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WATCHMEN Director's Cut on DVD & Blu-Ray

Warner Bros’ latest superhero epic packs and even bigger punch on DVD and Blu-Ray.

Last year, when I heard a new superhero movie was coming out, I shook my head at how much Hollywood latches on to trends with their movies.  Just look at the last few years, when one hyped movie is about to come out, 3 others with the exact same premise get released as well.  1997 had “Dante’s Peak” and “Volcano,” 1998 had both “A Bug’s Life” and “Antz” and “Deep Impact” and “Armageddon.”  The trend continues.  When someone lands on a good idea, four other people jump on the money train.

This is not the case with Warner Bros’ latest release to DVD and Blu-Ray, “Watchmen.”  This is not some last-minute jump on the bandwagon to success and riches, but a 23-year journey from print to the silver screen.  Previous to the film, I had never heard of or read the graphic novel, and wasn’t sure what to expect, but I was in for quite a ride.  Directed by “300” director, Zack Snyder, “Watchmen” follows an alternate reality where masked vigilantes exist and have had their effect on America’s history since their emergence in the 1930s.  Now, these are not the superheroes that the general public is use to seeing in movies.  Watchmen, while part of the DC Comics’ universe, does not have any mention of the more widely recognized Superman, Batman, and Wonder Woman.  This is not a world of superheroes as we know it, but more of a world of masked crusaders with exaggerated abilities.

The movie, based on the 1985 graphic novel of the same name, follows our heroes following their forced retirement as the U.S. moved into the cold war with Russia, and how they manage to overcome the stigma placed on their vocations by society to come around save the day, though not in the usual frosted Hollywood happiness.  Applauded and panned by critics alike for its much darker portrayal of the superhero genre, “Watchmen” draws you into this world with exceptional ease, catching you up to date with the storyline that very few are familiar with prior to watching and pushing you down further into the action, emotion, twists and turns while dazzling the viewer with cinematic beauty.

Much like his previous film, “300,” Snyder based many of his shots directly from the graphic novel, giving it a very authentic look that matches so well with the plot that follows the original so closely.  Though the film had to take some liberties and adjust some plot points, a reason why the project was released in 2009 instead of the original goal of 1986, the end product is hailed by most as the perfect screen adaptation of the revered graphic novel.

When I first watched it in theatres, I was blown away and had to take a couple days just to process what I had seen.  I didn’t know if I even wanted to see it again.  However, skeptics and fans alike can rejoice at the release of the director’s cut of the DVD, which, among many other bonus features, has 24 minutes of bonus footage that wasn’t in the theatrical cut.  These scenes, like the glorious battle sequence leading up to Hollis Mason’s death and the proceeding scene where the new Night Owl discovers this turn of events, are all parts from the graphic novel that have been seamlessly reintegrated into the film so that the viewer is just greeted by a fuller viewing experience.

The director’s cut of “Watchmen” will be released on DVD and Blu-Ray on July 21st, 2009.

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Innovative Entertainment Technology Drives ‘World of Color’ – the Next Milestone in Expansion of Disney’s California Adventure

Elaborate preparation is underway for “World of Color,” the spectacular nighttime water show that will astound guests with its magnitude and creativity when it debuts in spring 2010 as the next major milestone in the expansion of Disney’s California Adventure park. Surpassing all Disney water productions, “World of Color” will bring Disney animation to life with powerful fountains that become stars of the show as they create the world’s largest projected water screen.

For months now, guests at Disney’s California Adventure have been peering into the lagoon near Paradise Pier as Walt Disney Imagineering and Creative Entertainment have installed the massive infrastructure and innovative technology that will create the stage for this extraordinary combination of music, animation and stunning water effects. Teams of Disney workers have built nearly an acre of superstructure to support the complex “World of Color” production.



“World of Color” will combine hundreds of magnificent fountains, dazzling colors and an all-new kaleidoscope of audio and visual effects to take water-infused entertainment to a new level of artistry. The production will flood the senses, taking audiences on an imaginative journey into the colorful worlds of animated Disney classics such as “Alice in Wonderland,” “The Lion King” and “Pocahontas,” along with Disney•Pixar films “Toy Story,” “WALL-E” and many more. 


Disney’s newest production features an unprecedented infrastructure of water effects, larger-than-life projections, lasers, fire, fog, surround sound and stunning images. This technical wizardry, combined with classic Disney film sequences, will create a breathtaking emotional experience for guests as jaw-dropping effects sweep across the lagoon, soar into the sky and rush toward the audience.

A newly designed 9,000-capacity viewing area will provide Disney’s California Adventure guests the best view in the park of this exciting nighttime extravaganza. The show lasts approximately 25 minutes.

Some of the technical magic behind ‘World of Color’ includes:

  1. Nearly one full acre of engineered superstructure, longer than a football field and capable of settling on three levels – one for the performance, one under the water surface and one for maintenance
  2. More than 1,200 powerful and programmable fountains
  3. A vast underwater grid with more than 18,000 points of control. Each fountain has multiple points of control for lighting, color intensity, water angle, height and more.
  4. Fountain heights that range from 30 feet to 200 feet in the air (by way of comparison, Mickey’s Fun Wheel reaches a height of 150 feet, some of it below the edge of the lagoon)
  5. A precise system of flame projections, lasers, and special effects that will flood the senses as guests experience the animation
  6. Scenic elements that rise more than 80 feet above the lagoon
  7. The world’s largest projected water screen – a wall of water 380 feet wide by 50 feet high for a projection surface of 19,000 square feet
  8. Nearly 30 high-definition projectors


For information on “World of Color” and other Disneyland Resort attractions, or to plan a celebration or vacation at Disneyland Resort, visit www.disneyland.com, call 866/60-DISNEY or contact local travel agents. To explore the expansion plans for Disney’s California Adventure, visit www.DisneysCaliforniaAdventure.com.

Check-out Behind-the-Scenes Photos

BBC Video Presents Wild Pacific – A Fascinating Voyage of Discovery

I am going to be a student my entire life.  Not because I can’t seem to pass basic Psychology, but because I love learning.  Whether I am in a class, or just in the supermarket, I love learning new things everyday.  Sometimes, I enjoy using my new knowledge to seem cool at parties, but mostly I just enjoy learning about the world we live in.  For this reason, I loved BBC Earth’s latest project released to DVD, “Wild Pacific.”

The same team of filmmakers and scientists that brought us “Planet Earth” and “Blue Planet” now brings us a more in depth look at the world’s largest ocean, the Pacific.  Teeming with over 20,000 islands that only make up one percent of its surface, the Pacific is unfolded for the viewers’ educational pleasure in this six-hour, two-disc director’s cut, complete with an extra 10 minutes per episode going behind the scenes of the process to exploring such an expansive topic.

Complete with the smooth, vocal narration of Benedict Cumberbatch, “Wild Pacific” dazzles the eyes as well as the intellect with BBC’s expert team of high definition cinematographers capturing jaw-dropping sights ranging from the creation of islands by underwater volcanoes to the first flights of Albatross chicks.

And not only is it amazingly informative, but it looks gorgeous.  For anyone that longs to escape away to some tropical island for vacation, or just to escape from our everyday life, this DVD set is pure heaven.  With professional teams that include world-renowned surf-filmer, Bali Strickland, the viewer is treated to such sights as the underbelly of a crashing wave and schools of fish numbering in the thousands moving in tandem.  Above water, we are taken into a world of islands that range from tropical rainforests with volcanic mountains to secluded sandbars or snowed-in beaches.

Aside from the eye-candy of the landscapes presented, many of which renewed my dream of becoming exceedingly rich and building a mansion on my own island, “Wild Pacific” also documents hundreds of different types of animal life.  Many of these animals had never before been filmed, and BBC Earth had the honor of bringing their likeness to the TV screens of millions worldwide.  It was moments like these and the excitement that came with them that woke me out of the drooling stupor invoked by the numerous paradisiacal settings I had been seeing.

Overall, I thoroughly enjoyed the experience, though I wouldn’t suggest trying to sit and digest the whole six hour series in one go.  It is more enjoyable to be able to process what you’ve seen for a while before moving on to the next episode.  BBC Earth’s series, “Wild Pacific,” is distributed by BBC Worldwide through Warner Home Video, Inc. and is available on DVD July 14th.

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Soundtrack Review: "Harry Potter and the Half-Blood Prince"

Having not yet seen Harry Potter and the Half-Blood Prince, I go into this review at a definite disadvantage.  A movie’s soundtrack is designed as an accompaniment to what is happening on screen, and yet listening to this soundtrack I am forced to separate the music from the image and formulate an opinion as to the success of the album.  Taking this into account, I found composer Nicholas Hooper’s work to be adequate but nothing more

It’s possible that his work here is perfectly suited for the emotional beats on-screen but on it’s own there isn’t a whole lot of substance to be found.  This is definitely an improvement over his own work on Order of the Phoenix, which isn’t saying much.  He brings back a couple of musical cues from that film, but as a whole, appears to be going for a more subdued and subtle approach.

The first three soundtracks in the Harry Potter franchise were composed by soundtrack icon John Williams and comparisons are inevitable.  Williams’ work on those films (especially the first and the third) was comprised of big, sweeping themes which transported the listener into the world of the films.  The tracks were memorable and felt as magical as the films themselves.  In the Half-Blood Prince soundtrack, I found myself repeating several tracks in an attempt to retain what I had just listened to.  People will definitely not be walking out of the theater humming anything from this film.

We’ve reached a point in the franchise where the story is much darker.  As such, the music needs to be darker.  Hooper definitely succeeds on this front.  There is an air of desperation throughout.  Obviously, there is tragedy in this film.   As stated above, the music is subtle, but the tragedy is felt.  I really think that the music will work better when paired with the movie than on its own.

This isn’t to say that nothing works on its own.  Four or five tracks really shine.  There are a couple of action cues that prove relatively exciting, although frustratingly short.  There is also an intriguing track towards the end that incorporates fractured and disjointed dialogue incorporated into the music.  It is one of the few truly unique moments in the soundtrack.

The disc runs slightly over an hour and contains 28 tracks.  While my reactions overall run slightly negative, I really find myself wishing for more.  Every track is so short that I wasn’t able to get into any of them as much as I would have liked.  I’m sure there is much more music in the actual film and I really look forward to hearing what was missing.

I’m also very excited to discover how the music complements the movie itself.  I’m sure Hooper’s work does exactly what it needs to do in the film.  I just hope that when he begins writing the score for Harry Potter and the Deathly Hallows, he is able to create something worthy for what is sure to be an amazing finale to an amazing franchise.

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Movie Review: "Harry Potter and the Half-Blood Prince"

Eight years after Harry Potter made his debut on the silver screen with The Sorcerer’s Stone, the franchise’s magic beams as bright as ever. The initial appeal of the Harry Potter series was the mystical appeal of the incredible fantasy world that many of us dreamt about. Even though the magical world just beyond the Leaky Cauldron is now embedded in every Harry fanatic’s mind, the love for these books and films has never dwindled. J.K. Rowling not only created a fantastical world, but an ever intriguing drama within it.

The latest installment to the film franchise, Harry Potter and the Half-Blood Prince, propels the series forward not only by pushing forward the plotline, but by keeping these maturing characters fresh. Any fan of the series has undoubtedly noticed the dark nature of the thickening plot. The emergence of Voldemort and his Death Eaters has cast a shadow over the entire wizarding world, making the consequences of Harry’s every action dire. Throughout the series, Harry has always shied away from his famous name, but here he embraces his role as The Chosen One in a number of ways. He uses his celebrity status to seduce important information from teacher and he carries out missions for Dumbledore. As a hero, Harry truly comes into his own.

Despite the dark nature of the plot, it is balanced out by easily being the most humorous film of the series and possibly the second most funny of the summer (behind The Hangover of course). In the past, Rupert Gint as Ron has admirably carried most of the comical relief efforts by himself, but this time he gets help. Hogwarts might easily be mistaken for a witty version of Bayside High (Saved By The Bell). The awkward and humorous situations never seem to end and surprisingly never take away from the real action being taken place.

For its dark spellbinding action and witty humor, Harry Potter and the Half-Blood Prince is the best installment into the film’s franchise and one of the top films of the summer.

Check-out the Production Stills Gallery

Movie Review: "(500) Days of Summer"

[*Author’s Note:  I felt that it should be mentioned that it is almost impossible to give a brief synopsis of this film since its main progression is often fueled by subtle actions rather then major landmark moments. Thus, the following review truly hopes to serve as encouragement for you to quickly trade in your Potter tickets and go see this truly beautiful classic in the making]

When most men hear the phrase “Romantic-Comedy” they usually envision a lost coin toss between their significant other, but Fox Searchlight’s latest film takes aim to change that. The premise may be disguised as the simple scenario of boy meets girl, however 500 days approaches the famous (and often sought after) perfect romance a different way, with a realistic dose of pain and a surprisingly hopeful outlook.
 
From the very beginning we are warned by the film’s Narrator (the often snarky voice of reason) who states “this is not a love a story” a statement we forget almost instantly as we are introduced to our hero, Tom Hanson, who is earnestly embodied by the instantly lovable Joseph Gordon-Levitt. Tom is one of the few remaining modern day romantics, who finds himself working at a Greeting Card Company, even though Tom once hoped to be an architect now he sits at his desk in waiting for “the one”. Enter Summer Finn, played with a sense of unexplainable beauty by the lovely and delightfully awkward Zooey Deschanel, Summer joins the staff as the new assistant, and does not share Tom’s belief or hunger for love.

Regardless of Summer’s original disinterest the days go by (and often out of order) showing the passionate progression of Tom’s feelings for Summer, from beginning to end. The inevitable relationship is filled with its giggly ups and heavy downs, but even the familiar moments are filled with a fresh sense of purpose.

The story finds itself carried on the shoulder’s of Gordon-Levitt and his hopelessly romantic perspective, but does also receive reinforcement from the powerful chemistry of the 500 days supporting characters, from Tom’s younger sister Rachel and her worldly advice, to the jaded input of Tom’s romantically impaired chums McKenzie and Paul. These characters provide a dialogue and connection so real; one could not help but be reminded of their own personal confidants and their often misplaced opinions.

Overall, it should be stated that the power of this film is not found in one particular element, but in the almost fated unity of all its different components, a process that echoes the very pattern of the love the movie aspires to describe.

Almost instantly inviting the viewer into the colorful and almost unrecogonizable streets of Los Angeles with bright cinematography, Director Marc Webb helps to deliver a very quaint and playful visual picture, (and at several points even incorporating some good old fashioned split screen filming) This intentionally colorful setting is not only one without nudity and gratuitous sexuality but one stuffed to the brim with old school charm and music that serves as a cultural time machine. The mere fact that the movie manages to leave itself chronologically ambiguous, aside from the transitional countdown, is powerful proof for this timeless story.

Praise is due to relatively green-horned writers Scott Neustadter and Michael H. Weber, whose gentle handcrafting of personal experience into screenplay, expresses a shared understanding of the rippling impact in even the smallest events on one’s the heart, an understanding which manages to keep this film and its sorted timeline well-paced and fresh.

Following the note of well-paced freshness, much credit also goes to composer Andrea von Foerster who masterfully arranges a moving soundtrack anchored by two particularly beautiful pieces by Russian anti-folk artist Regina Spektor, that manage to layer into the piece’s overall glisten.

Truthfully, I never thought that I would find myself falling in love with a movie, but director Marc Webb’s modern day “not quite love” story has proved me wrong. A film for anyone those who finds themselves still salvaging belief in true love, finally Hollywood has delivered a story just for you, one that carefully carries a realistic message while portioning in a good old fashioned pinch of hope. Which is why this movie gets: 5 hundred out of 5 hundred days of Summer. (5 out of 5)

THE BETRAYED on DVD!

Living in a world where it is often impossible to avoid the constant media buzz, one can usually have a pretty solid understanding of a film before they sit down to watch it. However recently I was subject to a film I knew absolutely nothing about aside from the title.

The Betrayed, is written and directed by Amanda Gusack. I cannot admit to having had high hopes, since the almost instant correlation to having never heard of the movie automatically caused me to assume it MUST be bad. However I must admit that I was slightly impressed by this relatively unknown movie.

The story follows a young mother and restaurant owner Jamie, played by the Angelina Jolie look-alike Melissa George, who finds herself held captive in an abandoned warehouse. There in her cell she is psychologically tortured and questioned as to the whereabouts of her husband, who may not have been the innocent family man he claimed to be, but rather a manipulative killer and  high profile criminal

As if this scenario weren’t suspenseful enough, consider the unknown motives of her captor Alec, played Oded Fehr of “Mummy” fame, who serves as her makeshift warden and dare I say sympathetic protector. Alec is under orders of his enigmatic boss Falco, and quickly reveals the added danger of Jamie’s kidnapped son Michael, a diabetic who without proper supervision could die.

Throughout the movie Jamie learns from Alec, that her husband had stolen forty million dollars from Falco, a sum that if not claimed within a certain time period could result in  death for everyone involved, Alec included. So she begins to search through recorded tapes from her own home as she seeks to find some clue as to her husband’s whereabouts and most importantly where he hid the money.

Where the script did manage to present a very interesting premise, one that could make any audience member connect to the protagonist’s plight, the pacing of the film managed to stagger and dissolve any sympathy. For me, there was a general want for Jamie’s freedom, unfortunately there was also a genuine desire for my personal freedom from the movie’s lengthy and poorly edited scenes. Take in to account some rather interesting subplots, one of which I felt could have served as a major drive in the film, which are passed over all to quickly, only adding to the disappointing presentation.

In regards to the cinematic composition of the Betrayed, I felt that the amateur cinematography, and uninspired musical compositions caused the overall presentation to fall short. Though at first glance they do add a very gritty and eerie feel to the film, it can be quickly realized that anything marked as genius is purely accidental.

In conclusion, if you find yourself in the mood for an interesting yet poorly paced thriller, with several missed opportunities, the Betrayed is for you. However, I would suggest this as a summer rental, as the DVD itself contains absolutely no added content, and only the usual language tracks.  But please be advised, that in the end the only one betrayed here was the potential of this mediocre movie.

Movie Review: "Adam"

Writer and director Max Mayer has just created another winner for Fox Searchlight Pictures.  “Adam” evokes emotion, personality, and originality unlike most new films of today.  It is movies like this that is giving Fox Searchlight such good reputation.  This dramatic love story screenplay was chosen as the 12th Annual Writers’ Network Fiction and Screenplay winner.  I don’t know if we have another “The Wrestler” or “Slumdog Millionaire” on our hands, but “Adam” definitely deserves some buzz.

I really didn’t know much going into the film other then who is the distributor and that it was a love story of two opposites.  Basically, that’s all I needed to know to understand I was probably in for a treat.  No disappointment here.  This is a movie that starts off intriguing yet manages to hold your interest throughout by creating all the necessities of a good movie.  Max Mayer has created two captivating characters played by terrific actors able to pull every emotion from the audience.  The plot is basic with some twists, but is able to pull forth uniqueness with some realness.  Best of all… no cookie cutter resolution.

“Adam” is the most heartfelt movie of the year that deals with many relatable relationship issues.   The case of our star is what sets this apart from an ordinary romantic comedy.  Hugh Dancy (“The Jane Austen Book Club”, “Confessions of a Shopaholic”) plays Adam, an eccentric that has recently lost his father and been living his life quietly in New York City until a new cute neighbor moves into his building.  Rose Byrne (“28 Weeks Later”, “Knowing”) plays the adorable, friendly, and lovable neighbor, Beth.  She immediately finds Adam attractive even after it’s obvious upon their first encounter he suffers from social interaction abilities.

Beth begins becoming interested in Adam before knowing that he is actually diagnosed with Asperger’s Syndrome, which is associated with autism.  Adam has autistic tendencies, but Asperger’s has a higher degree of functionality allowing him to live a normal independent life.  However, he still has poor social skills.  This syndrome also causes obsession toward specific subjects allowing Adam to be very smart in certain fields like astronomy, but lacks emotional reciprocity.  He has difficulty telling what another is thinking causing him challenges within relationships.

Even though Adam suffers from many things that will make their relationship extremely difficult, Beth is comforted by his honesty.  She is coming out of bad relationship where the man cheated several times.  What Beth has to face is whether or not Adam will ever truly be able to love or show any real closeness.  These are still real problems that are dealt with every single day in normal relationships.  Regardless of Adam’s condition, the audience can still relate to the two and their “wants” in the relationship.

The movie also deals with Beth’s father, Marty (Peter Gallagher), who has been indicted and his persuasion to not let his daughter get involved with Adam.  He truly wants what’s best for her, but doesn’t really understand what actually is best for her.  Instead he is pushing for her to marry a rich man even if he has flaws.  Beth has absolute trust in her father, but Adam being as blunt as he is, feels otherwise and isn’t afraid to ask the inappropriate questions.  It is her dad and how he is that made her realize who she really is.
I really appreciated how Beth’s dad isn’t just some jerk of a father.  Instead, he is still a very loving father and wants his family to be happy; however he is just trying to live vicariously through Beth.  This is problematic for Beth as she sees people a little differently.  Hence Adam who is not someone she would typically go after.  At the beginning it seems forced as she was seemingly looking for any guy who walked into her life.  Luckily, Adam is encouraged to make some moves from his friend Harlan, Frankie Faison, making it so she just didn’t instantly fall for Adam.  It does appear this way at the beginning though.  This was really the only problem I had with the movie though.

Hugh Dancy does a magnificent job portraying someone with Asperger’s and really shines throughout the movie.  It really was a breakthrough performance along with Rose Byrne.  You’ll fall in love with Rose and then feel every emotion she goes through while she tries to figure out if she is doing the right thing.

The movie has the feel of “Garden State”, but is a little more dramatic.  Being a love story you expect those cheesy moments except in this movie, there are none.  In my book, it’s a successfully made romance if you can avoid these cringing moments.

The acting really was top notch and the script was well written.  I found myself glued to the screen as if I was a part of these people’s lives.  I don’t know if I have ever rated a movie this high, but I think I am going to have to give “Adam” 5 stars.  My one complaint wasn’t really justified later in the movie anyway.  This is a movie that was made for all the right reasons.  “Adam” has heart and realism to our everyday lives in society.  I became immersed within the film just by their acting and intense scenes.  No action required, just a moving screenplay.  I highly recommend giving this surprise hit of the summer a try.

DRAGONBALL EVOLUTION – on DVD & Blu-ray

Dragonball: Evolution follows in the footsteps of it’s fellow anime film-adaptation Speedracer, in which a beloved series is snipped and crammed into a poorly constructed storyline that cuts and pastes familiar mythos with little rhyme or reason.

It should be first noted that the story of Dragonball: Evolution is blatantly formulaic and arguably cliché. The underappreciated Goku finds himself beginning a hero’s journey after his Grandfather is killed by the evil Lord Piccolo on his vengeful quest to gather the seven wish granting dragonballs. Goku embarks to find his Grandfather’s master Roshi and along the way gathers new allies as they attempt to stop Piccolo’s quest for world domination. I cannot admit to having high hopes for the film and lucky for that because had I placed any desire for a familiar Dragon Ball world and decent Goku story-arc I would have found myself sorely disappointed and met instead with an oddly designed costume scheme and barely noticeable musical score.

Furthermore, Some of my favorite pieces of the original story managed to disappear thanks to Director James Wong’s misguided attempt to approach the story realistically. Which of course brings a question to mind, How do you portray a story which centers itself around inner ki-bending, vengeful immortal aliens, and a wish granting dragon realistically?

Now despite the pages of static dialogue and less then thrilling, slow-mo indulging digital effects the film itself does offer a few highlights. Including the numerous combat sequences, which do manage to capture the series familiar over the top nature.  Of course there is also the charming portrayal of Goku by “War of the Worlds” star Justin Chatwin and the spot-on representation of Lord Piccolo by James Marsters of Angel Fame. Likewise there is also a major disappointment found in cast member Yun-Fat Chow who delivers a rather hollow performance as Roshi.

Aside from the shaky feature film the DVD itself does include a few enjoyable features such as a Dragonball Workout-esque video, which goes into a little detail regarding the fight choreography and even attempts to deliver a quick lesson in Dragon Ball themed stage combat. A few deleted scenes which mainly contain more of the film’s chalky dialogue can be missed without loss of sleep.

Interestingly enough the DVD does not provide a director’s commentary, though after viewing the film I cannot imagine I would be willing or able to comment on this film’s directorial decisions either. 

Personally, I would discourage fans of the manga, original anime, or a decent storylines to steer clear of this film. On the other hand I may recommend this film to families looking for a on the fly movie night. It will manage to keep the whole gang entertained but shouldn’t keep anyone up all night.

Overall I give this DVD: three Dragonballs out of seven (2 out of 5)

Movie Review: "Homecoming"

Mike (Matt Long) was the star quarterback in his small hometown.  He is invited back to the field on homecoming night for the retiring of his football jersey number.  Everyone is a little surprised to see him show up with a new girlfriend Elizabeth, played by Jessica Stroup.  It’s when Mike runs into his insanely jealous ex-girlfriend Shelby, Mischa Barton (The O.C.), when the plot thickens.

Shelby is still madly in love with Mike and will do anything in her power to get him back.  This includes kidnapping his girlfriend after hitting Elizabeth with her car.  She tells lies to Mike to make him believe his girlfriend left him and wasn’t happy when in reality Shelby is keeping her captive.  Once her unwell thought out plan starts to have some complications, Shelby takes matters in her own hands by threatening Elizabeth with her life.  Now Elizabeth is forced to try and escape.

This pitiable big screen feature feels as if I plopped in a Lifetime movie DVD into a projector at a movie theater.  The quality of the film in parts is good, but in most areas it looks like a student film.  I know this isn’t a big budgeted film, but I thought the CW only did television.

Should I even get started with the acting?  Mischa Barton does play an excellent psycho when she is in “crazy mode”.  However, in any other scene it’s as if she is reading from a prompter.  Matt Long basically doesn’t have to talk much, just listen to others as they praise him in his hometown.  Jessica Stroup (90210) is cute and actually does the best out of the three main characters.  Then again, she mostly has to just be scared for her life and limp around.  Maybe I am being a little too harsh.  I don’t see many suspense thrillers/horrors often anyway.  What am I expecting?

“Homecoming” is nothing more than a cookie-cutter teen based suspense thriller.  There is no uniqueness of the film.  You won’t leave the theater feeling like you saw something new.  In fact, you may be asking yourself was this originally made in the mid 90’s.  If it was, then I’m okay with this film.  Since I know that this film was years in the making with many problems holding it back from being released just helps display what a jumbled mess the outcome became.  Wait for the television world premiere, and then try to forget this ever made it into the theaters.

Chitty Chitty Bang Bang Takes Flight

This highly entertaining and fantasmagorical Browadway musical has landed, or shall I say drove in, at the Orange County Performing Arts Center.  The musical’s adaptation of the 1968 classic film stays true to the original maintaining the story of the loving family, the original score, and most importantly it still has the flying car!

Chitty Chitty Bang Bang begins with two young children playing on a junky old racecar from the British Grand Prix.  It’s been out of commission since a race in 1910 and now just a toy in a junkyard.  The children have grown fond of the car and are shocked when owner of the junkyard, Mr. Coggins, sells the car for 30 shillings.  They tell their father Caractacus Potts (Steve Wilson), an eccentric English inventor, he should buy the car.  Caractacus understands his children very well and doesn’t want them to lose touch of the car so he claims he will buy it.   The only problem is that he doesn’t have 30 shillings.

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Luckily, a pretty lady runs into Caractacus, literally, and she’s truly scrumptious.  No seriously, her name is Truly Scrumptious, played by Kelly McCormick, whose father is candy maker Toots Scrumptious.  You can see just by this how insanely silly this musical is.  Their adventure begins with Truly and the kids after Caractacus is able to buy the rusty car after selling his outlandish hair-cutting machine.  Caractacus quickly repairs the car, only he doesn’t just repair it, he improves it.  The car basically becomes magical with the justification that it was fixed by an inventor.

This is where the movie and the musical differ.  The story is practically the same however the ridiculous, yet crazily fun, adventures take place in reality rather than in a dream.  I have no issue with this since they make their world believable.  The musical’s world felt like a mix between Willa Wonka and Pinocchio’s Pleasure Island.

It’s in the second act that this new world plays out as they must outwit the comical Baron and Baroness of Vulgaria in their evil plan to steal the flying car for their ruler.  Let me just say that everyone in Vulgaria seemed to be a little vulgar.  The humor has some contemporary jokes, but fit in well.  I only worry that writers may be pushing it a little too far for this family show.  Then again, they even joke about how they are vulgar people.  None of the jokes are anything you have to worry your kids understanding though.  It’s the cleverly written songs of the second act that truly, really shine.

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Every song has that catchy beat from composers Richard and Robert Sherman.  Even if you don’t recognize their name, you know their music.  The Sherman Brothers are responsible for such classics as the “Marry Poppins” soundtrack, “The Jungle Book” and even the infamous “it’s a small world” song.  People in the attendance for opening night were even treated to Richard M. Sherman sitting with the audience watching the show.

The crucial moral to get from Chitty Chitty Bang Bang is the importance of nurturing imagination and creativity.  It’s wonderful that this on stage production managed to portray this by not having a dream sequence but rather just allowing the audience to have a bigger imagination.

This is a great one to bring the family.  If you don’t have any children to bring, I believe that it will make you smile just as much.  Try telling me you won’t be singing “Chitty Chitty Bang Bang, Chitty Chitty Bang Bang” when you exit the hall.  It’s worth just seeing the great special effects and specially designed stage for their rolling sets.  Of course, there is also that darn car.  Simply, irresistibly, magical!

Chitty Chitty Bang Bang is now playing through July 19th at the Orange County Performing Arts Center in Segerstrom Hall.  Tickets start at $20 to $70 and are available at OCPAC.org, at the Center’s Box Office or by calling (714) 556-2787.

Power Rangers RPM: Start Your Engines on DVD

Admittedly, as a series Power Ranger RPM does a few things wrong, but surprisingly quite alot right. With a fine balance of humor, story, and signature pyrotechnics, this first entry into the RPM series proves to have a whole lot of potential.

For those who are unfamiliar with the series; Power Rangers capitalizes on a teenage team of heroes who unite to defeat the latest power-hungry villain. This time around said baddie is Venjix, a diabolical and omniscient computer virus who is able to construct an army of robotic grunts and even more intricate mechanical monsters (which inevitably are defeated by the Rangers…until they increase in size and are defeated by the Megazord)

This new team of Rangers features a varied cast, not just in appearance or uniform color but also in character development. That’s right; shocking. The latest installment not only provides high-energy fight scenes and ridiculous Zord sequences, but also fast-paced dialogue and a rather intriguing story (so far) Scott, Flynn, and Summer (the Red, Blue and Yellow rangers; respectively) under the leadership of the mysterious Dr. K, unite as a team of super-suited defenders charged with the protection of the dome-city of Corinth, the last safe haven for humans on the planet.

The show is also driven by the new members of the team and relative outsiders, Dillon the mysterious, rugged, “rogue-hero” who’s loss of memory and mechanical circuitry make him an incredibly interesting character to follow. And rounding out the team with the lovable Ziggy, who serves as the sleezy sidekick, and accidental Green Ranger, and provides hilarious interactions with the rest of the team and even some of the Venjix operatives.

As far as DVD’s go, this is easily the most lackluster I have seen. From the confusing cover to the frustrating lack of anything resembling bonus material. Furthermore, as this disc holds only five episodes, this latest Ranger release strikes me as anything but consumer-oriented.

Power Rangers RPM is recieving an unimpressive 2 out of 5. The 2 points being in favor of this rather enjoyable Sci-Fi series, that is crippled by Buena Vista’s extremely poor delivery.

(*Author Advice: Why not consider saving your money for a more complete collection?)

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