, voice of Mama Imelda, shares her experience about sharing the film with her family. 

ALANNA UBACH: Waterworks. I was sitting in between my husband, and my mother. And I told my mother that I had a surprise for her, because she used to sing [PH] Laorona to me when I was a little girl, in order to make me go to sleep. Laorona will put you to sleep if you don’t go to sleep. No – that’s another story. But I was – I kept telling her, “I have this surprise for you.” And she said, “Oh, I can’t wait. I love surprises.” And so the lights dim, and she’s watching it, and she sees Coco, the [PH] Awella for the first time, and she says, “Aye, [PH] yo [PH] Solana.” You’re Coco. I’m like, “No, no, no, Mom. Just keep watching.” She said, “Okay.” I watched her cry, like three times, and then Miguel is finally introduced. “Ay – Alanna, you’re Miguel? You’re the voice of Miguel.” I’m like, “No, Mom, keep watching. Keep watching.” And finally Laorona came on, and it was just waterworks.

The press had the opportunity to ask the cast some questions. Since Coco was an evolving story that was in production for about 6 years we were curious to know how Miguel’s role as a musician developed.

PRESS: Can you talk a little bit about, you know, when you went in to record your music part, you know, how did you feel, and were you thinking about some of your own family members when you sang your songs?

LEE UNKRICH: Well, to just quickly answer the first part of it – from the very beginning, this was an evolving story. We went down a lot of different paths. I think we always knew that Miguel was going to be a musician that he’d be playing the guitar, but we didn’t know that he was going to be singing, necessarily. So at the time that we auditioned Anthony, you know, we weren’t sure of that. But once we knew he could sing we tried to take full advantage of his talents.

ANTHONY GONZALEZ: Okay. Well, when I knew that I was going to sing that day in the booth, I would get so excited, because you know, I love to sing, and especially these wonderful songs that Adrian Molina, Germaine Franco, and other people made – they’re just, they’re just incredible messages. They send incredible messages, and they’re just incredible lyrics that – I love to sing, like Pragardocon, I just love the rhythm, and the melody, and the lyrics, like, “Remember me” – it’s very sentimental. And for me, my grandfather passed away when I was six years old, and he was very special to me because he would always support me in my music career. And so yeah, every time I would come to sing like, songs, it would remind me of him, and it would make me feel like he was there, and he was present with me.

The film is out on November 22, 2017. A perfect time during the Thanksgiving holiday for families to experience this heart-warming film. Coco is filled with surprises that have an emotional core around family values while being a visually appealing film.

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