Get ready, for the dawn of a new age! Manny, Sid, Diego and Ellie are back for more pre-hysterical hijinks when Ice Age: Dawn Of The Dinosaurs stomps onto Three-Disc Blu-ray Disc/DVD Combo Pack October 27 from Twentieth Century Fox Home Entertainment. The third film in the outrageously popular Ice Age franchise, the sub-zero heroes return another wild and fun adventure. Scrat is still trying to nab the ever-elusive nut (while maybe finding true love); Manny and Ellie await the birth of their mini-mammoth; Diego the saber-toothed tiger wonders if he’s growing too “soft” hanging with his pals and Sid the sloth gets into trouble when he creates his own makeshift family by hijacking some dinosaur eggs.
On a mission to rescue the hapless Sid, the gang ventures into a mysterious underground world, where they have some close encounters with dinosaurs, battle flora and fauna, run amuck, and meet a relentless, one-eyed dino-hunting weasel named Buck. The coolest animated comedy of the year, Ice Age: Dawn Of The Dinosaurs features hilarious performances from Ice Age veterans Ray Romano (“Everybody Loves Raymond”), John Leguizamo (The Happening), Denis Leary (“Rescue Me”), Queen Latifah (The Secret Life of Bees), Seann William Scott (Planet 51) and Josh Peck (“Drake & Josh”), along with newcomers Bill Hader (Forgetting Sarah Marshall), Kristen Wiig (“Saturday Night Live”), Jane Lynch (“Glee”) and Simon Pegg (Shaun of the Dead).
The point is kids won’t be worried about those details, and they shouldn’t be. Ice Age 3 is full of childish jokes, some fun action, and an simple morale they’ll be able to follow. Scrat, the little squirrel-like creature who is eternally chasing that ever elusive acorn, is back. While the children laugh at his antics there are a few things hidden in there for the adults to chuckle at too.
The Ice Age: Dawn Of The Dinosaurs Three-Disc release includes the BD, DVD and Digital Copy and provides hours of extra fun for the entire family including an Ice Age digital story book maker, commentary by director Carlos Saldanha, deleted scenes, making-of featurettes, two special Scrat shorts, a how-to-draw Scrat tutorial with the filmmakers and much more.
“Ice Age: The Meltdown” is a fun romp that calls to mind the very best of the old Warner Brothers cartoons. In Blu-ray, it looks and sounds pretty incredible.
Three-Disc Blu-Ray Disc/DVD Combo Pack Special Features: Disc One: • Blu-ray Disc Feature Film • Ice Age Story Maker • Filmmaker Commentary • Evolution Expedition • Buck…Easel to Weasel • Falling for Scratte • Unearthing the Lost World • Two Unfinished Deleted Scenes • Walk The Dinosaur Music Video • Two Scrat Shorts o Gone Nutty – Scrat’s Missing Adventure o No Time For Nuts • The Sabre-Toothed Squirrel: Natures Nutty Buddy • Scrat: From Head To Toe – learn how to draw Scrat tutorial • Scrat: “Breaking Story” • Scrat: “News Report” • Fox Movie Channel Presents: In Character with John Leguizamo • Fox Movie Channel Presents: In Character with Ray Romano • Fox Movie Channel Presents: In Character with Queen Latifah • Fox Movie Channel Presents: Making A Scene • Fox Movie Channel Presents: Making A Scene (Ice Age 2)
Disc Two: • Digital Copy Disc Three: • Standard DVD Feature Film
In Tinker Bell and the Lost Treasure Tinker Bell’s greatest adventure yet takes place in Autumn, as the fairies are on the mainland changing the colors of the leaves, tending to pumpkin patches, and helping geese fly south for the winter. The rare Blue Moon will rise, and when its light passes through the magical Fall Scepter that Tinker Bell has been summoned to create, Pixie Hollow’s supply of pixie dust will be restored. But when Tinker Bell accidentally puts all of Pixie Hollow in jeopardy, she must venture out across the sea on a secret quest to set things right.
Along her journey Tink meets new friends, including Blaze, a cute and courageous firefly that helps Tinker Bell complete her mission. It’s a long and dangerous journey, full of astonishing encounters, a few narrow escapes and a daring rescue by Tink’s friend Terence. Tinker Bell and the Lost Treasure is an exciting adventure and a once-in-a-blue-moon experience for the entire family.
From a production standpoint, the film is top notch and completely belies its direct-to-DVD status. Thankfully, it is being released in Blu-ray format (in addition to DVD) to allow home viewers to get as close to a theatrical experience as currently possible. The Blu picture and sound are thrilling, with fine detail like the individual specks in swirls of pixie dust, crystal-clear depth of field in the highly-detailed Pixie Hollow, and immersive surround sound effects during the expansive adventures outside the Hollow that work together to fully bring the fantasy world to life.
The disc is jam-packed with bonus features including deleted scenes, footage from the recreation of Pixie Hollow on the grounds of Epcot Center, and the ubiquitous BD Live capability. Of special note are the Fairy Bloopers, basically alternate takes on a few of the key scenes that are similar to the old Pixar bloopers over their end credits. They’re genuinely funny and definitely worth seeking out.
Tinker Bell and the Lost Treasure is now available on DVD and Blu-ray. The Blu-ray package includes both Blu and DVD versions of the film.
“Tinker Bell and the Lost Treasure” provides some stunning visuals and a very competent audio track. The film is also better in story than the original. Disney has at least three more of these Tink films in production. The next one is called “Tinker Bell and the Great Fairy Rescue,” formerly called “Tinker Bell and the Midsummer Storm.” This next film is due out next year. I highly recommend this disc.
Bonus Materials • Scenes You Never Saw – These fairy funny alternate scenes did not make it into the movie. • Magical Guide to Pixie Hollow – Tinker Bell and Terence are your guides as you explore the autumn area of Pixie Hollow. • Deleted Scenes with Filmmaker Introductions – Play deleted scenes with optional intros by Director Klay Hall and Producer Sean Lurie. • Pixie Hollow Comes To Florida – Discover how the filmmakers helped transform Epcot into Pixie Hollow.
It’s back!!!One of the best reviewed and rewarded musicals of the past 15 years has returned to Orange County.RENT: The Broadway Tour is performing at the Orange County Performing Arts Center for a special one week engagement ending October 25th.This Tony Award-winning musical has gained a massive following since its debut in 1996 for a reason.RENT with its dark subjects of AIDS and death remains exhilarating and stimulating.If you haven’t seen this emotional musical by now, this is the time!
Original Broadway production and film adaptation stars Adam Pascal and Anthony Rapp have reprised their roles as broke roommates Roger and Mark.Pascal has gone back to his original haircut in the performance and Mark hasn’t changed since I first heard the music or saw him in the film.Opening night was filled with great anticipation and thunderous applause.It goes without saying that a ticket to RENT will guarantee award-winning music, powerful acting and an emotional story.
Being a little less knowing of than the average fans of RENT, I was a bit curious how the stage presentation would compare to my thoughts of the film adaptation.I heard the original music roughly 8 years ago and have always been interested in seeing the live performance. In fact, I was thrilled for a chance to see the film adaptation since it didn’t seem that I would be making it to the stage production anytime soon.Unfortunately, I was slightly disappointed with the film compared to opinions of the show I had heard prior.I will assure those who have only seen the movie that the live production is far superior to its Hollywood counterpart.
The time had finally arrived.I was patiently waiting in my seat for the first actor to walk out on stage.I expected so much from the show not realizing the capability it actually had.Without any dimming of the lighting or any instrumental intro, Pascal walked onto stage with an enormous applause quickly followed by Rapp to an even louder cheer of hoots and hollers.It was at this moment the goose bumps and continuous smile on my face would begin.The voicemail played after the notorious “SPEEEAAKK” answering machine message followed by the all too familiar tune of the song “Rent”.Before I could catch my breath I was already singing along in my head with the realization I was witnessing one of the greatest musicals of all time.
If I sound a little too enthusiastic about this experience it’s because I was.By the first act I was shocked…speechless…I couldn’t believe what I have been missing.This show is still worth seeing again if you have seen the show with a different cast.Pascal and Rapp were fantastic.Plus, it’s pretty cool seeing the same actors that starred in the show originally and in the film.Let’s be real.It was the whole cast that made the production feel so passionate though.
Justin Johnston plays Angel, the drag queen dressing street musician, and was part of the closing cast of RENT.He throws a little bit of his own touches along to some of the overly energetic scenes the character is known for.His “Today 4 U” was hilarious and wildly entertaining.However, I am basing my opinions off comparing the film to the stage production and the cast recording of the show.This makes my review difficult as I have no basis to relate what I viewed Tuesday night.
Michael McElroy retains the deep voice and tall attributes of Tom Collins.His performance was just as fantastic as the rest.Lexi Lawson who plays Mimi, a junkie that falls for Roger, and Haneefah Wood who plays Joanne, one of the leading lesbians in the show, do a fine job but nothing to worth reporting.Nicolette Hart’s performance of Maureen, the ex-girlfriend turned lesbian of Mark’s and complete flirt, was stupendous.I have not heard a better “Over the Moon” performance.Her infamous scene with the “mooing” was absolutely hilarious and showed some true talent.Hart goes completely over-the-top and completely pulls it off.It was noted by a friend whom I trust far more with vocal critiques that Hart’s vocals may have not been the strongest, but her overall performance outweighed any sort of vocal flaw.
I admit that I am not the greatest when it comes to recognizing poor vocals although I know what I enjoy.Any of these vocal issues may not be noticeable to the common theater-goers.There were no problems toward any of the vocals to my ears.Several of the original music arrangements are sung differently than many people may be familiar with. The stage production music is far less commercialized and feels truer.
The traditional band on-stage tucked away in the corner remains and the sets stray true to past productions.RENT remains just as powerful with a moral that will remain timeless even with the early 90’s settings.The chore of the show will always stay the same.The audience cheered along the entire production with many tears shed and lots of laughs chuckled.Even though I may be unknowledgeable toward past productions of RENT, I am still comfortable with saying this was just as spectacular.There really is no point in reading this however as it is impossible to comprehend the power this musical contains unless you are there in person.What are you waiting for… there is “no day but today”.
Tickets are $20-$70 and are available at OCPAC.org, the Center’s Box Office or by calling (714) 556-2787.In keeping with the vision of the musicals creator, Jonathon Larson, $20 tickets are available everyday 2 hours before curtain with a limit of 2 per person.Cash only.
You may recognize Greg Giraldo as being one of the many presenters on the Comedy Central Roasts.I’ve always noticed he has been the butt of all jokes during the roasts.The comedians always seem to be the harshest toward him as they seem to always bash his stand-up stating it’s not funny or that no one has ever heard of him.Well, both are true.I didn’t hear about him until the first Comedy Central Roast I watched and his comedy really isn’t that grand.
Giraldo’s stand-up usually involves insane stories of life in New York.Sadly, I’ve never been to New York and can’t really relate to everything about New York.I’m sure life near Los Angeles deals with many of the same type of freaks you may come upon in New York, but his comedy still plays toward the New York audience.The rest of the act deals with everyday life situations of people sick of the world they live.
His comedic style involves telling an insane story about somewhere he was and comes up with a dirty joke to compare what happened.I’m not saying this is a bad technique, but I wasn’t finding his stories too laugh-out-loud funny.I definitely still laughed to myself and found many parts humorous.However, I don’t see myself running to tell my friends or co-workers how great he is.
Most of his jokes are about true scenarios or are semi-intelligent.This is a style I usually prefer, but I just wasn’t finding it that great.It seems more like conversations I may have with my friends.
I do give him a hand when he stops in the middle of his act to point out an audience member sleeping during his show.He improvises very well. Giraldo cracks some jokes and slams at the audience member and then easily moves on with his act.The act was a little better from this moment on.Unfortunately, he does seem to continue with jokes for a little too long with way too many analogies.
Of course it’s all up to everyone’s own interpretation.I was never bored watching the special and wouldn’t mind sitting through it on TV.Having it in my collection may not be necessary though.
SPECIAL FEATURES:
Also included in the DVD is his Comedy Central Presents Special.I actually found this stand-up routine from 2000 far better than his hour special.It’s more about everyday situations that everyone can relate to.He didn’t seem as comfortable, but many of his stories still relate well to today.
The other feature of the whopping two features is a never-before-seen pilot of his show entitled “Adult Content”.This style and format is very similar to most comedian sketch/stand-up shows.The only difference was this was all about the sex and how we can all relate.Wouldn’t have been that bad of a show and could have competed with Demetri Martin or Carlos Mencia.
This is not a kid’s movie.Then again, I can’t really tell you who it’s made for.Director Spike Jonze has joined with author Maurice Sendak of the book of the same title from 40 years ago.Their collaboration has made sure that the movie will remain true to the book and have the same feeling any kid got from reading it.Warner Bros. Pictures with Legendary and Village Roadshow Pictures have created a film unlike anything before.
It’s eccentric and visionary, but absent of any real narrative of what’s really taking place. Where the Wild Things Are is gorgeous and extremely cinematic with some fantastic acting and voice talent along side of unbelievably realistic creatures.This is a film that plays to a child’s thought process and captures exactly what it was like to be a kid.However, it still may seem too weird and hard to follow for most adults.
Where the Wild Things Are follows a young boy named Max (MAX RECORDS), a very imaginative child that’s not quite like the other kids on the street.Max is very wild as one might say.He’s beginning to realize that he is a little different than the rest of his family, but is really just misunderstood.The young boy shares a quality everyone can relate to while growing up.There comes a point in our lives where we feel as if we must conform and act more maturely in order to fit in with the rest of society.This may not always be the best option for everyone.
Max wants to remain himself, but with a divorced mother and teenage sister it becomes a struggle for attention.For Max this requires putting on an animal costume and acting as if he was in the wild.He ends up getting into a huge tantrum when he notices his mother is more interested in the man at her house than any play time with her son.After a bite to his mothers arm while she attempts to tame him, it becomes clear that Max doesn’t belong and runs away.Just as the book, he finds a small boat and sets sail where he’ll end up on a mysterious island where he will soon meet the Wild Things.
This island is where any young boy dreams of living.It’s not a Pleasure Island or a world of ice cream and candy but a place where he can run wild, howl and do anything you want.There’s no one to tell him what not to do or how to act.Max can be himself.These Wild Things however need a leader, which Max takes it upon himself to become their new ruler to fix their problems.Ruling a kingdom is not as easy as Max may think.Instead, Max is forced to deal with the relationships between the Wild Things that are for more complicated than he could have ever imagined.
The child that plays Max does such a wonderful job.His role required him to be absolutely crazy at times and just a little innocent kid at others.Being as wild as his character is must have been tough.There are scenes of him just acting like a playful child and others where he hates everyone and is pissed at the world.I felt as if I could see what he was thinking, which for a child actor is near impossible.It’s truly an impressive performance.His mother played by CATHERINE KEENER also does a fabulous job.She plays a very loving mother that may be just on the brink of losing her mind with her son.You can see she loves everything about him, but at times he gets a little too out of control that becomes difficult for her handle.It’s not just the actors that contributed greatly to the movie though, the creatures play an even bigger role in this children’s classic.
At first glance, these creatures can be quite scary being 9-feet tall with sharp teeth and being very powerful.As the camera gets closer and follows them, their character quickly break out.These big headed fluffy creatures can be quite charismatic and shed a great amount of emotion.The main creature is probably what you will remember most from the book.I didn’t know how they could make these giant things become so loveable, but the idea is behind the amazing voice talent.Douglas, CHRIS COOPER (Adaptation), leads the pack and really adds a lot of depth to his character.Imagine if Eeyore became a strong beast with more emotion, then you have Douglas.
The Wild Things gain much believability by their faces.The heads are static and use CGI to animate the mouth, eyes and other subtle movements one may find in a face.These costumes were designed and built over a 6-month period of time by the infamous Jim Henson Company Creature Shop in Los Angeles.They were then shipped to the set in Australia where another team of costumers continued with adjustments on location.The giant costumes had very demanding needs as this film does contain quite a bit of action.These creatures had to be able to run around and be used in scenes requiring wire work and special rigs for fights.It seemed like quite an under taking and the puppeteers and filmmakers did a magnificent job pulling it off.Not once did I feel like I was watching someone in a giant costume.
I really would like to talk about these creatures forever as I absolutely loved them.Every character created is so unique and different.They all have depth and really capture the movements of the voice talent.The incredibly talented cast of voices was all filmed saying their lines so the puppeteers could mimic their movements and really capture a sense of realism.This cast also includes JAMES GANDOLFINI (The Taking of Pelham 123), CATHERINE O’HARA (For Your Consideration, Orange County, Home Alone), FOREST WHITAKER (Vantage Point), and PAUL DANO (There Will Be Blood).
Each creature has a design that kind of reminds me of how the actors look as well a perfect match for the tone in their voices.I don’t think this movie would have any of the same feel without the style and design of these creatures.I must give a hand to Director of Photography Lance Acord, On-set Art Director Tim Disney and Production Designer K.K. Barrett for really bring out a different world like no other.It’s a very beautiful film and not because of extremely picturesque locations, but because of the style, colors, and film techniques.
The film also uses a lot of hand-held cameras that really brings the movie to Max’s eyes.This is a movie told through the eyes and thoughts of the child.This causes the film to be a bit strange and odd at points where scenes don’t flow and scenarios take place that don’t seem to make sense.There will be items said between the characters where I think to myself, “Why would they react that way.”Several times I found myself asking if that’s how they should react to each other.This is justified by the fact this is Max’s story and his imagination.Unfortunately, I don’t know if the common moviegoer will figur
e this out.I am also pondering whether or not children will fully understand it as well as the point nothing is really explained why it is taking place or why these creatures are here.There are many questions to be asked, but this is an adaptation of a very short illustrated children’s book.
The music within the film is the same style as played in the trailer and really delivers the right tone to the film.The music is composed by Karen O from the ‘Yeah Yeah Yeahs’ and award-winning composer Carter Burwell.These songs have childlike melodies to it and showcase Max’s constant changes in emotions scene to scene.It’s a little whimsical and sweet, which is perfect for the film.
There are quite some disgusting moments as at one point Max is inside one of the creatures stomachs, which may have been a little much.However, most of the time the Wild Things are quite lovable and endearing.I don’t think kids will be too scared but they may not fully understand the movie.I myself am having quite a bit of difficulty figuring out what I felt toward this film.By all means, I can praise everything from the acting to the music.The script is just a little weird and odd at times.If you are a true movie lover, this is a must see.There are so many great aspects, but if you are just looking for an entertaining film, I don’t know if this is the one.
Where the Wild Things Are has a huge amount of hype and expectations.Even non-movie lovers are excited for this movie, but I am worried many will be disappointed.There is some action and quite a bit of comical lines, but it should fall flat for most.It did make me feel like a little kid at moments and reminded of my childhood; something I believe Spike was aiming for.
Romantic comedies seem almost impossible to get right. There is a necessary formula to creating a successful film in this genre. Everybody knows the basic steps, and in theory, it should be incredibly easy to pull off. And yet time after time we endure these films, hoping for the best, and suffering the worst. So what do the (rare) successful entries have in common? The answer is chemistry between the leads. And this is something The Proposal has in spades.
This movie has absolutely nothing you haven’t seen before and nothing that you won’t be able to predict right away. However, Ryan Reynolds and Sandra Bullock prove to be such a compelling couple, the calculated plot contrivances and forced comedy almost begin feeling natural. The film begins by establishing the relationship between Bullock’s character, Margaret, and Reynold’s character, Andrew. She is the reviled, fearsome book editor, and he is the submissive, yet sarcastic, assistant with dreams of something more. What could possibly trigger a relationship between these two opposites?
Well, as plot demands, she finds out that she is going to be deported back to Canada. The only solution would seem to be temporarily marrying Andrew, which means flying to Alaska to announce the engagement to his entire family. Of course she is going to learn all sorts of life lessons and grow to become a better person in the process, and of course they are going to fall in love along the way (if you’ve never seen a movie before, I apologize for the spoiler). And somehow, this all feels semi-believable, although slightly rushed. One weekend is not enough time to completely change a person, and yet, it sort of feels authentic.
Andrew’s hometown of Sitka, Alaska, is populated with an eclectic assortment of character actors, all in top form. His parents are played by the fantastic Craig T. Nelson, and by Mary Steenburgen, whom I’ve loved since her turn as Doc Brown’s love interest in Back to the Future III. His ex is played by Malin Akerman (Silk Spectre II in Watchmen), and his eccentric grandma played by the still entertaining Betty White. The family dynamic is very believable and very entertaining. I was also thoroughly entertained by Oscar Nunez’s (Oscar from the Office) portrayal of Ramone, an eccentric jack-of-all-trades who pops up in the most random places throughout the film. A disturbing highlight of the film is his reveal as the town stripper. It was unsettling to say the least, but also hilarious.
Every actor seems to genuinely believe in the material. Reynold’s and Bullock are friends in real life, which is definitely felt onscreen. They have a natural back-and-forth between them; one that doesn’t feel remotely forced. Reynold’s brings the expected level of sarcasm to the role, but Bullock really seems to be trying something new. She is genuinely unlikable as the film begins, and she brings a lot of subtlety to her character’s transition.
As the film begins approaching it’s inevitable happy ending, I was surprised to find that I was rooting for the characters. I began believing in them as people, and not simply devices. The ending is completely earned, and will give fans exactly what they want from a film like this. It’s a very satisfying ending, and one that works far better than the alternate ending found on the recent Blu-Ray release.
This alternate ending demonstrates everything that could go wrong with films in this genre. I won’t give it away, but suffice it say, it is spectacularly unfunny, untrue to the style of the film, and gratingly obnoxious. This ending could have ruined the entire movie. I guess test screenings can occasionally do some good.
Other extras include three deleted scenes that aren’t missed. There is also an audio commentary with the director and writer, and a surprisingly funny gag reel. These almost never work for me, as they usually consist of repetitive dialogue flubs and people trying not to laugh. This reel feels a little more natural than most, showing the cast and crew as they really are. They seem to be playing to the camera, and actually having a good time. It’s nothing spectacular, but it’s a fun bonus. As is the new trend, the Blu-Ray also contains a digital copy, so you can watch the movie “on the go.”
I was very surprised with how well The Proposal turned out. The movie could have been another forgettable chick-flick, seen by many and instantly forgotten by all. This one should have more of an impact than most. If you are a fan of the genre, odds are that you will really enjoy this movie. And if you’re not, you’ll still probably have a good time. Other romantic comedies could learn a lot from this one. If the cast is strong, and the leads have the right chemistry, even a mediocre script can be made into a great film.
An insanely over-the-top dissertation on violence, the media, the police system, and even society itself, Natural Born Killers pulled out every art-house trick in the book to become one of the most controversial films of the 90’s. It was either a work of exploitation, or it was a brilliant satire on the very exploitation it appeared to be. Love it or hate it (and there is absolutely no middle ground), there was no ignoring it.
Based on an original idea from a not-quite yet famous yet Quentin Tarantino, director Oliver Stone took this story of Mickey and Mallory (Woody Harrelson and Juliette Lewis), serial killers in love and on the run (think Bonnie and Clyde to an extreme), and turned it into something completely unique. Alternating between every film style imaginable, the film is pure schizophrenia. Shot in just 56 days, the film took 11 months to edit, and contains around 3000 cuts. “Shot on 35mm, 16mm, 8mm and video, in black and white and in color, live action and animation,” the film literally transitions in and out of these styles within the same take. Unsettling and jarring, the viewer can’t help but be placed on edge, and pulled into this incredibly unsettling world.
I cannot emphasize enough just how disturbing this film is. It’s not just the extreme ultra-violence, nor the insanity behind these inhuman monsters, but the mirror that Stone holds up to the world. Robert Downey Jr. plays Wayne Gale, a crime show host responsible for the sensationalizing of Mickey and Mallory. He turns these hideous people into celebrities, a trick all too recognizable in our world today. As one character says early in the film, “mass murder is wrong, but if I were a mass murderer, I’d be Mickey and Mallory.” I can’t help but admire the ultimate punchline of his character. It’s so over-the-top, it must be seen to be appreciated.
This film does not follow a traditional narrative. You will come out of this movie discussing how it made you feel rather than where the plot took you. Stone calls this “the most expensive student film ever made,” and I think that’s a perfect description for this film. As I was watching, I couldn’t help but wonder how a movie like this ever got made. Personally, I’m thrilled that I got to experience the insanity of this movie, but I can definitely recognize that it is not for everybody.
Odds are, you already know whether this is a film for you. If so, the recently released Directors Cut on Blu-Ray is the way to go. This is the cut the filmmakers intended from the very beginning. With scenes excised by order of the studio and the ratings board rather than the filmmakers, the additions actually serve a purpose and bring further depth to the film. There are also a couple of documentaries illuminating Stone’s thought process behind the movie, and Charlie Rose interview with Oliver Stone. Also included is a great 44-page companion book that provides analysis of the film from various people involved, and a lot of great behind-the-scenes trivia.
I’ve now seen the movie twice, and I really don’t know if I’ll be watching it again anytime soon. It is a really uncomfortable experience. But it’s a fascinating one, and it really is a powerful film. There has never been a film quite like it, and I doubt that there will be again. If you have a strong stomach, and are looking for something very different, then I recommend this as an unsafe alternative to the usual.
Working as a near-perfect translation of the humor of Monty Python, I can honestly say that I have never laughed at a play as hard as I laughed at Spamalot. As the program indicates, this is a “new musical lovingly ripped off from the motion picture ‘Monty Python and the Holy Grail’.” That description doesn’t do the production justice. It is really a “rip-off” of all things Monty Python, a satire on Broadway musicals, and just two hours of pure randomness thrown at you with a barely-there story to get from one set-piece to the next.
Before the play even began, it was apparent that this was going to be an unusual night. Looking through the program, I noticed that where the information about Spamalot would normally begin, they have a program for a (fictional) Finnish play called “Finns Ain’t What They Used to Be.” This mock program is so insanely silly and over-the-top, it sets the tone perfectly for what is to come.
This style of humor is a trademark of the Monty Python brand, and many of their best bits are included. There are appearances by the Knights Who Say Ni, the killer rabbit, and much more. If you’re not already familiar with the source material, the randomness of the whole thing could prove overwhelming. However, for the fans, it is a thrill seeing these iconic moments recreated on stage.
As should be pretty apparent, plot doesn’t matter in this play. The first act king of sets up a potential story, but by act two, any pretense of a cohesive narrative are tossed aside. Once we get to know our core cast (brilliantly led by John O’Hurley as King Arthur), anything goes. They constantly break the fourth wall, even bringing an audience member up on stage at one point. There are random tangents involving modern pop culture, Las Vegas, etc., but most brilliant are the dissections of the entire concept of musical theatre.
For example, there is a song called “The Song That Goes Like This.” This number consists of two people singing about the song that they are singing. They are literally analyzing the song as it is being sung. It is a fantastically pointless showstopper that serves no function whatsoever beyond pure entertainment.
That really is the point of this whole thing. Everybody in the production seems willing to do anything for a laugh. And they get them continuously. The dialogue is so rapid-paced that you really have to pay close attention to catch it all. On top of the great dialogue, there is also the terrific music. It is all extremely catchy, and while many of the songs will be familiar to fans of Monty Python, there is also a great deal of new material.
Considering the source material, the production design looks way better than I would have expected. As a whole, Monty Python films were very cheap looking. That was part of the appeal and a lot of the humor derived from this. However, Spamalot looks very expensive. The sets work perfectly for the material, creating a cartoonish environment on a very large scale. The costuming, lighting, etc. are all top-of-the-line as well.
This is the last stop on Spamalot’s national tour. It is only running through October 18, and is definitely worth seeing before it’s gone. I am a huge fan of Monty Python, and as such, went in with extremely high expectations. Those expectations were exceeded in every way. It would be impossible to see this production and not have a great time. This is a real crowd-please, and one that shouldn’t be missed.
Tickets are available at OCPAC.org, at the Center’s Box Office or by calling (714) 556-2787.
Michael Dougherty’s Trick ‘r Treat has finally made it to the store shelves and online renting sites after being delayed for almost two years.Let’s make it clear; I’m quite biased when it comes to horror films.I find most plots just ridiculous and unbelievable.Many horror films have horrendous acting, poor scripts and unrealistic chase scenes.Trick ‘r Treat does have some fine acting, a decent script and almost believable chases.This does not exemplify that this film doesn’t have any flaws however.This could be an excellent silly Halloween scary movie for horror film lovers, but before you consider it, perhaps you should consider several issues.
Trick ‘r Treat is claimed to be “The best Halloween film of the last 30 years”.Being that this quote was by wizarduniverse.com, I took it with a grain of salt.This is a quality, interesting horror film but is by no means any more special than half of the other scary movies over the last year.
The story follows 4 different classic horror tales all interwoven to somehow come together in the end.The movie follows a high school principle, DYLAN BAKER, which turns into a vicious serial killer; 3 teenagers that has a Halloween prank turn deadly; a predator looking for virgin blood; and a grouchy old man, BRIAN COX, haunted by a devious little trick-or-treating demon.These 4 stories actually come together brilliantly to bring an end to larger unsolved mystery.
Each story begins without any means.I had trouble following why the audience should follow or even care about the characters in each story.After a slow start, and awhile curiously pondering the story taking place, things start to get interesting and then quickly come together.None of it is truly scary but rather intriguing.There are times of little jumps and scary music to go along to what were made to be scary moments, but the movie is really more about the story at hand rather than taking cheap jabs at the audience.Thank you!
There are definitely several flaws in the individual stories, but none of which that really take away from the movie.This is horror genre after all folks.It’s going to have unrealistic ghoulish characters, ghosts and the undead.With so many different types of nightmares coming to life, it’s hard to believe this could take place in our world.Trick ‘r Treat is however supposed to be about these classic tales in order help create one ultimate Halloween time movie.The slow start however makes staying interested tough until well passed the half-way mark.
It was exciting to see Anna Paquin play an innocent 22-year-old virgin, well… so we think, and Brian Cox plays a wonderful cranky old man.Unfortunately, don’t expect some violent gorefest that has become more and more popular in recent horror movies.This is rather light-hearted compared toward much of the competition.
Winner of the Audience Choice Awards at Screamfest, this probably won’t be a bad choice for a late night Halloween flick, but should not be sold as one of the greatest. Trick ‘r Treat is more along the lines of a comedy horror genre film.The production quality is high.The script is never outrageous or forced.Most and foremost, the ending was original.Hell, the whole movie is original while telling unoriginal classic Halloween tales and perhaps that makes Trick ‘r Treat worth it.
Walt Disney Studios Home Entertainment proudly marks two groundbreaking milestones with the highly-anticipated October 6 high definition debut of the most acclaimed animated movie ever made. Walt Disney’s original classic Snow White and the Seven Dwarfs, which made history in 1937 as the first full-length animated feature, is the premiere entry in a spectacular all-new product line—Disney’s Diamond Collection. And, in an industry first, the historic release will make its bow on Disney Blu-ray + DVD Combo Pack (two Blu-ray discs + DVD) a full seven weeks before the Deluxe Two-Disc Classic standard definition DVD becomes available on November 24.
Snow White and the Seven Dwarfs hasn’t stood every test of time, but it has withstood every test that matters. As an early cinematic marvel, it readily reveals its creators’ commitment and skill, trotting out a slew of innovative firsts that have inspired every animated film since.
Presented with flawless newly restored picture and 7.1 Digital Theater System Hi-Def Surround Sound, Snow White and the Seven Dwarfs: Diamond Edition promises to set a new standard in home entertainment. The most immersive and highest level viewing experience ever available, it includes unparalleled features, exclusive and updatable high definition content, superior picture and sound, and much more.
Check out the NEW Trailer:
The 3-disc Blu-ray edition of Snow White and the Seven Dwarfs is a near-definitive release of the animated film that started it all. Its gorgeous restoration is simply the beginning. What follows is a glorious video transfer, a fit and faithful DTS-HD Master Audio 7.1 surround track, and a mammoth collection of special features. Sure, some supplemental content was left behind on the 2001 Special Edition DVD, but that shouldn’t prevent any animation enthusiast, Disney fan, or classic cinephile from nabbing this release post haste. I can’t imagine anyone — aside from the dark-hearted stepmothers among you — will be disappointed or underwhelmed by this fantastic, top-notch release.
Perfectly timed for holiday gift giving and available for a limited time only, the historic Snow White and the Seven Dwarfs Diamond Edition comes with a spectacular assortment of all new bonus features, including:
Blu-ray™ Bonus Features • Magic Mirror – Using the latest in Blu-ray technology, the iconic magic Mirror guides the audience through the Snow White and the Seven Dwarfs: Diamond Edition features with ease, serving as the host for an incredibly immersive experience. The Mirror will recognize viewing patterns, knows where the audience has left off and will even suggest where to navigate next. This marks the first use of this technology in a Disney Blu-ray release and provides viewers with the control to personally create a customized Snow White experience • DisneyView – Disney’s pioneering animated feature is brought to the modern era of widescreen high definition viewing by allowing the user to expand their viewing experience beyond the original aspect ratio of the film. Utilizing Disney Blu-ray technology, acclaimed Disney artist Toby Bluth was able to draw beyond the borders of the classic full frame cinema and fill the otherwise dark edges of the screen with beautiful custom imagery, giving audiences a new view of the animated classic favorite. • About Toby Bluth – Disney artist Toby Bluth tells how the movie inspired him to create the superb DisneyView art. • Audio Commentary with Walt Disney, hosted by John Canemaker • “The Princess and the Frog” Sneak Peek
BACKSTAGE DISNEY: DIAMOND EDITION • Snow White Returns – Newly discovered storyboards suggest a brand new Snow White featurette that never got made. For the first time, current Disney animators show how this short story would have played. • Mirror, Mirror On The Wall – Through BD-Live, this mirror can find the secret princess inside each viewer, then create for them a personal message from their favorite princess who will call them on the telephone. • Hyperion Studios – Audiences are digitally transported to 1937 to discover first-hand Hyperion Studios, the original studio Walt Disney himself built where Snow White was conceived and developed. Viewers will virtually walk the halls of this historic landmark, experiencing life at Hyperion Studios in the 1930s. This amazing “Backstage Disney” feature contains newly dimensionalized archival photos, never-before-heard animator recordings, archival transcripts and rare footage of Walt himself revealing how Disney’s gifted filmmakers crafted the very first animated feature. • The One That Started It All – This featurette reveals how Snow White and the Seven Dwarfs forever changed the world of movies and the world at large.
MUSIC & MORE • “Someday My Prince Will Come” – Music video by Tiffany Thornton
FAMILY PLAY (GAMES & ACTIVITIES) • What Do You See? – To win this exciting interactive game, players must untangle scrambled images. • Jewel Jumble – Players put jewels from the Dwarfs’ mine in the proper order to win this game.
DVD Bonus Features • Audio Commentary with Walt Disney, hosted by John Canemaker • “The Princess and the Frog” Sneak Peek • Snow White Returns – Newly discovered storyboards suggest a brand new Snow White featurette that never got made. For the first time, current Disney animators show how this short story would have played. • The One That Started It All – This featurette reveals how Snow White and the Seven Dwarfs forever changed the world of movies and the world at large. • “Someday My Prince Will Come” – Music video by Tiffany Thornton • Dopey’s Wild Mine Ride – An interactive set-top game for the whole family • Animation Voice Talent • Disney Through The Decades – A series of video segments with celebrity hosts • “Heigh-Ho” Karaoke Sing-Along • Dylan & Cole Sprouse: Blu-ray™ Is Suite! • Learn How To Take Your Favorite Movies On The Go
Universal Orlando Resort, together with Warner Bros. Consumer Products, today revealed first-ever details about the incredible scope of The Wizarding World of Harry Potter. Universal also announced that the highly anticipated land will open in spring 2010.
Inspired by J.K. Rowling’s compelling stories and characters – and faithful to the visual landscapes of the films – The Wizarding World of Harry Potter at Universal’s Islands of Adventure will provide visitors with a one-of-a-kind experience complete with multiple attractions, shops and a signature eating establishment. This completely immersive environment will transcend generations and bring the wonder and magic of the amazingly detailed Harry Potter books and films to life.
The expectations of Harry Potter fans are high and Universal Orlando Resort is collaborating closely with J.K. Rowling, Warner Bros. Consumer Products and the Warner Bros. Harry Potter brand team to ensure that The Wizarding World of Harry Potter will be an experience of a lifetime. The Harry Potter films’ production designer, Stuart Craig and art director, Alan Gilmore, in cooperation with a corps of artisans from Universal Creative are working daily to construct the most authentic Harry Potter experience possible. Guests will be able to sip Butterbeer in Three Broomsticks, buy Extendable Ears at Zonko’s and experience a state-of-the-art attraction that brings the stories of Harry Potter to life in a way never before imagined.
(Harry Potter Stars talk about The Wizarding World of Harry Potter)
“All of the action and adventures of Harry Potter’s world will come to life here at Universal Orlando Resort,” said Tom Williams, chairman and CEO, Universal Parks and Resorts. “The Wizarding World of Harry Potter will be unlike any other experience on earth and we can’t wait to see the looks on our guests’ faces as they enter this rich environment.”
“Harry Potter continues to spark the imaginations of fans of all ages and we really have seen the anticipation continue to build for The Wizarding World of Harry Potter,” added Brad Globe, President, Warner Bros. Consumer Products. “We are excited to share with fans a first glimpse into the truly enchanted world we are bringing to life with all of our partners at Universal Orlando Resort.”
From the front archway of Hogsmeade to the immensity of Hogwarts castle, The Wizarding World of Harry Potter will feature the locations listed below:
• At the entrance of Hogsmeade, billowing steam and an iconic whistle signal the arrival of the Hogwarts Express into Hogsmeade station • Across the way is Zonko’s, a joke shop with a collection of tricks and jokes, including Extendable Ears, Boxing Telescopes and Sneakoscopes • Honeydukes is next door and full of treats like Chocolate Frogs and Bertie Bott’s Every-Flavour Beans • The Three Broomsticks and adjacent Hog’s Head pub will feature traditional British fare and drinks including Butterbeer and pumpkin juice • Across from the Three Broomsticks is The Owlery, where owls roost and await their next delivery • The Owl Post sends letters with a certified Hogsmeade postmark and sells official stamps from The Wizarding World of Harry Potter • Ollivanders wand shop is an incredible interactive experience where the wand chooses the wizard • Completing Hogsmeade is Dervish and Banges, the magical instruments and equipment shop featuring Quidditch equipment, Triwizard apparel, Spectrespecs and Remembralls • The first attraction, Dragon Challenge, features a twin high-speed roller coaster with many iconic elements from the Triwizard Tournament • Next is Flight of the Hippogriff, a family coaster simulating a Hippogriff training flight over the grounds of Hogwarts castle • Located in Hogwarts castle, Harry Potter and the Forbidden Journey is a thrilling new state-of-the-art attraction that uses entirely new technology to bring the magic, characters and stories of Harry Potter to life in ways never before experiencedo Before exiting back into Hogsmeade, Filch’s Emporium of Confiscated Goods is full of Ministry of Magic and magical creatures merchandise, Omnioculars, and even remote control Golden Snitches
(Fly Through The Wizarding World of Harry Potter)
“This Universal Creative and Warner Bros. team shares an incredible passion and commitment to making this destination an exceptionally immersive environment that will touch the lives of our guests,” said Mark Woodbury, President, Universal Creative.
“The Wizarding World of Harry Potter is yet another way that fans will be able to experience and enjoy Harry Potter for many years to come,” said Diane Nelson, President of DC Entertainment, who is also responsible for overseeing the Harry Potter brand team worldwide. “The power of this brand speaks for itself, as the enthusiasm of our dedicated fans around the world continues to grow even stronger as we move into the future.”
The first art exhibit, “Enchanting the Classics,” will focus on how the artists of Walt Disney Imagineering have kept beloved Disneyland attractions, such as Jungle Cruise, Submarine Voyage and Pirates of the Caribbean, fresh and exciting over the years with enhancements and surprises.
NEW GALLERY LOCATION:The relocated Disney Gallery is now in the former Bank of Main Street. The design maintains elements of the bank – select pieces will be displayed inside the vault – while building on the charming turn-of-the-century atmosphere of Main Street, U.S.A. Kim Irvine, director of Concept & Show Design for Walt Disney Imagineering, Anaheim, notes that the gallery now features an elegant Victorian interior with chandeliers, fancy moldings and hand-woven carpets.
THREE ROOMS:In addition to the bank vault with its special highlighted artwork, The Disney Gallery on Main Street, U.S.A. will feature three large display rooms.
·One room will feature historic Walt Disney Imagineering conceptual art created during the development and enhancement of attractions.
·One room will showcase Disney-inspired art by current and former Disney artists and Imagineers.
·One room will feature prints (including on-the-spot Print on Demand), sculpture, books and other items for sale to guests and collectors.
“It’s great to be able to exhibit the work of our Imagineers and new artists,” Irvine said. “Many of them are still working in traditional media – water color, oils, sculpture – and I think it’s wonderful to showcase all of their talents.”
‘ENCHANTING THE CLASSICS’:The inaugural show in The Disney Gallery will focus on the enhancements that keep classic Disneyland attractions fresh and surprising. Irvine explains: “When we temporarily close one of our popular attractions for refurbishment, our guests expect that there will be some ‘new magic’ added. In the past five years, Pirates of the Caribbean, Haunted Mansion, Jungle Cruise, the Enchanted Tiki Room and “it’s a small world” have all undergone planned enhancements, which our guests have really enjoyed.”
UPCOMING EVENTS IN THE DISNEY GALLERY: Two special events for guests and collectors are planned for The Disney Gallery in October. Both are free with park admission.
·Disney artists and Imagineers whose commissioned work appears in “Enchanting the Classics” will appear in a Disney Gallery signing event on Saturday, Oct. 10.
·An event showcasing art that celebrates Haunted Mansion Holiday and “Tim Burton’s Nightmare Before Christmas” will take place in The Disney Gallery on Saturday, Oct. 17.
‘ART HISTORY’ OF THE DISNEY GALLERY:
·The Disney Gallery originally opened on July 11, 1987, in the rooms above the entrance to Pirates of the Caribbean.
·The rooms were originally designed as a private apartment for Walt Disney, who passed away before the work was completed.
·The first show in The Disney Gallery in 1987 was “The Art of Disneyland.” It featured many one-of-a-kind pieces created in planning Disneyland attractions. Highlights included Herb Ryman’s iconic paintings (created before construction began) of the proposed Sleeping Beauty Castle and a bird’s-eye view of the lands of Disneyland, along with Mary Blair’s concept art for “it’s a small world,” Sam McKim’s ghostly Haunted Mansion exterior and Eyvind Earle’s elegant paintings of scenes for the Sleeping Beauty Castle walkthrough.
·In the ensuing years, exhibits in The Disney Gallery included concept art for proposed attractions that were never built (“The Disneyland That Never Was”); art, props and costumes from the Pirates of the Caribbean attraction and films; and an offbeat display of illustrations originally created for Little Golden Book versions of classic Disney tales.
·The Disney Gallery in New Orleans Square closed on Aug. 7, 2007, to make way for the Disneyland Dream Suite, a realization of Walt Disney’s original concept of a private apartment in New Orleans Square.
·On Main Street, U.S.A. The Disney Gallery will have a new neighbor: President Lincoln. When the refreshed “Disneyland Story featuring Great Moments With Mr. Lincoln” opens in December, guests will be able to enter The Disney Gallery from the lobby of the Main Street Opera House, and vice versa.
Disney Legend, author and Cal State Fullerton alumna Martha Blanding will speak at a CSUF commencement ceremony for the College of Humanities and Social...
