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Meet the Cast & Filmmakers of "Ben-Hur" Press Junket

We recently had the opportunity to sit down with the Cast & filmmakers at a Press Junket for Ben-Hur which was held at Four Seasons Los Angeles. Producers Mark Burnett and Roma Downey started the roundtable interviews.

Mark and Roma talked about the film’s Director, Timur Beckmamnetov. Mark Burnett said that Timur not only brought a grittiness to the film but a sensibility to bring a timeless classic to a new young audience. Roma Downey added how Timur studied Formula 1 and Nascar racing to bring different shooting angles to create the experience of not just sitting in the theatres but of being a part of the chariot race.
Roma and Mark shared the hopes that this film will bring to light the emphasis of forgiveness versus the vengeance that is needed during today’s upheaval that surrounds our country.

Jack Huston provided great insight on the challenges of playing the part of Judah Ben-Hur. The training for and filming of not only the chariot race but also Judah’s time on the slave ship required a lot of discipline. Losing 30 lbs. for the slave ship scenes was physically demanding but also emotional during his transformation of a sweet somewhat naïve prince into a hardened slave driven by hate Four hours of make-up and the physical side of filming the scenes was amazing yet taxing. Asked about his thoughts on portraying Ben-Hur, Huston shared that the film was one he loved and he respected Charlton Hesston’s performance but realized that the script paid homage to the original, but also allowed for the retelling in a modern, more relatable manner.

Ending the interview with a discussion of the chariot scene, Huston gave us a small look at the unbelievable experience of being a part of the scenes. Training nonstop, Huston and his co-stars were able to do all the scenes themselves. Morgan Freeman was very down to earth and talked about the stronger character he portrayed in this version. His relationship with Ben-Hur and the leadership he provides brings an added dimension to the characters. Mr. Freeman also brought up the fact that this film brings to light, especially in the today’s society, the meaning of love, hate, revenge and forgiveness.

Jack Huston plays Judah Ben-Hur in Ben-Hur from Metro-Goldwyn-Mayer Pictures and Paramount Pictures.
Jack Huston plays Judah Ben-Hur in Ben-Hur from Metro-Goldwyn-Mayer Pictures and Paramount Pictures.

Rodrigo Santoro & Nazanin Boniadi talked about their characters and the difference in how much stronger and more visible they are in this new version. Santoro’s demeanor and personality encompassed a calm and spirituality during the interview. Boniadi expressed the closeness she and Santoro developed during filming which helped bring to the screen the commitment and dedication to Jesus, as her character grows. Santoro’s comments about the crucifixion scene were that it was an iconic moment. Challenging to recreate and shoot carried a huge responsibility.

Toby Kebbell and Pilou Asbaek closed the roundtable with their thoughts about playing Messala and Pontius Pilate. Pilou comments about researching other military figures to help him portray his character. Sharing a story about a YouTube clip the director showed Asbaek about a unit in Afghanistan, Pilou realized the speech was from the film Gladiator and realized how film imitated life imitating film.

Toby talked about how interesting it was to be unlikeable and have to make such hard decisions. Toby wanted to make a point about his character in that it’s not about being a bad person but about the effects that a terrible decision causes. It was important for Toby (Messala) not to be the villain. The common theme between the cast was that their hope for the film is that viewers realize and learn the meaning of forgiveness.

Movie Review "Ben-Hur"

Originally released in 1959, Paramount Studios and Metro-Goldwyn-Meyer (MGM) Pictures presented the new version in 3D. The new film is directed by Timur Beckmamnetov and produced by Sean Daniel, Joni Levin and Duncan Henderson. Along with Executive Producers Mark Burnett, Roma Downey, Keith Clarke, John Ridley and Jason F. Brown, the film brings a new look and feel to the original that will keep movie viewers of all ages on the edge of their seats.

Like the original, this version based on the screenplay by Keith Clarke and John Ridley brings us the story of Judah Ben-Hur and his path of revenge.

The film starts out with the first few minutes of the famous chariot race, but flashes back to Judah Ben-Hur (Jack Huston) and his adopted brother Messala (Toby Kebbell). Best friends and “brothers” since childhood, a freak accident during a competitive race cause hard feelings between Messala and his adopted mother. The events lead to Messala’s departure to find himself. While Ben-Hur a Jewish Prince remains in Jerusalem with his mother, Noemi (Avelet Zurer) and sister Tirzah (Sofia Black D’Elia).

Messala’s return as an officer of the Roman army brings changes to not only the city but to Judah and his family which now includes Esther (Nazanin Boniadi) previously a Jewish slave and now the wife of Judah. After a happy reunion, a series of unfortunate events, lead to Ben-Hur being falsely accused and punished for treason against the Roman empire. Messala is forced to sentence Ben-Hur to a life of slavery. After spending 5 years in the galley of a Roman slave ship, Ben-Hur escapes when the ship is lost in a battle. Judah is rescued by the wealthy Sheik llderim (Morgan Freeman) who plays a prominent figure in the training of Ben-Hur as a charioteer and helps plot revenge against Messala.

Unlike the 1959 award winning film which starred Charlton Heston, the new version brings several characters forward in bigger roles and allows the film to take a modern approach to the timeless classic. Morgan Freeman along with Nazanin Boniadi’s characters come across stronger and provide much better depth, influencing key scenes to allow the viewer to see Ben-Hur in a modern light while keeping the emotional themes of the original 1880 novel written by Lew Wallace. Rodrigo Santoro portrays Jesus perfectly bringing a calm and peaceful strength to each scene. His strong presence throughout the film enhances the storyline to an almost spiritual degree. And his miracles may well renew faith and hope in the hearts and souls of many film viewers.

While the famous chariot race near the end will have your heart racing faster than the horses at each turn of the track, the pivotal scene of Jesus’ crucifixion and Ben-Hur’s reaction will cause your heart and breath to pause.
An emotional uplifting film that reminds viewers of how far love, hate, revenge and forgiveness can take us.

Ben-Hur is now playing in theaters. Ben-Hur is the movie of the year!

"American Horror Story" Comes to Life at Universal Studios' Halloween Horror Nights

One of the most horrifying and wickedly gruesome shows in television history is bleeding off the screen and into your nightmares.

“American Horror Story,” FX’s critically-acclaimed, Emmy and Golden Globe Award-winning television series that has terrorized viewers for five suspenseful installments, will come to life at “Halloween Horror Nights” at Universal Studios Hollywood and Universal Orlando Resort, beginning Friday, September 16.

Three chapters of “American Horror Story” will haunt the nation’s best, most intense Halloween event in all-new frightening mazes. Guests will embark on a terrifying journey to become the next doomed residents of Murder House from Installment 1, tortured performers in the disturbing and twisted Freak Show from Installment 4, and victims of the otherworldly, death-dealing Hotel from Installment 5.

For the first time ever, guests will venture through Ryan Murphy’s groundbreaking horror anthology, encountering a plethora of iconic scenes and memorable characters designed to jolt them to their very core. Twisted scenes from Murder House will unleash the evil spirits that possess the Harmon estate, spiraling guests through decades of the tortured dead who previously resided there. In Freak Show, guests will join a troupe of biological misfits in a sinister sideshow where they’ll be stalked by the murderous and deformed Twisty the Clown. Finally, guests will succumb to the warped desires of The Countess after checking in to the haunted Hotel Cortez, conceived from the beginning as a torture chamber for its customers.

“‘American Horror Story’ is one of the most disturbing television shows ever produced, and with such perverse storylines unfolding with each installment, ‘Halloween Horror Nights’ is undoubtedly the only place that could create a living version of the nightmares that Ryan Murphy dreams up,” said John Murdy, Creative Director at Universal Studios Hollywood and Executive Producer of “Halloween Horror Nights.” “Plus, as a fan favorite, ‘American Horror Story’ has been the number one requested maze from our guests and we’re excited to let them know that we listened to them and are bringing ‘American Horror Story’ to life.”

“‘American Horror Story’ is engaging for so many reasons, one of them being the fantastic way each installment of the series reveals completely new characters and stories for its viewers,” said Michael Aiello, Director of Entertainment Creative Development for Universal Orlando Resort. “It’s that constant evolution that makes this popular series a perfect fit for Halloween Horror Nights – and we can’t wait for our guests to experience some of the horror they’ve seen on the show.”

“20th Century Fox Consumer Products is thrilled to team once again with Universal Studios to premiere visionary Ryan Murphy’s groundbreaking series, ‘American Horror Story’ through an all-new Halloween Horror Night maze,” said Greg Lombardo, SVP of Global Live and Location Based Entertainment, 20th Century Fox Consumer Products. “The attraction – which showcases multiple chapters from the acclaimed FX anthology – offers a chilling live-action thrill and simultaneously complements the series highly anticipated premiere on September 14th.”

Captivating – and shocking – viewers since its debut in 2011, “American Horror Story” has won 13 Emmys, two Golden Globes, four Critics’ Choice Awards and one People’s Choice Award. “American Horror Story” 6 begins September 14 on FX.

Universal Studios’ “Halloween Horror Nights” is the ultimate Halloween event. For more than 25 years, guests from around the world have visited “Halloween Horror Nights” in Orlando and Hollywood to become victims inside their own horror film. The streets of each coast’s event are transformed into highly-themed scare zones where menacing “scare-actors” lunge from every darkened corner. Multiple movie-quality haunted houses are erected throughout the event, based on anything from iconic slasher films to hit horror television series to haunting original stories.

Additional details about Universal Studios’ “Halloween Horror Nights” will be revealed soon. For more information about Halloween Horror Nights at either Universal Studios Hollywood or Universal Orlando Resort, visit www.HalloweenHorrorNights.com.

New Trailer ROGUE ONE: A STAR WARS STORY

Lucasfilm’s Rogue One, which takes place before the events of Star Wars: A New Hope, tells the story of unlikely heroes who have united to steal plans to the dreaded Death Star.

The cast includes Felicity Jones, Diego Luna, Ben Mendelsohn, Donnie Yen, Jiang Wen, Mads Mikkelsen, Alan Tudyk, Riz Ahmed, and Forest Whitaker. “Rogue One” is directed by Gareth Edwards, produced by Kathleen Kennedy, Allison Shearmur, and Simon Emanuel, executive produced by John Knoll and Jason McGatlin, and co-produced by John Swartz and Kiri Hart.

“Rogue One: A Star Wars Story” opens in theaters December 16, 2016!

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Dongpo Kitchen, the First-Ever U.S. Casual Dining Concept Now Open at Universal CityWalk

Dongpo Kitchen, inspired by celebrated restaurant Meizhou Dongpo and its renowned and innovative owners, Chef Mr. Wang and his wife Mrs. Liang, join Universal CityWalk™, serving up authentic Sichuan cuisine in the first-ever U.S. casual dining concept is now open exclusively at the iconic open air destination.

Renowned for its Sichuan-style fusion of traditional and creative cooking, Meizhou Dongpo has become a widely respected and recognized restaurant with over 100 locations across China. In 2008, the 20-year establishment won the prestigious honor of catering the Beijing Olympic Games for thousands of athletes from across the globe within the Olympic Village.

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Located at the heart of CityWalk in a completely remodeled, artisan-inspired venue, Dongpo Kitchen will tantalize diners with upscale and modern Sichuan cuisine within the comforts of a casual environment. Offering both indoor and al fresco dinning, the new CityWalk restaurant will serve Southern Californians, and guests visiting from around the globe, a variety of signature dishes ranging from Dongpo fried noodles, roasted duck salad, spicy chicken to specialty beverage shakes such as dragon well green tea and roasted oolong milk tea.

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The much anticipated arrival of Dongpo Kitchen to Universal CityWalk coincides with the vibrant outdoor epicenter’s elaborate, multi-million dollar revitalization.

For over 20 years, CityWalk has boosted the city’s rhythm through a foundation built on providing memorable entertainment experiences. With a series of dramatic enhancements currently underway that includes the introduction of new restaurants, shopping experiences, visually aesthetic design features and a state-of-the-art movie theatre renovation, the spotlight shines brightly on CityWalk as it continues to resonate as one of L.A.’s most influential lifestyle centers.

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Relive the Magic of the Main Street Electrical Parade at Disneyland Park

When the news released earlier this week, it still gives me goosebumps as I write this. The Disneyland blog released that for a limited time an encore engagement of the Main Street Electrical Parade will return home to Disneyland in California in early 2017.

The sheer emotions that guests will have hearing the famous Baroque Hoedown blast thru the speakers down the parade route once more, and the electro-synthe-magnetic musical sounds will give guests of all ages a magic vibe in the air. The older generations can now share and “relives fond memories of the past…and here youth may savor the” original night time spectacle form many moons ago. I feel the sheer joy and happiness of this pageant of lights will bring families and generations closer together. Maybe to some of our younger generations only know the Main Street Electrical Parade was a thing of the past or that this current generation has been introduced to or familiar with only Paint the Night Parade.

The original Disneyland Main Street Electrical Parade opened on Saturday, June 17, 1972 and it ended its run on Monday, November 25, 1996, over the 24 years this night time parade ran at Disneyland almost nightly. Years later Disney brought it back to Disney’s California Adventure Park on Tuesday, July 3, 2001 to bring in guests during Disney’s California Adventures first summer to draw in the crowds and it closed on Sunday, April 18, 2010. The parade currently running at the Magic Kingdom in Florida will conclude its open end run on Sunday, October 9, 2016.

Now that the Main Street Electrical Parade will grace us with its presence once more here in California for a limited time engagement, I wonder what new surprises they might have up their sleeves. Are we going back to the original concept that Walt had envisioned with the Blue Fairy opening the parade once more? I sure hope so… when I learned that the Blue Fairy was Walt’s favorite fairy also since she was the original, for many years the Blue Fairy would open each Disney parade, her last nod was during Disneyland’s 50th Anniversary with Walt Disney’s Parade of Dreams.

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Who else is ready to join us and the hundreds that will come out and relive the magic of this nighttime spectacle, dust off that denim jean jacket, T-shirt, sweatshirt or button the Main Street Electrical Parade will be on its way back home soon enough! More news and updates about its return as we get word of the official date. Join us at SoCalThrills as we will be their on opening night.

Hot and Steamy 'Cabaret' Arrives in OC

The undeniably sensually erotic Broadway classic has made its way to town!  Greeting audiences with the sexy and seductive “Willkommen” number sung by that flamboyantly colorful iconic Emcee, the show begins as one should expect from a show called CABARET.  While the first act remains mostly cheery, energetic and full of exotic numbers, Cabaret’s second act may find audiences in darker not-so-happy place.  Regardless of structural issues stemming from the source material, this production of Cabaret is polished with a solid cast and top-notch performances.

Leaving a slightly sour taste in theatergoers mouths by lights out, those that may not know what they are getting themselves into will leave the theater scratching their heads.  Cabaret is not the musical you’ll be leaving uplifted and skipping away to your car humming away to the beat of any reprise.  Rather this 1966 classic invigorates non-expecting deeper thought out of an unlikely type of musical.

Originally hitting Broadway in the 60s that would later spawn to a 1972 film starring Liza Minnelli, Cabaret has been followed up by a long stint in London, Broadway revivals, and countless national tours.  The shows leading lady Sally Bowles has been played several famous actress other than Minnelli including Molly Ringwald, Judi Dench, Michelle Williams and even Emma Stone.  It’s safe to say there is a definite clear audience for this musical, but it’s not without some structural flaws and a difficult ending.

Taking place around 1930s Berlin, Cabaret features the carefree sexually curious side of Germany just prior to the Nazi takeover. The first half focusing heavily on an unsuccessful novelist from America and an unwanted starlet from the Kit Kat Club.  When their paths meet, they are remain tied together with their need for a place to stay.  Living in an old apartment-like complex owned by a stickler of a landlord, Fraulein Schneider, their stories get interwoven and convoluted with Faulein’s new love interest and the antisemite politics that struck Germany.

Cabaret Providence Performing Arts Center

Strangely enough the second half of Cabaret plays vaguely familiar to the second act of The Sound of Music, which was last played here, but without the upbeat fun-loving musical numbers from Rodgers and Hammerstein.

Every musical number is well-sung and well-choreographed nearly outshining any dialogue heavy moment as the stories progression can be oddly paced, and at times rushed.  At times reprises seem long and unwarranted.  Sally and her unbelievable love interest, Clifford, fall for one another truly out of the blue.  The love affair never felt right, although at times its meant to feel forced, it still never worked for the two characters.

Fortunately, the MC or ‘Emcee’, played by Randy Harrison (“Wicked”, TV: “Queer as Folk”), is astonishing; absolutely phenomenal.  While I’ll admit I am not as familiar with any other production including the film, I cannot deny how good Randy Harrison was throughout the show.  His mannerisms and well-timed humor was spot on.  His eccentric style and voice holds true to that of what I know of the character.  I cannot ask for it to be played any differently!  Holding the entire show under his wing, the role of Emcee is absolutely vital to the overall feel of the show.  This guy alone is reason enough to see this show.

It’s worth noting the Emcee’s role is crude and sexually blunt.  This is not a show to take the kid and may be incredibly uncomfortable for any situation with older teens and their parents.  With that being said, this unadulterated musical doesn’t hold back, and there are no qualms about that.

Cabaret Providence Performing Arts Center

The production features a relatively simple set design.  While lighting plays an integral role, you will find yourself staring mostly at the same scenic design through the shows entirety much like “Chicago”. The beautiful band is on display throughout the entire show and even play several characters within the show.  The level of intricacy to have the these musicians leave their music chairs several times to play a part and get back to playing their instrument is impressive.

Cabaret remains hot and steamy, but takes an odd turn by intermission and escalates quickly.  While the beginning makes the audience believe it will be one type of show, the latter half can come at an unwelcoming surprise for some.  The performances were all astounding and for those that know the show, this is not a production to miss.  I cannot knock a shows story structure that has been playing to audiences for 50 years, but I do wish that some day that the shows ending wont be so abrupt.  However, now knowing a little of what to expect, Cabaret may be just the show you have been waiting for. It’s not your everyday musical.

Cabaret is playing at the Segerstorm Center for the Arts until August 21st. LGBT Night at CABARET, Friday, August 12!

More details are available on SCFTA.org.

Movie Review Disney's "Pete's Dragon"

Nearly 40 years after its original counterpart, yes FORTY, Disney has continued their streak of live-action revivals with PETE’S DRAGON. Embodying the soul and quaint charm of the 70s classic, Walt Disney Pictures has managed to develop a reimagining of this epitome of a family friendly adventure film and make it as grandiose as possible while retaining its heartfelt gentle story. The revisited Pete’s Dragon is the quintessential Disney film stuffed with their brand of magic they’re known for – a true heartfelt tale that’s absolutely perfect for that young kid still daydreaming for a world filled with unimaginable creatures and that parent that misses believing in magic.

The original is by far too slow for the todays audience and has overwhelming shown its age. While the new Pete’s Dragon still has its somber moments that cause audiences to get restless, the pay off in the end is far too good to discredit it. Pete’s Dragon will leave a glimmer of joy in everyones heart along this boyhood journey though wild adventure and friendship leading to the ultimate kind of love, family.

Disney’s Pete’s Dragon follows an orphaned boy named Pete and his best friend Elliott, a giant whimsical and somewhat magical dragon named after Pete’s favorite book. The old fables told by the ever endearing Mr. Meacham (Robert Redford) of dragons from the deep forests of the north have been delighting children now for generations, but no one has ever taken his stories as reality. For his daughter Grace, Bryce Dallas Howard (“Jurassic World”), these tales a far more meaningful as she has grown to be a lover of the forest and a conservationists ranger. Engaged to be married to a logger named Jack, Wes Bently (“American Horror Story”), she’s constantly striving to save trees from being unnecessarily cut. It’s when her and the timber cutting crew stumbles upon a mysterious 10-year-old boy Pete, Oakes Fegley, with no family and no home.

Movie Review of Disneys newest live-action remake

After claims of having a dragon-sized friend to help while he has been lost in the wilderness, it takes Grace to connect the dots that this may very well be the dragon her father has told tales about for all these years. Meanwhile, the lumber mill is threatening Elliot’s home and livelihood in a Beast like hunt. With a little help from Natalie, Oona Laurence, an 11-year-old daughter to Jack, they set out to understand Pete’s history and the truth behind this magical dragon.

Forgetting some pretty terrible dialogue and ridiculous non-acting from Karl Uban (“Star Trek”), Pete’s Dragon has some wonderful performances from Oakes Fegley and the beautiful Bryce Dallas Howard. Oakes is perfect fit to comical up-beat Pete from the original, and Bryce is incredibly motherly and sweet that you cant help but wish that this character was in your life. Robert Redford is your young able-being grandfather that just doesn’t give a crap what others think anymore.

It may take some help to forget the unbelievable-ness that a kid has been lost for 6 years in the forest due to a tragic car accident, whilst living with a giant green dragon that has an invisibility power, which is basically there to help move along the original story. However, Pete’s Dragon director and writer David Lowery has help bring to todays audiences a stunning, picturesque film that is as big as they come, yet manages to stay humble and small. The story is not complex, but it’s that timeless tale of mystery and the power of good will prevail that makes this re-telling still work for a very savvy new audience.
While conflict is mostly low, and any truly horrific images or deep subplots are shied away from in order to keep this a truly family friendly film, Pete’s Dragon doesn’t make an apologies for being stupidly cute and fun. Being set into a rather nondescript 70s/80s time period, David Lowery was able to capture some of the magical formula that has made Steven Spielberg’s movie last the test of time.

Movie Review of Disneys newest live-action remake

I have left out Elliot on purpose. The dragon is presented probably a little too quickly, but this adorable giant is hard to not feature. I feel not too much should be said about this CGI headliner as part of the wonder of the film is that he looks near believable. Elliot remains dragon-like, massive and scary at times, yet undeniably cute and puppy-like at others, even bearing the chipped bottom fang. CGI is king here as it’s not noticeable. That’s how it should be. Instead Elliot with all of his emotion and individual strands of hair just turns into just another character.

Pete’s Dragon is a warm lovely film with some big action, but merely is nothing more than a stroll through the forest with heartfelt characters and a cute story. The movie is perhaps debuting a little too soon to it’s adult counterpart Tarzan as the stories will have there similarities, but this simple film is far superior to the meaningless action packed movies of the summer. While at times perhaps even too gentle even to Disney standards, Pete’s Dragon should win the hearts of adults and the imagination of children for years to come.

Disney’s Pete’s Drago opens August 12th, 2016 in Theaters.

An Interview with Robert Redford in Disney's 'Pete's Dragon'

For years, old wood carver Mr. Meacham (Robert Redford) has delighted children in the sleepy town of Millhaven with his tales of the fierce dragon that resides deep in the woods of the Pacific Northwest. To his daughter, Grace (Bryce Dallas Howard), who works as a forest ranger in these very woods, his stories are little more than tall tales…until she meets Pete (Oakes Fegley). Pete is a mysterious 10-year-old with no family and no home to speak of, who claims to live in the woods with a giant, green dragon named Elliot, and from his descriptions, Elliot seems remarkably similar to the fabled dragon from Mr. Meacham’s stories.

We had the opportunity to sit down with Robert Redford for an intimate round-table interview with some members of the press and discuss his character in ‘Pete’s Dragon.’

When asked about the kids and other cast in the movie and how they reacted on set, he comments “Easy kids to get along with, there was no intimidation. They were both easy to work with. Oakes Fegley had a lot to say and talked a lot, and he enjoyed it. And then of course, Bryce, she speaks for herself. You see, she’s got an incandescent quality to her, it just beams out, so she was a joy to work,” recalls Redford

Redford then went on to talk about what drew him to the film. “Well, “Magic” is a big point in the film and it was a big point for me to be attracted to the character. Don’t just focus on what’s in front of you, there’s a broader canvas around and take that in, because it will broaden your point of view. And I just thought that was a very healthy thing, and the fact that that’s sort of in the film-he tells his daughter, “You only see what’s in front of you, but there’s something more.” So you can walk around, but also look around. You know, and I think what new technology has done is narrowed our focus on things.”

The screen legend, who has appeared in such classic films as “Butch Cassidy and the Sundance Kid,” “The Way We Were,” “The Sting” and “All the President’s Men,” has been very selective in recent years as to the roles he chooses, so the filmmakers tailored the part to fit Redford’s strengths as an actor, which encouraged him to commit to the role.

“I think the story crafted here is very human and quite interesting,” says Redford. “It is an in mate story of a father, a daughter and a boy who has survived an accident and gone into the woods, and it has a lot of magic, but at its core, it’s a very emotional, human story.

Redford also discussed about New Zealand and what he thought about the country. “Well, I didn’t know about New Zealand before I went. It was such a pleasant shock, that it really had a huge impact on me, and also a profound sadness, because there was a time when America was like that. And I grew up at that time in the end of the Second World War when there was big mass stretches of land. People were friendly, because they were all together for the war effort, or paper drives, things like that. People were friendly with each other, the air was clean.”

Movie Review of Disneys newest live-action remake

New Zealand has a diverse topography, a variety of different climates and a wealth of experienced film crews, and it is also home to Weta Digital, the Academy Award®-winning visual effects company tasked with bringing Elliot to life on screen.

A question came up about Why we think it’s necessary for kids to explore in today’s society? “I think it’s necessary simply because the world is bigger and darker than they know when they are little. They’re not at an age of sophistication, so they don’t know how complicated things are. And so they only know things that make them happy, and you want to try to keep that going without creating a fantasy. You know, you want to keep that going, because once you leave that stage of your life, you say, “Oh, wow.” Redford continued by saying “This is the way it is?” You want to create something that keeps them going. And so for me, I’m drawn to projects that give you some kind of hope.”

Redford continues, “I’m a storyteller, and I believe in storytelling, so I told my kids stories. I think it’s really invaluable. In fact, I think ‘once upon a time’ is one of the greatest phrases imaginable. When you’re a kid and you hear ‘once upon a time,’ it’s ‘ah, I’m going to get something now.’”

Director David Lowery and Robert Redford on the set of Disney's PETE'S DRAGON, the adventure of a boy named Pete and his best friend Elliot, who just happens to be a dragon.
Director David Lowery and Robert Redford on the set of Disney’s PETE’S DRAGON, the adventure of a boy named Pete and his best friend Elliot, who just happens to be a dragon.

Director David Lowery, who credits Redford for helping nurture his talents as a filmmaker, says, “Working with him and having him in your film is such an honor, and it’s something I have never taken lightly. He is disarmingly relaxed and cool and game for anything, and there was no sense of pretention on his part, ever. He was there to roll up his sleeves and do whatever I asked of him.”

Disney’s “Pete’s Dragon” opens nationwide on Friday, August 12th.

Walt Disney Animation Studios uses new Technology – Matterhorn

Physically based simulation is an indispensable tool for creating realistic and believable virtual environments. By leveraging the power of modern computer systems, and using novel algorithms based on the laws of physics, it takes a huge burden off the shoulders of an artist and allows the creation of highly complex visual effects which would otherwise be unfeasible to animate ‘by hand’, such as crashing ocean waves, snow blizzards and fireball explosions to name a few.

Matterhorn is one of Disney Animation’s proprietary physically based simulators. It was originally developed for creating snow effects in Frozen (2013) . It employs the Material Point Method (MPM) at its core and is highly efficient at simulating large amounts of snow interacting with characters. Recently Matterhorn has been upgraded with more advanced constitutive models to be able to simulate more materials: mud, foam, sand etc.

The Science Behind the Simulator:

What is simulation? Originally, animated movies were created using traditional hand-drawn animation techniques. Teams of animators would draw all characters and the surroundings frame by frame which would be assembled to compose the final film. But there is only so much a person can draw! Things like water, smoke and fire have extreme amounts of richness and degrees of freedom to their composition and movement, which makes them nearly impossible to animate “by hand” in any reasonable amount of time. That is where technology and physically-based algorithms come in: environmental effects like water, smoke and fire are governed by physical equations, so why not let computers do all the heavy computation to solve those equations. The programs that do this computation are called simulators.

Why MPM simulation?

“How do we tell the computer about what something is and how should it be represented internally?” The choice of a particular representation typically depends on the properties of the physical problem to be solved. For example, computations in fluid dynamics are naturally handled using Cartesian grids, so it makes sense to represent fluids as occupying certains parts of such grids and moving through them over time as the simulation progresses. Grains and small rigid bodies are better represented by particles that have position, velocity and other properties. Snow, however, is a complex substance: on one hand it consists of individual grains and snowflakes, but on the other hand they are not that big, so it sometimes behaves like a fluid. The Material Point Method is designed exactly for these kinds of substances. It uses both Cartesian grids and particles to represent the material, and leverages the strengths of each representation.

How does MPM simulation work?

Particles are the primary representation of the material. Each of them has position, velocity, mass, deformation and other properties that determine the look of the snow, such as stiffness, wetness, breaking threshold etc.

Each step of the simulation progresses as follows. Since particles are not a good representation for computing material forces, they are first rasterized to a Cartesian grid, where the force computation is a lot simpler. These material forces act back on the particles, changing their velocities. Finally, the particles are advected with their new velocities, producing the next frame of the simulation.

The Matterhorn Team: Andy Selle, Rajesh Sharma, Alexey Stomakhin, Lawrence Chai
The Matterhorn Team: Andy Selle, Rajesh Sharma, Alexey Stomakhin, Lawrence Chai

KRAMPUS maze comes to Halloween Horror Nights in Hollywood & Orlando!

Tis the season for Krampus as Universal Studios Hollywood and Universal Orlando Resort bring the terrifying dark Christmas legend to life in an all-new “Halloween Horror Nights” maze beginning September 16, 2016.

The creative minds behind the nation’s best and most extreme Halloween events unleash the wrath of Krampus, Legendary Pictures and Universal Pictures’ Christmas-themed horror film co-written and directed by Michael Dougherty, in a sinister new “Halloween Horror Nights” maze.

The dead of winter sets the stage for the terror that’s about to unfold one cold, dank and dreary Christmas Eve as the fabled anthropomorphic “half-goat, half-demon” horned creature emerges to terrorize those devoid of holiday spirit. In scenes lifted from the film, guests will navigate the dysfunctional Engel family home to encounter the evil ancient spirit of Krampus – the dark shadow of Saint Nicholas – and his band of Dark Elves and sinister Gingerbread Men, who cause the family to fight to see the light of day.

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Universal Studios’ “Halloween Horror Nights” is the ultimate Halloween event. For more than 25 years, guests from around the world have visited “Halloween Horror Nights” in Hollywood and Orlando to become victims inside their own horror film. The streets of each coast’s event are transformed into highly-themed scare zones where menacing “scare-actors” lunge from every darkened corner. Multiple movie-quality haunted houses are erected throughout the event, based on anything from iconic slasher films to hit horror television series to haunting original stories.

Additional details about Universal Studios’ “Halloween Horror Nights” will be revealed soon. For more information about Halloween Horror Nights at either Universal Studios Hollywood or Universal Orlando Resort, visit www.HalloweenHorrorNights.com.

Disney Twenty-Three Celebrates The 25th Anniversary of Beauty and The Beast

This year, Disney’s Beauty and the Beast—the first animated film ever to be nominated for an Academy Award® for Best Picture—celebrates its 25th anniversary, and Disney twenty-three is giving fans a spectacular look at the film from its inception to its timeless legacy. The issue features interviews with Paige O’Hara (Belle), Robby Benson (Beast), Angela Lansbury (Mrs. Potts), David Ogden Stiers (Cogsworth), Richard White (Gaston), composer Alan Menken, screenwriter Linda Woolverton, producer Don Hahn, and many more, as well as stories about how the film has been equally successful in Disney theme parks and on stage. Plus, readers will learn more about the live-action adaptation of the film, coming to theaters in 2017.

The issue, exclusively for Gold Members of D23: The Official Disney Fan Club, also features a Fall TV Preview, which includes interviews with ABC’s Once Upon a Time creators Eddy Kitsis and Adam Horowitz; the producers and stars of Marvel’s Agents of S.H.I.E.L.D.; and Dan Povenmire and Jeff “Swampy” Marsh (who created Phineas and Ferb), who reveal details about their new Disney XD show, Milo Murphy’s Law. Plus, Hayley Atwell of Agent Carter and Cinderella gives fans a preview of her new ABC show, Conviction, and shares with readers her favorite Disneyland attractions.

Also included in the fall publication of Disney twenty-three is an exclusive interview with Benedict Cumberbatch about his upcoming Marvel film Doctor Strange; a look at how Disney Theatrical Group creates spectacular shows for Broadway and beyond; a peek at the creation of Disney’s newest princess, Elena of Avalor; and a story focusing on the timeless artwork of Dumbo to toast the film’s 75th anniversary. The issue also includes regular columns such as Ask Dave, From the Vault, A Walk with Walt, and a special “From the Desk of” to celebrate the fifth anniversary of Aulani, A Disney Resort & Spa.

The celebration of Beauty and the Beast’s 25th anniversary continues on September 5, when D23 Members—and Disney fans—are invited to join the festivities as the club kicks off its annual Fanniversary event. D23 will be holding member screenings of the groundbreaking film around the country, Gold Members will receive special “selfie kits” with the fall publication, and D23.com will offer fans exclusive features, new videos, printables, recipes, and much more. Fans are invited to “be our guest” for this 25-day event, and to use the hashtag #D23Fanniversary on social media to join the conversation. More details will be available in the coming weeks at D23.com/D23Fanniversary.

Disney twenty-three, which is delivered directly to fans’ doorsteps, is offered exclusively to D23 Gold and Gold Family Members as a benefit of their membership. The latest issue will begin arriving in late August.

Adventures by Disney

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