Theatre Review: Pasadena Playhouse “Brigadoon”

Pasadena Playhouse taking on the challenge of modernizing Golden Age musicals for contemporary audiences is no easy feat. A careful balancing act awaits audiences who grew up on these favorite stories and for those looking for sensible takes of problematic humor and tone that is no longer relatable. Many will be familiar with “Brigadoon” as an aspiring influence of the canceled Apple TV series “Schmigadoon”. Which coincidentally just debuted on Broadway with multiple Tony nominations. Pasadena Playhouse’s faithful new adaptation of the beloved musical is unlike any other productions of “Brigadoon” that has come before it.

Alexandra Silber’s new adaptation of the 1947 Lerner and Loewe classic has proven to be the quintessential revival the world deserves. The stage setting even before the start of the show evokes a magical whimsy with its stone arch covered in greenery and lit by flickering lanterns. Let yourself get lost in the discovery of miracles, faith in humanity, and communal comradery. The Scottish Highlands excitedly unveils breathtaking culture through vibrant clothing, engaging dance, and infectious music. The 21-piece live orchestra alongside a live Ceilidh band complete with bagpipes brings merriment and joy. “Brigadoon” unmasks itself in a blanket of ethereal and heavenly chorale.

Two American travelers endearing Tommy Albright (Tony nominated Max Von Essen) and hilarious Jeff Douglas (Happy Anderson) wander the Scottish Highlands stumble upon a village unmarked in maps. The spellbound village of Brigadoon appears merely isolated from the rest of the world. So happens to be the wedding day of Charlie Dalrymple (giddy Daniel Yearwood) and Jean MacLaren (angelic Kylie Victoria Edwards). Everyone is excited for the happy couple with the exception of frustrated Harry Beaton (Spencer Davis Milford) who has been jealously in love with Jean.

Maggie Anderson (Jessica Lee Keller) is infatuated with Harry, but he does not share the same sentiments. The local tavern is run by bigger than life Meg Brockie (Donna Vivino) proclaiming the keeper of Gaelic language and Scottish culture complete with an authentic Celtic band. Jean’s sister, Fiona MacLaren (stupendous Betsy Morgan) and Tommy Albright fall desperately in love with each other. All the while Jeff shines with witty one liners in a John Goodman-esque presence. The two American strangers are led to Widow Lundie (indispensible Tony winner Tyne Daly) who educates the New Yorkers to the village’s history and magical secret.

While this new adaptation strips away dated elements, it gains more with character in the face of grief and joy. Gone are references to hunting or party seeking in place of culture and finding meaningful life. Time periods narrowed down to the present and a village from the 1700s appearing once every 100 years preserving their way of life from outside influences. The wholesome and enthralling dance sequences held more appeal compared to the humdrum songs.

Perhaps over time the lyrics will be more meaningful to myself. In the meantime, what has me in awe are the mystical visuals, intricate costumes, enriching choreography, and whimsical performers between consistent Scottish accent and magnetic vocals. Fiona’s sensational voice is operatic and the heart of the story. Jeff is the soul with perspective of the unbelievable through mourning. The dancing ranges from beautiful ballet to cheerful celebration and topping off with a triumphant sword dance.

A new adaptation by Alexandra Silber. Inspired by the original book and lyrics by Alan Jay Lerner. Music by Frederick Loewe. Original dances created by Agnes DeMille. Directed and choreographed by Katie Spelman.

Fall in love with “Brigadoon” for the first or one hundredth time at the Pasadena Playhouse from May 13 – June 14, 2026. For more information including ticket sales, visit https://www.pasadenaplayhouse.org

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