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Dreamgirls: Take a step back in time to the begining of that Motown sound.

Welcome to Motown in the OC.  I am a gen X’er that grew up with the tail end of what was the height of Motown and the beginning of Alternative Rock as we know it now. Talk about bringing back memories and a story that at times hits home. Producer John Breglio and the Orange County Performing Arts Center (OCPAC) bring this high energy trip thru trials and tribulations of ‘Dreamgirls’. From the opening of the show you know this is going to be a powerful force of voices and visuals and that is just from the ensemble and the elaborate moving stage tall LED walls.

Robert Longbottom has come out to direct and choreograph an amazing group of individuals in this new touring cast. Granted taking Michael Bennett’s original direction and choreography along with Henry Krieger’s music and book and lyrics by Tom Eyen, you practically have to be completely idiotic to screw this show up. Longbottom has stepped up the ante in not only how the show is stage but in the casting of a lead cast and ensemble that could rival any cast out there.

‘Dreamgirls’ follows the singing group of The Dreamettes as the start as amateurs on the famed Apollo Theater to their shot to stardom as the face of a new kind of music. We follow the lead singer Effie White along with her Dreamettes, Deean Jones and Lorrell Robinson as they try to make it in the music industry. They are helped along the way with Effie’s brother C.C. who writes the songs, Curtis Taylor Jr. who is the manager, James “Thunder” Early the show stopping singer who gives them their first break and Marty Madison who is James’ agent. The Dreamettes start out as James’ backup singers which Effie, at first does not want to do, to their eventual own headlining. During this time Lorrell falls for James, Effie for Curtis and C.C. helps change the style of songs each sings. Of course the story takes a turn when Curtis shuffles up the group and replaces Effie with Deean as the lead of the group. This starts the inevitable split of Effie from the group and the true nature of things to come.

Mixed through this similar parallel of the Supremes, Barry Gordy and the birth of Motown, is some of the most powerful songs written in the style of the times from 1962-1975. Bringing these songs to life is American Idol runner up Syesha Mercado as Deean, Adrienne Warren as Lorrell, Margaret Hoffman as Michell Morris the eventual replacement of Effie, Chaz Lamar Shepard as Curtis Taylor Jr., Trevon Davis as C.C. White, Milton Craig Nealy as Marty Madison, Chester Gregory as James “Thunder” Early, and introducing Moya Angela as Effie. I will not forget a strong ensemble of singer/dancers. As this talented cast goes Moya Angela is the strength of this show with the most powerfully beautiful voice I have heard in ages. She steps up to the plate and sits right next to those who made this part famous. I must say, having heard Jennifer Holliday and Jennifer Hudson both sing this part, Moya has truly made this part her own and has a slight edge over both of their performances. Moya’s rendition of ‘And I Am Telling You I’m Not Going’ is haunting and so emotional that you could see everyone was emotionally touched. However, truly stealing the show, for the pure portrayal of any of the characters, is Chester Gregory. Let me think of how to say this about him, DAMN. Chester has brought his ‘A’ game and invokes the passion of Chuck Barry, the antics of Lil Richard and a sprinkle of the range of a more modern singer like Prince and made “Thunder” the most loveable character to watch. Syesha does a wonderful job as Deean and keeping that ‘diva’ persona and voice throughout the show. Adrienne is fun to watch as the more clueless of the trio but is a joy to watch as the character grows as the group progresses. Chaz’ portrayal of Curtis really makes you want to hate this man as the story unfolds and yet in the end you feel sorry for him. Trevon, Milton and Margaret tend to do their parts remarkably well for the characters they portray. Let’s not forget the ensemble that does an incredible task of changing their style and characters several times during the performance.

Another star of the show that doesn’t receive credit is Longbottoms talented crew of designers. Scenic designer Robin Wagner created a wall of LED’s as the backdrop rather than your traditional flats. This masterful piece of technology helps lighting director Ken Billington to bring even more life to the stage as we see the walls split and interact with the actors as either the ‘true’ stage backdrop to moving around and giving us the ‘backstage’ aspect of the show. William Ivey Long puts together the most elaborate change in costume designs I’ve ever seen. In some cases the costumes are hidden within one another and just blow you away when in a blink of an eye there changed. Sometimes it’s like a magic show right in front of your eyes.

If I had to give any true criticism it is very minimal in nature. Some of the ensemble in full cast scenes weren’t quite pulling the same zeal as the rest of the cast. Syesha in the ‘Dreamgirls’ song seemed to not be heard when she would hit her mid range. Not sure if this was her or a technical issue with the lavalieres. And in regards to the technical side; there were a few instances sound issues with a couple lavalieres that caused some feedback and during the end of the show one of the walls did not want to cooperate and was stuck in the rafters.

Overall, GO SEE THIS SHOW. Was that a little forward? Okay, please go see his show if you enjoy a good story and the sounds that many of my generation and that before ours grew up with. I take to heart the story as I can relate to Effie in that I did things my way and worry more about me than what is good for everyone involved. It brought Effie down to the lowest level and with the help of those who cared about her lifted her up and she overcame what once trampled her. Take that to heart. Those around us affect us as much as we affect them. I know now as Effie learned, those around you, that truly love you will guide you, not do it for you. They will always be there and never let you look back. So get up, turn off the TV, go down to OCPAC and see this show before ‘Dreamgirls’ leaves on May 2. Be safe and live life and never look back. Tickets available online at OCPAC.org, or by phone at (714) 556-2787.

P.S. My heart and thanks to Tony and Leah for guiding me. I miss you and love you both.

Lights, Water, Animation! ‘World of Color’ Water Spectacular Debuts June 11

Lights, water, music, fire and animation will come together like never before on June 11 when “World of Color” makes its dazzling debut at Disney’s California Adventure theme park.  The show is choreographed with revolutionary technology that creates a playful, nighttime spectacular and a new way for guests to experience Disney stories – from the charming to the adventurous.

Presented on Paradise Bay in Disney’s California Adventure park, “World of Color” is a major milestone in the multi-year expansion of the park.  The show combines nearly 1,200 powerful fountains, popular Disney music and an all-new kaleidoscope of audio and visual effects, including both classic and new animation projected on massive screens of water.  “World of Color” floods the senses and takes the audience on an imaginative, emotional journey into the colorful worlds of Disney classics, such as “The Lion King” and “The Little Mermaid,” along with Disney•Pixar films including “Toy Story” and “WALL-E.”

“What’s great about ‘World of Color’ is there’s something for everybody,” said Steve Davison of Walt Disney Imagineering Creative Entertainment.

“World of Color”will take water-infused entertainment to a new level of artistry.  Disney’s newest production features an unprecedented infrastructure of water effects, larger-than-life projections, lasers, fire, fog, surround sound and moving fountains that can shoot spouts from 30 feet to 200 feet high.  Technical wizardry integrates all the media with one of the biggest show control systems ever built; more than 18,000 active points of control are precisely managed by a single system.

“World of Color” debuts this year as part of “Summer Nightastic!” – a lineup of exciting, after-dark entertainment that will illuminate the night at Disneyland and Disney’s California Adventure theme parks.  “Summer Nightastic!” will run from June 11 through Aug.29, while “World of Color” will continue entertaining guests year-round at Paradise Bay.

At Disneyland park, Fantasmic!” ignites the night with thrills, life-like creatures including a fire-breathing dragon, and spine-tingling adventures for Sorcerer Mickey.  In the skies above Sleeping Beauty Castle, “Magical” sparks to life with a dazzling firework spectacular in which colorful, choreographed pyrotechnics burst and soar to a soundtrack of Disney songs.  “Magical” features both Tinker Bell and Dumbo in flight over the castle.

D23 PREVIEWS TOY STORY 3 IN SUMMER ISSUE

Disney twenty-three magazine gives readers exclusive sneak previews of three of the most highly anticipated movies of the year in its all-new Summer issue, which premieres April 19 with three different covers to celebrate Disney-Pixar’s upcoming Toy Story 3.

For the first time in its history, Disney twenty-three has created a split run of three covers, featuring three of the most popular characters from the Toy Story movies: Buzz Lightyear, Woody and Jessie.  Magazines will be shipped directly to Gold-level members of D23: The Official Community for Disney Fans; Disney twenty-three is also available at select Barnes & Noble and Borders bookstore locations, online at DisneyStore.com and throughout the Disneyland® and Walt Disney World® Resorts.

Fifteen pages of Disney twenty-three’s Summer issue are devoted to Disney’s cinematic offerings, and among them readers will find:

•  Interviews with Nicolas Cage, Jake Gyllenhaal and Jerry Bruckheimer;
•  Photos of such new Toy Story 3 characters as Lots-o’-Huggin’ Bear and Mr. Pricklepants;
•  Behind-the-scenes photos from the making of Toy Story 3 and Prince of Persia: The Sands of Time;
•  And, of course, the special cover – each version of which features a striking, close-up image of one of the three stars of Toy Story 3.

While Disney movies are a major part of the Summer issue of Disney twenty-three, the magazine brings many more discoveries from the entire world of Disney.

A five-page article reveals the history of the enormously popular Fantasmic! nighttime extravaganza at Disneyland in California and Disney’s Hollywood Studios in Florida, and also provides a glimpse at conceptual art from and exclusive details about next year’s debut of Fantasmic! at Tokyo DisneySea in Japan.

Fans of Disney history will be able to travel in Walt’s footsteps – not to mention his ancestors’ – as Disney’s chief archivist Dave Smith travels around the U.S. and Canada to explore the roots of the Disney family.

Additional features in the Summer issue of Disney twenty-three include:

•  An in-depth look at the documentary Waking Sleeping Beauty, about the second “golden age” of Disney animation;
•  Journeys through some remarkably “ahhh-mazing” ways to pamper yourself during a visit to Disney’s theme parks and resorts; and
•  Introductions to professional Disney photographers, who share some of the extraordinary images they have taken during their careers.

There’s even more to discover in the Summer issue of Disney twenty-three magazine, which is available at select retail locations for $15.95 and delivered free to Gold-level D23 Members. D23 memberships can be purchased online at www.disney.com/D23.

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DISNEY’S D23 OFFERS MAGICAL BENEFITS

Members of D23: The Official Community for Disney Fans are making every day a Disney day with a host of benefits that brings fantastic Disney discoveries, exclusive offers and special discounts throughout the year.

“As D23 grows and builds its membership of incredibly passionate Disney fans, we want to give them unprecedented access to the best of Disney, and to bring Disney magic into their lives every single day,” said Steven Clark, head of D23.

At the heart of the D23 experience are exclusive, private events created especially for D23 Members.  These events range from free movie screenings at the Walt Disney Studios in Burbank, Calif., to members-only parties at Disney Parks, to fascinating, in-depth tours of The Walt Disney Archives, which is typically closed to the general public.  And all through the year, D23 reveals surprising new experiences designed especially for members.

D23 Members can also enjoy the quarterly Disney twenty-three magazine, which explores the incredible past, vibrant present and exciting future of Disney. Single issues of the lavishly produced, oversized Disney twenty-three retail for $15.95 each, but Gold-level D23 Members get each issue sent directly to them in special protective packaging, often with surprise member gifts that aren’t available anywhere else.

The magazine, gifts and special events are only the start of the D23 experience. D23 has also created a host of money-saving discounts and special offers especially for the benefit of its growing ranks of members. (For details, restrictions and full information on special offers and discounts, visit www.disney.com/d23.)

In the heart of the Disneyland® Resort, for instance, D23 Members receive a discounts and special offers from select Downtown Disney shops and restaurants simply by presenting a current D23 Membership card. Participating Downtown Disney locations offering a 10% discount on purchases are: AMC 12 Theatres, Anne Geddes, Basin, Catal Restaurant & Uva Bar, Compass Books & Café, Fossil, Häagen Dazs, Hairwraps International, House of Blues, Island Charters, Jamba Juice, Kaman’s Art Shoppe, La Brea Bakery, LEGO Imagination Center, Naples Ristorante e Pizzeria, Napolini, Pearl Factory, Quicksilver, Rainforest Café, Ralph Brennan’s Jazz Kitchen, Ridemakerz, Something Silver, Sunglass Icon, Tortilla Jo’s and Wetzel’s Pretzels. Letter Brush Art and Pastel Potraits also provide special offers to D23 Members.

Mandara Spa has also teamed with D23 to offer Members 10% off of all services at Mandara Spa locations in the U.S., Mexico, the Bahamas and the Caribbean, including the Grand Californian Resort & Spa at Disneyland and the Walt Disney World Swan & Dolphin in Florida.

Many D23 Members are already planning for the return of the enormously popular D23 EXPO to the Anaheim Convention Center in August 2011, and when tickets go on sale Aug. 19 of this year at www.disney.com/D23, D23 Members will receive discounted admission to the Ultimate Disney Fan Experience.  And for members who joined D23 in its inaugural year, D23 will present an exclusive Charter Member Lounge during the D23 EXPO, where these VIPs can relax and enjoy special surprises.

In 2010, D23 Members will also receive a $5 discount on admission to The Hollywood Show from April 23-25 in Burbank, which is scheduled to feature appearances by members of the original “Mickey Mouse Club.”  What’s more, D23 Members will receive special D23 pricing on tickets to the popular “Evening of Disney Rarities” at the Newport Beach Film Festival.

Outside of Southern California, D23 Members have a special offer waiting for them at ESPN Zone locations throughout the U.S., where they’ll receive a burger, non-alcoholic drink and $15 game card for only $20.

For the month of April, D23 Members who live in or visit New Orleans will receive 10% off purchases at select Ralph Brennan Restaurant Group locations. (The offer excludes alcohol and is valid for up to six people.) The offer applies to meals at Ralph Brennan’s BACCO, Red Fish Grill, Ralph’s on the Park, and the Courtyard Café at the New Orleans Museum of Art.

No matter D23 Members live, their special D23 benefits provide special Disney memories and experiences.  There’s no better way to chronicle them than through a brand-new relationship between D23 and Scrapblog, which gives D23 Members access to one-of-a-kind Disney content. Members can get creative with Disney-themed Scrapblog material created especially for them, and accessible through a special page on Scrapblog’s website.

To bring Disney magic into the homes of its members, D23 has created a special line of limited-edition merchandise and collectibles that is available exclusively to its Members at the online “Boutique 23.”

Moreover, D23 has teamed with eFX Inc. to provide special D23 Members-only pricing on eFX’s exquisite Disney collectibles, details of which will be announced shortly.  Among eFX’s Disney collectibles are a stunning, four-foot replica of Capt. Nemo’s Nautilus; an exquisite reproduction of the evil Queen’s Heart Box from Snow White and the Seven Dwarfs, featuring two sculptures by artist David Kracov; and additional Disney- and Muppets-themed pieces currently in development.

Membership in D23: The Official Community for Disney Fans brings exciting Disney discoveries, special savings, and a host of benefits every day of the year. Gold-level D23 Memberships are $74.99, and Silver-level memberships (which provide all benefits with the exception of a Disney twenty-three subscription) are just $34.99 a year.

All discounts and special promotions are available to both Gold- and Silver-level D23 Members.

Disney fans can become members of D23: The Official Community for Disney Fans at www.disney.com/D23, select shops at the Disneyland® and Walt Disney World® Resorts, and at www.DisneyStore.com/D23.

First look at Disney Cruise Line’s ‘Villains Tonight!’

“Villains Tonight!” is the first full-scale musical production dedicated to the Disney villains. The show is a family-friendly, fun-filled musical extravaganza that places these famous evil-doers in some irreverent funny moments.

“Villains Tonight!” begins as Hades and his faithful sidekicks, Pain and Panic (“Hercules”), welcome new souls (the audience) to the Underworld. But instead of a frightening realm, guests will discover that Hades has turned the Underworld into an upbeat and happier place. The lively fun comes to a halt when The Fates arrive and predict that Hades will lose his position as Lord of the Underworld if he doesn’t ramp up the evil factor.

“Villains Tonight!” joins the lineup of shipboard stage musicals as the Disney Magic gets ready to embark on an unprecedented five-month season of Mediterranean and Northern European cruises. Departing from Barcelona, Spain, Mediterranean cruises go from April 24 to May 26 and Aug. 7 to Sept. 8, visiting popular ports in Italy, France and North Africa. Departing out of Dover, England, the Northern European cruises will sail from June 12 to July 18, visiting St. Petersburg, Oslo, Copenhagen and other enchanting ports.

 

Blu-Ray Review: A Nightmare on Elm Street

One, Two gonna write a review. Three, Four hope you don’t think it’s a bore. Five, Six it’s time for a horror film fix. And why not have it be the one film that jumped started a new dimension in the telling of horror films. I remember seeing this film way back when and not being able to sleep for days without waking up in a sweat. Now, much older and wiser I have watched it again. This classic has come to a true telling with this new Blu-Ray edition. If you thought seeing this film on the big screen or even on VHS/DVD before, you are in for a surprise. In the HD, 7.1 surround format, Wes Cravens nightmare of a creation comes out more vivid than ever before.

Wes Craven has been delighting and scaring us whether we are awake or in our dreams since his first cult classic ‘The Last House on the Left’ in 1972. His penchant for writing characters that delve into the human psyche are unmistakable with the one that anyone, even if they’ve never seen the film knows, Freddy Krueger. Now most know the story of ‘A Nightmare on Elm Street’, an accused child molester is burned by a couple locals and he comes back to wreak revenge on the children of those who did the burning. He’s weapon of choice, their dreams.

I’m not going into details of the plot or the ‘oh my god that was so fake’ but rather the interesting aspects of the creation of this film as this is the Blu-Ray edition. Having seen the original back in the day I decided to watch the Focus Points version of the movie. During the movie, a disk flashes and when you press the ‘enter’ button it cuts away too many aspects of the preproduction, mutli-angle takes, different versions of the same shot or insight from specialist about dreams. It was quite humorous to find out the character of ‘Freddy’ was named after a bully of Craven’s named Fred and Krueger because he thought a German name would be frightful. How many of you wanted to know how they created the face in the wall effect, spandex. (Yes it can be used for something other than clothes and I still stand behind spandex is a privilege not a right.) Or that even today doctors are still trying to understand the meaning and process of dreams.

What I found the most interesting is how the use of dreams was based on the theory that if you die in your sleep you die in real life and that of articles Craven came across about mysterious deaths among Hmong tribesmen. The tribesmen were stricken by an unexplained illness that caused them to die in their sleep in such a horrible way; people thought it was their dream that killed them. It was between these two happenings that Craven was able to piece together a story that can be told as a ghost story. To boot ‘Freddy’ was based on a true character as well. He may have been named for a bully but his actions are that of a drunken man Craven had run into when he was a child. He had the hat and the bugged out, expressive eye’s that one actor made famous.

 What about those actors? How can you forget Robert Englund? A classically trained actor who was chosen to play what would become an icon in the horror genre. Englund took all the words and advice from Craven and added the fact that he would have to show up hours before anyone else to get ready and put that emotion, that anger into one of the most menacing characters on film. To fuel that emotion he had on screen was some of the ‘beautiful’ actors in the film, Namely Heather Langenkamp who played the lead heroin Nancy Thompson and a young man making his debut, Johnny Depp. Yes, THE Johnny Depp. A fun fact was that Craven was looking at potential actors for the part in which Depp would play, Glen Lantz, and when his daughters saw his picture they said, “Dad, you have to use him. He’s hot!” Wonder how many others they have been able to lead to stardom?

You will enjoy this production for many reasons. You have two different commentary tracks, alternate endings or the trivia track. The extra content in the special features is also fun and entertaining for any movie buff or anyone wanting to know more about dreams; Never Sleep Again is a making of the film; The House That Freddy Built is a history of what the Elm Street franchise became; Night Terrors an inside look with professionals on the study of dreams.

To put it simple this is a must for any true collector of the horror genre. This film set a standard that many have tried to duplicate but none have been able to do. Craven is a master of suspense, storytelling and messing with the human psyche. He is quoted as saying, “Horror films don’t create fear. They release it.” Well you should see this film in its new format and be ready to check your heart rate after. Seven, Eight watch this movie with a date. Nine, Ten, what’s this, déjà vu again?

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THE GREAT MOUSE DETECTIVE: Mystery in the Mist Edition on DVD!

The game is afoot! The world’s greatest sleuth dons his miniature deerstalker hat and puts his extraordinary deductive ability into animated action when The Great Mouse Detective: Mystery in the Mist Edition comes to DVD on April 13, 2010 from Walt Disney Studios Home Entertainment. In the greatest little mystery in Disney history, the renowned Basil of Baker Street takes on his archenemy, the evil genius Dr. Ratigan, and this time the battle is for the entire city of London! With fresh and exciting bonus features, The Great Mouse Detective: Mystery in the Mist Edition will thrill audiences with an exciting game of “mouse and mouse” that’s not elementary by a long shot!

Inspired by the adventures of Sir Arthur Conan Doyle’s brilliant detective Sherlock Holmes, The Great Mouse Detective: Mystery in the Mist Edition marks the directing debut of now legendary filmmakers Ron Clements and John Musker, creators of such Disney animated blockbusters as The Princess and the Frog, The Little Mermaid and Aladdin. As Basil sniffs out one clue after another with unmatched ingenuity, kids and adults will delight in a heartwarming and suspenseful adventure that goes from Baker Street to the tower of Big Ben in the charmingly downsized London of Mousedom.  An intriguing mystery, spectacular animation and unforgettable characters make The Great Mouse Detective: Mystery in the Mist Edition a devilishly clever family gift!

Viewers can test their own powers of deduction and go behind the scenes of the movie with bonus features that include:
• So You Think You Can Sleuth? — An animated look at the history of detective work, complete with a crime-solving puzzle for the entire family.  
• The Making Of “The Great Mouse Detective”
• “The World’s Greatest Criminal Mind” Sing-Along Song

When talented toymaker Hiram Flaversham is mousenapped, his winsome daughter Olivia turns to the most famous mouse detective of them all, Basil of Baker Street. Accompanied by his assistant and confidante, Dr. David Q. Dawson, Basil uncovers a villainous plot by the “slimy, contemptible sewer rat” Dr. Ratigan to replace Moustoria, Queen of Mice, with a look-alike robot and take control of the entire rodent population of London. Based on Eve Titus’s book Basil of Baker Street, The Great Mouse Detective channels the spirit of Sir Arthur Conan Doyle’s most famous creation into a richly  animated, Sherlock Holmsian tale set in Victorian-era London’s underground mouse kingdom.



(Check out this clip from the DVD!)

The special features on the DVD are pretty sparce, including a Sleuth adventure for the kids So You Think You Can Sleuth?), along with a rehashed Making of the Great Mouse Detective for the adult. It was a nice trip back in time to see the 80s clothes and crazy hair styles.

If you are an animation collector or just a fan of a fun entertaining story, the Great Mouse Detective is definitely a film you should pick up. You will not regret it.

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Disney’s California Food & Wine Festival Celebrates the ‘Art of Flavor’

Disney’s California Food & Wine Festival will create a kaleidoscope of culinary experiences for guests of every palate April 16-May 31 at Disney’s California Adventure park and select locations across the Disneyland Resort. Chefs, winemakers and brewmasters will celebrate The Art of Flavor at this year’s tantalizing festival, which features entertaining culinary demonstrations, outstanding wine and spirits seminars, and delicious food, wine and beer.  For details about the Festival* events, visit www.disneyland.com/foodandwine.

Look for chefs Guy Fieri and Cat Cora of Food Network, along with Disney culinary masters and special guests as they present their gastronomic talents in a full menu of complimentary demonstrations and signature paid events.  The signature events include Sweet Sundays, “Taste Wine Like an Expert” classes, and Taste Food-Wine-Life, a night that celebrates the essence of the festival with a mosaic of food, wine and live entertainment.

Opening weekend features celebrity chef Guy Fieri, the popular television personality and “food dude” who appears on shows such as “Guy’s Big Bite” on the Food Network. Fieri will conduct complimentary food demonstrations on the Festival’s main stage Friday, April 16, and Saturday, April 17.

“Disney’s California Food & Wine Festival is a great time,” Fieri said.  “Of course the kids love Disneyland, but now this is something extra for the adults.  It’s incredible chefs, great wines from around the world and Disney. You’re gonna dig it.  See you there!”

Some events, including culinary demonstrations, are included with admission to Disney’s California Adventure park.  Signature events are separately ticketed and require reservations.

Disney’s California Food & Wine Festival includes experiences for anyone who appreciates the art of food, wine and beer.
  • The Hollywood Pictures Backlot comes to life as the new hub of energy and excitement, complete with artists, musicians and an international beer menu at the Brewers Collection. At the new Festival Showplace located in Stage 12, guests will sample from the delicious tapas menu at the Taste of California Marketplace and relax at the new Hollywood & Wine Lounge.
  • Among the most popular events at the festival are live culinary demonstrations and autograph sessions with popular celebrity chefs. Along with Guy Fieri and Cat Cora, those scheduled to present include Robert Irvine, Jeffrey Saad and Kerry Simon.
  • Hundreds of complimentary experiences and cooking demonstrations will entertain guests during the 46-day festival, many featuring the talents of Disneyland Resort chefs. Guests will also enjoy seminars that feature outstanding wine, spirits and beer.
  • At the spectacular ticketed events, food and wine aficionados will collect cooking tips from chefs, mingle with noted winemakers and celebrate the palette of flavors presented by culinary masters.
      Events returning for 2010 include the gala Taste Food-Wine-Life” and other popular experiences:
  • Taste Food-Wine-Life: This fun, high-energy evening combines the best elements of the
    Food & Wine Festival into one grand celebration, May 29.  The immersive party has live entertainment, an outstanding selection of wines and colorful décor.  Guests will stroll from station to station sampling delectable food dishes created by the chefs of Disneyland Resort.
  • Sweet Sundays: The sweetest of all events features a light buffet breakfast and sparkling toast at the new Festival Showplace in Disney’s California Adventure.  Guests will see demonstrations and taste signature desserts created by acclaimed pastry chefs, including Richard Ruskell of Montage Beverly Hills.
  • “Taste Wine Like an Expert”: In this entertaining class, Advanced Sommelier Joy Cushing introduces guests to the joys of wine tasting. Guests will learn about wine regions, varietals, growing and harvesting techniques and then test their skills with a blind tasting.
Festival events held in Disney’s California Adventure may require park admission, which is not included in the event price.  For details and pricing information, visit www.disneyland.com/foodandwine.

HAIRSPRAY Dances its Way to the Center

It’s freakin’ Hairspray! You probably know what to expect or at least know what you’re getting yourself into. It’s an outrageously fun musical with endless upbeat singing and dancing that will sure to have you moving around in your seat till the final curtain fall. It’s a different class of Broadway. This is not your Les Miserables or Phantom of the Opera type of show, but a campy light-hearted flashy production that has all aspects of what an enjoyable night at the theater is all about.

I’m going to assume that most people reading this knows Hairspray. In case you don’t, Hairspray is based off the original NewLine Cinema film directed by John Waters. Yes, that’s the one with Ricki Lake. This current production is based off Jack O’Brien’s original direction and Jerry Mitchell’s original choreography recreated by Matt Lenz and Danny James Austin. This production of Hairspray is said to stay true to the original production.

Hairspray contains wide variety of colorful characters that add up to one fantastic cast. The show builds with stronger songs, funnier scenes, and crazier choreography to bring the musical to a show-stopping climax with Hairspray’s most popular song; “You Can’t Stop the Beat”. Oh no, I already have it stuck in my head again. It’s going to take me awhile till I have this one out of my head.

This may just be a ‘funtastical’ trip through the 60’s, but its plot contains a deep significance to America’s past racial problems. It’s a time when ginormous poofed up hairdos were all the rage and teenagers all over the nation would hurry home to watch their favorite American Bandstand type shows, but among the glitz and glitter of television was the messages sneaked into the boob-tube glued children. Tracy Turnblad was one of these teenagers whose dream in life was to dance on The Corny Collins Show, but due to her expanding waistline she wasn’t going to cut it. That’s until she got her chance to dance in front of the shows stars. It’s when she realizes that the princess of the show and her diabolical mother has the outs for her and all the Negros (remember, it’s 1962) from dancing on the show, which makes Tracy try to integrate the show herself.

Okay, there’s a whole lot more to it than that of course including a love story between Tracy and one of The Corny Collins Show Stars, Link Larkin, and who can forget the cross-dressing behemoth of a “mother” that deep down wants to be a plus sized fashion designer but hasn’t left the house in years. It all ties down wonderfully to create a wickedly creative story with a crazy set of characters.

The actor who played Tracy’s “mother,” Edna (Greg London) was performing his first night in the production and ended up stealing the show! I was very pleased with his performance along with his Saturday Night Live style breakout into laughter that he couldn’t hold back. I have a feeling that due to the nature of this character that it usually ends up becoming the hit of the show anyway, although I do feel that he deserved the praise. It was clear he can pull of many different types of characters, but especially a giant distressed mother.


As for Tracy however, I was a little disappointed in her singing abilities. Danielle Arci started off the performance of Tracy poor with a weak version of “Good Morning Baltimore”. I became nervous hoping that I would quickly grow fond of her acting. Luckily, none of the other songs besides the beginning of “You Can’t Stop the Beat” felt as bad as the first song. What she lacked in vocals was definitely made up in her portrayal of the character and acting ability. Her facial expressions were priceless and risque body movements that have come to be known with the character were well executed. There were other moments where she left it up to the rest of the cast to sing their way through songs, but perhaps it was better than having the high-pitched teenage voice of Tracy lingering throughout.

I never knew how dirty Hairspray was until tonight. There are many areas that were far dirtier than I expected, however are cleverly done so the younger members of the audience will not understand. However, good luck explaining why the mother is guy dressed up in drag the whole show.

The role of the fathers seems difficult to pull off well, but Mark A. Harmon did a fine job. I found his lines to be a little awkward and frankly not funny, but Harmon brought it during the “(You’re) Timeless to Me” number with the mother.

I found the second act to have far stronger songs as well as a better pace and funnier lines, but the first act still does contain some classics while having to deal with more story development. You’ll really light up during some of the fantastic second act dance numbers and superb singing. It’s a quick second act partly due by its faster pace within scenes. Just wait until the final number really gets started! It’s fifteen minutes (est.) of pure solid entertainment.

Really, Hairspray is your perfect get-a-way from your everyday grind type of show that has lots of laughs and plenty of catchy tunes. It’s a bright and cheery musical that will leave you humming the songs as you exit. It did win a Best Musical Tony Award after all. Rrrgggg… I can’t stop the beat!

Hairspray is now performing at the Orange County Performing Arts Center until April 11th. Tickets start at $20 and are available at The Center Box Office 10am – 5pm daily, online at OCPAC.org, or by phone at (714) 556-2787.

Blu-Ray Review: The Lord of the Rings-The Motion Picture Trilogy

I was so excited when I found out The Lord of the Rings trilogy was finally getting released on Blu-Ray.  After all, this is one of my favorite film series, and I still consider the previously released DVDs to be amongst the best DVD releases ever.  I could only imagine how spectacular these films would be on Blu-Ray, and eagerly awaited the magnificent wealth of bonus features sure to be included.  This is why I find it so upsetting to report that the actual release is a colossal disappointment, lacking in everything that made the DVD releases so special.

I found myself questioning the set right from the beginning as I realized that it only contained the Theatrical Editions.  As most Lord of the Rings fans already know, director Peter Jackson painstakingly integrated approximately 30 minutes of extra footage into each of the films for the previously released DVDs.  These scenes were not superfluous like most Directors Cuts.  They fleshed out the films, bringing greater depth and insight into the stories and the characters.  I expect a lot from Blu-Ray, and I naturally assumed we would be getting the stronger versions of the films.  I don’t know why we only get the shorter versions (possibly a more elaborate Blu-Ray release is planned for the future?), but for this reason alone I would recommend bypassing this set.

Even with the lesser versions of the films, it would be easier to get excited about this release if the extras were any good.  Unfortunately, nothing new was created for this set, and the material that is included is monumentally inferior to the material from the previous sets.  Almost all of the features are taken from televised specials designed to promote the films.  The set has six Blu-Rays in total, each movie taking one disc, and then one disc associated with each film. 

There is very little actual insight into the creation of the films.  The features are almost entirely comprised of the cast and crew talking about how great the movies are (or rather, are going to be, as most of these segments were filmed prior to the film’s actual release).  There is the occasional interesting interview or entertaining behind-the-scenes sequence, but there is nothing that isn’t covered in more detail and in a more cohesive way on the DVD release. 

As I pored through all of the extras, I began to realize how repetitive the material was.  As almost all of the features were put together for various networks, stories are recycled, and footage is occasionally reused.  There are specials that were made for Fox, the Sci-Fi Channel (now Syfy), the WB (now the CW), and even National Geographic.  This last one is the only one that actually proved compelling and didn’t seem to be a commercial for the films.  Hosted by John Rhys-Davies (Gimly in the film), this segment explores the films from a more intellectual perspective.  Rather than showing us the cast snowboarding like the WB special, this segment focused on the themes, the concept of myth, the story in relation to our history, etc. 

But one interesting segment doesn’t make for a satisfying collection.  I couldn’t believe how much of this set was just filler.  The box boasts that there are over 7 hours of extras, but there is nowhere near this much material if you compress all of the content that covers the same ground.  It’s not all the same footage necessarily, but in watching these features you hear the same things over and over again.  I know I’ve spent a lot of time talking about the DVD releases, but those extras were brilliantly mapped out.  Every aspect of pre-production, production and post-production was covered on those films.  They were informative, obviously designed to enhance the appreciation of the films after they’d been seen. 

This set feels very slapped together.  It’s as if they took whatever specials they found laying around and just stuck them on the disc.  They even include Sean Astin’s short film, “The Long and the Short of It.”  This film was made in New Zealand during a break from filming and a significant number of Lord of the Rings crew members contributed to the production.  Unfortunately, Astin is a better actor than he is a filmmaker.  This felt like a student film, and not a good one at that. 

Considering how unsatisfactory the extras are on this set, the least they could have done would be to include the theatrical trailers. I love movie previews, and this franchise (especially Two Towers) has some of my favorites.  They didn’t include a single one.  Rather, every single television ad is on the set.  They also include the music videos from Fellowship of the Ring and The Two Towers.

Overall, the films are still great.  The versions included here aren’t as strong as the Director’s Cuts, but they are still amazing movies.  The transfer is fantastic, and the movies themselves look and sound better than ever.  However, the DVD releases looked great too.  If you’re looking to add these films to your collection, definitely go with the DVDs.  If you already have the DVDs and are thinking about upgrading, don’t bother.  It’s really not worth it.  In fact, this set contains commercials for each of the DVD special editions.  Even those who put this set together must realize they have the inferior product.  Despite my love of the films, this is one of the most disappointing Blu-Ray releases to date.

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Also Available On Demand and For Download  (iTunes: http://bit.ly/SCT_LordOfTheRings)

Blu-Ray Review: Poseidon

Disaster films have been around for some time, however when you are on land there are several ways you can save yourself. What happens when you are in the middle of the one thing that covers ¾ of the Earth’s surface? Your instincts better kick in. Wolfgang Petersen (Troy, The Perfect Storm) has taken the classic novel of Paul Gallico and weaved a new version that brings a modern twist to this classic tale.

Just what would you do if you are on an amazing luxury ship and you are hit by a freak of nature called a rogue wave? A wave so powerful that in actuality one out of 100 ships a year are lost at sea to such a wave. This story is based on Gallico’s personal experience with one such wave that he then took and expanded upon and was first presented on the big screen as “The Poseidon Adventure” in 1972. Petersen did not wish to do a remake but more of a re-imagination of the story. As Petersen notes in one of the special features, “Why would I want to remake such a well done classic film? There is only one Shelly Winters. You cannot have someone redo her role, so I wanted to have different characters deal with the situation at hand.” And that is where we begin our journey of survival.

Peterson brought together a star studded cast of Josh Lucas (Sweet Home Alabama, Glory Road) as the professional gambler with a history on ships, Kurt Russell (Sky High, Miracle) as the former Mayor of New York who is on board with his daughter and her secret fiancée played by Emma Rossum (The Phantom of the Opera, Mystic River) and Mike Vogel (Miami Medical, She’s Out of My League), Jacinda Barrett (Ladder 49, Bridget Jones: The Edge of Reason) as the single mother with a son played by Jimmy Bennett (Evan Almighty, Star Trek 2009), and the always charming,  no matter what movie he does, Richard Dreyfuss (Jaws, Mr. Holland’s Opus) as the eccentric business man who feels he has lost everything. Not to mention great parts by Mia Maestro (The Box, Deepwater), Kevin Dillion (Hotel for Dogs, Platoon), Andre Brougher (The Mist, Men of a Certain Age) and even am appropriate little role for Stacy Ferguson (Nine, Grindhouse), yes Miss Fergie herself.

Now we know the story, so let’s get to the details. This was a production more like old school Hollywood. Huge lavish sets, on several soundstages on the WB lot, with one big problem, the sets have to be upside down. You could say the ship and the sets that represent the ship are the star of this film. Since no cruise line company is going to just allow you to flip and sink their ship, Petersen assembled a masterful group to create not only huge physical sets but some of the most creative digital effects work of the time. A huge ballroom that is upside down and eventually is flooded to one of the longest single shot of digital created film at the time, 2:30 minutes, to open the film. We will also not forget that Petersen strives to bring out the best in people. The actors took to his thoughts like any true student would listen to their master of art. When it came to doing stunts, in most cases the actors did it themselves. Being a student of Scuba Diving and continuing to learn it brings a new found respect for these actors to lean more of their craft than just saying a few lines and pretending to be in harm’s way. Congratulations go to those individuals who took the time to help teach them to be safe while performing.

To really enjoy the process of this film and what went into its grandeur there are three fun filled special features. First we have ‘Poseidon: Ship on a Soundstage’ where we get that in depth look at the filming process, from the multiple soundstages, to the costumes, to the special effects crew and their countless testing for that right water effect. It is here that we also learn of Petersen’s passion for 11 o’clock soup. Don’t ask watch the feature and see how passionate he is about keeping his crew happy. Second we take a look at filming through the eyes of a production assistant or PA as they are know as in the industry in ‘A Shipmates Diary’. And last but definitely not least is ‘Poseidon: Upside Down Unique Set’. This is where you get to meet the set designer, special effects technicians, production designer and computer effect designers who put countless hours and test all of their knowledge of film making to bring us this adventure. As an added bonus to the Blu-Ray there is included the History Channels presentation of ‘Rogue Waves’, a scientific look at the phenomena of these sometimes, killer waves.

In the end sit back relax and why not watch both films and see for yourself that they truly are different in their own right. The one thing that will stand clear in both films is that you can never know when something tragic may cross your path. We all have in us the instinct to live and solve any problem that may compromise that instinct. “Poseidon” also showcases that you can never be to prepared. I say this in that not one person or persons knows the answer to a problem. Sometimes you have to step back and look at the big picture and work together and you can accomplish just about anything. For me, one thing that I may do from now on is carry a bottle of Spare Air with me on a cruise. That’s a scuba joke.

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Blu-Ray Review: IMAX Under the Sea

Imagine a world of incredible color and beauty. Of crabs wearing jellyfish for hats. Of fish disguised as frogs, stones and shag carpets. Of a kaleidoscope of underwater life. Now, go explore it! The makers of Deep Sea and Into the Deep take you into tropical waters alive with adventure: the Great Barrier Reef and other South Pacific realms. Narrated by Jim Carrey and featuring astonishing camerawork, this amazing film brings you face to fin with Nature?s marvels, from the terrible grandeur (and terrible teeth) of a Great White to the comic antics of a lovestruck cuttlefish.

Writer/director Howard Hall’s fourth IMAX film (after Into the Deep in 1994, Island of the Sharks in 1999, and Deep Sea in 2006), Under the Sea follows the award-winning documentarian and his talented team to the shores of Papua New Guinea, beneath the seas of South Australia, along the Great Barrier Reef, and into the flourishing waters of Indonesia. At each stop, Hall captures colorful footage of spongy frog fish, rare sharks, stingrays, venomous sea snakes, dazzling octopi, burrowing shrimp, cuttlefish, and clever chameleons of all shapes and sizes. His cameras are privy to some truly remarkable sights — a school of reef squid laying a cluster of eggs, swaying fields of garden eels, a massive turtle happily dining on a deadly jellyfish, predators prowling their favorite hunting grounds, endangered creatures that continue to endure the rugged underwater terrain, and a family of affectionate sea lions who take a moment to introduce themselves — many of which are lent endearing personalities courtesy of the director’s cheery script and Jim Carrey’s affable narration. Eels don’t mindlessly feed, they dance in the current; a turtle doesn’t merely survive, it relishes a tasty delicacy; a shrimp doesn’t dig a tunnel, it acts as a skittering contractor for a generous client; sea lions don’t simply swim together, they trot out their best tricks and showcase their skills for an adoring public.

With Hall at the helm, Under the Sea is both a visual and auditory treat on Blu-ray. The crispness, detail and color of the source material are faithfully reproduced here in a stunning 1080p hi-def presentation. Blu-ray and IMAX are perfectly suited, as the full capacity of the IMAX image is given room to play in your living room, thanks to the hi-def format. DTS-HD Master Audio mixes don’t often get the workout they deserve, but I’m happy to say that this mix doesn’t disappoint. The music is soothing and understated for the most part, but also breaks free from time to time, most noticeably during the rendition of “Octopus’s Garden” that plays near the end of the feature. When atmospheric effects or Carrey’s narration are given center stage, the audio mix is always well-balanced and immersive, helping the viewer to lose themselves in the gorgeous footage before them.

The supplements on Under the Sea let viewers get behind the scenes on the production with the filmmakers through a brief  “making of” featurette and a series of webisodes, labeled here as “expeditions” that grant a peak into the often taxing IMAX underwater filmmaking process.

The supplements provided on this release are:

Behind the Story:
Filming IMAX: Under the Sea
(1.78:1; 1080i/60; 0:07.17)

Expeditions:

#1: Papua New Guinea — New Britain (1.78:1; 1080i/60; 0:01.45)
#2: Papua New Guinea — Mine Bay (1.78:1;1080i/60; 0:02.07)

#3: South Australia (1.78:1; 1080i/60; 0:02.02)

#4: The Great Barrier Reef (1.78:1; 1080i/60; 0:03.28)

#5: Indonesia (1.78:1; 1080i/60; 0:02.44)

Under the Sea doesn’t bring anything new to the IMAX fold, but its Blu-ray release certainly does. While similar documentaries have been crippled by mediocre AV presentations, Warner has granted Hall’s fourth underwater adventure a stunning video transfer and a satisfying DTS-HD Master Audio 5.1 surround track. I’m sure documentary fans would have appreciated some more substantial special features, but anyone who picks up Under the Sea will be too entranced by their screen and speakers to care about a lackluster supplemental package.

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