DJI Reveals New Handheld Camera Stabilizers At CES 2018

By

-

January 7, 2018

DJI, the world’s leader in creative camera technology, introduced two new handheld camera stabilizers at CES 2018 – Osmo Mobile 2 and Ronin-S. Built for smartphones, DSLRs, and mirrorless camera systems, they give consumers, professional videographers and photographers new tools to capture smooth, steady videos and stunning photos wherever they go.

Osmo Mobile 2: The handheld smartphone camera stabilizer from DJI, redesigned for the storyteller in all of us. Using a lightweight design that supports portrait orientation, with simpler controls with cinematic zoom, a longer battery life for more filming, and intelligent features to help you share a professional-looking story wherever you go.
Ronin-S: DJI’s first single-handed stabilizer for DSLR and Mirrorless Cameras. Built for efficient setup and ease of use with a compact form and dedicated buttons to control camera settings and precise positioning, plus intelligent features for advanced shooting modes all designed to help bring a steady shot to any set.

“With the introduction of these two stabilizers, DJI now offers gimbal technology to help unlock the creative storyteller in everyone no matter what camera they’re using,” said Paul Pan, Senior Product Manager at DJI. “Osmo Mobile 2 offers the best in smartphone stabilization at an affordable price, and Ronin-S brings the quality of DJI’s professional gimbal technology to a new form factor that is perfect for run-and-gun filming using your favorite DSLR or mirrorless camera system.”

Osmo Mobile 2 – Redesigned for the Storyteller in All of Us
Osmo Mobile 2 is a smartphone camera stabilizer that captures smooth videos and high-definition panoramas with cinematic movement and incredible ease. DJI’s industry-leading three-axis gimbal technology cancels out movement in three directions so your video stays steady even if your hands shake or wobble, while DJI’s built in SmoothTrack technology detects and compensates for your movement of the camera to ensure a smooth cinematic shot every time.

Designed to be lightweight and portable, Osmo Mobile 2 is made from high-strength modified nylon and features a folding design that makes it perfect for all-day use. The two-way mobile clamp lets you easily pivot between landscape and portrait orientation so that you can chose the most engaging full-screen format for your audience. In addition, a 1/4″ universal screw mount ensures compatibility with your favorite photography accessories, making Osmo Mobile 2 more versatile than ever.

Simpler controls let you use your phone’s camera like a professional camera with integrated settings for ISO, shutter speed and more. A new zoom slider lets you completely operate your smartphone camera from the handle and you can even produce dolly zoom, a visual effect usually created only on professional film sets.

A more powerful built-in battery system lets you film for up to 15 hours, over three times longer than the original Osmo Mobile’s battery. The new USB port enables phone charging during use and serves as a power bank for charging other electronics while on the go.

Smart software in the DJI GO mobile app unlocks intelligent photo and video features that help you create professional-looking content automatically. Videographers can use modes including ActiveTrack to automatically follow of subjects in motion, Motion Timelapse with up to five different camera positions, Hyperlapse to create dramatic time-lapse videos with the camera in motion, or stream live to popular social platforms like Facebook and YouTube. Photographers can expand their creativity with options such as Panorama, Long Exposure and LightTrail modes.

Ronin-S – Bring a Steady Shot to Any Set
Ronin-S is DJI’s first single-handed stabilizer for DSLR and mirrorless camera systems. Available in two frame sizes for either camera type, DJI’s powerful three-axis gimbal technology delivers smooth, shake-free video and crisp photos, adding a cinematic and professional look to your work.

Powerful high-torque motors support the most popular camera and lens combinations including the Canon 5D, Panasonic GH and Sony Alpha systems. Its stabilization system compensates for zoom lenses with higher magnification ratios and an external zooming barrel, while its advanced stabilization algorithms work with both in-camera and in-lens optical stabilization technology.

Capturing stabilized video has never been easier because Ronin-S was designed for easy setup and use. A new Push mode lets you adjust the pan and tilt axis by hand while the Ronin-S is powered on and axis locks speed up the setup process so you can spend more time filming and less time prepping your gear. Ronin-S has a comfortable, ergonomic curved design that helps capture smooth cinematic movements from upright to underslung positions without obstructing the camera’s display. Ronin-S also features DJI’s intelligent battery technology that can be hot-swapped during operation for extended shoots.¹

Dedicated control buttons for the camera and gimbal let you toggle between SmoothTrack settings, record and stop the camera, and the high-precision joystick changes the camera position to help frame your shot perfectly. A new Sport mode allows for fast movements with tight and quick subject following speed.

Harness intelligent shooting modes on Ronin-S through the DJI Ronin mobile app to create complex camera moves automatically like Panorama, Hyperlapse, Track and CamAnchor that lets you designate specific camera positions in a scene and rotate between them on demand. Directly customize SmoothTrack settings with dedicated controls for responsiveness of each axis. Camera settings can be directly adjusted as well.²

Ronin-S is compatible with a variety of DJI Pro Accessories to capture any scene and expand your creative freedom on set or location. Supported accessories include a Focus Control Center consisting of a focusing dial and a screen allowing advanced gimbal and focus control without a mobile device, a vehicle mount solution, DJI Master Force, DJI Master Wheels, an external focus motor, and a cheese plate adapter so you can use your favorite third-party accessories. A dual-handle support will also be available for when an added level of comfort and stability is required.

Price and Availability
Osmo Mobile 2 retails for $129 USD and will be available exclusively for pre-order at Apple.com on January 23, 2018. Starting in early February, it will also be available at store.dji.com, DJI Flagship Stores, and DJI Authorized Retailers, with additional availability later in February at Apple Stores in select regions worldwide. For more information on all the new features and capabilities of Osmo Mobile 2, please visit www.dji.com/osmo-mobile-2.

Ronin-S will be available in the second quarter of 2018 from dji.com, DJI Flagship Stores, DJI Authorized Retail Stores, and DJI Resellers worldwide.³ Pricing will be announced prior to availability. Additional information on Ronin-S can be found at www.dji.com/ronin-s.

Osmo Shield for Osmo Mobile
Osmo Shield is a coverage plan that extends the warranty of any Osmo series product by one additional year, including accidental hardware damage coverage, that covers up to one free replacement and provides repair solutions for two years. Osmo Shield is currently available in select countries, including China, the United States, and Canada.

ESCORT Unveils the First Connected Car Radar

By

Robbie Bulus

-

January 7, 2018

ESCORT, the leader in high-performance radar and laser detection technology, today announced the launch of the new ESCORT MAX 360c, the first radar and laser detector designed for the connected car. With built-in Wi-Fi, the MAX 360c updates through the on-board Wi-Fi connection and alerts the driver to the latest ticket threats in real-time. The ESCORT MAX 360c will be on display at CES Unveiled, January 7^th from 5:00 – 8:30 pm in the South Seas Ballroom at Mandalay Bay; Pepcom Digital Experience on January 8^th, from 7:00 pm – 10:30 pm at the Mirage; and ShowStoppers @ CES January 9^th from 6:00 pm – 10:00 pm in the Lafite Ballroom at the Wynn Hotel.

The new ESCORT MAX 360c connects directly to the connected car’s Wi-Fi and automatically connects to ESCORT Live, our exclusive real-time ticket-protection network, without the need for your smartphone to connect to the detector. ESCORT Live keeps drivers aware of upcoming alerts received and reported by other users in the area, and gives you access to local speed limit data for over-speed alerts, right out of the box.

If you don’t have a connected car or Wi-Fi signal, users can still pair their smartphones using Bluetooth® in the MAX 360c and get all the features of ESCORT Live. When they get home or park near a Wi-Fi connection, the detector will automatically update to the latest software and firmware, without having to remove the unit from the car.

The ESCORT MAX 360c features a sleek, slimmer design with LED arrows to indicate the direction of the radar threat. With the updated arrow placement on the front of the display, direction of the alerts is easier to see and less distracting while driving. Its multi-color OLED display intuitively displays both the threat type and strength as well as the vehicles speed so the driver can make the best decision for each threat in HD resolution. The ESCORT MAX 360c also includes the revolutionary EZ Mag Mount™ that offers the most simple and secure installation. It attaches and releases the detector with a mere magnetic touch and eliminates all bouncing or detachment during a drive.

“Every major car manufacturer is planning for connected car options, if not already bringing them to market. As the detection industry leader, it’s our job to complement the latest in car technology with our state of the art radar/laser detection systems,” said John Kuhn, Vice President, Radar Engineering for Cedar Electronics. “With the ESCORT MAX 360c we created the first detection system designed for the connected car and most dynamic, real-time radar / laser detection system we have ever done,” added Dave Smidebush, Vice President and General Manager, Radar Category for Cedar Electronics.

The ESCORT MAX 360c also includes:

360 Degree Directional Alert Arrows – Arrows indicate the direction of the radar source for 360-degree protection.
Front and Rear Radar Detection – Dual antennas for front and rear detection
GPS Intelligence – Access to the largest, most-up-to-date database of speed & red-light cameras and speed traps. Drivers can mark their own “hot spots” using the exclusive Mark Location feature
IVT Filter™: Updateable system automatically reduces false alerts from external In-Vehicle Technology sources such as collision avoidance systems and adaptive cruise control
SmartCord® USB – Premium power cord features convenient USB charging port, power LED, alert LED and Mute button.
Dual Language – Includes English & Spanish voice and text

The ESCORT MAX 360c is available now for a retail price of $699.95 exclusively through EscortRadar.com or by calling (866) 709-8744.

Cobra Electronics Introduces New Drive HD Dash Cams

By

Robbie Bulus

-

January 7, 2018

Cobra Electronics, the leading designer and marketer of award-winning automotive, mobile and consumer electronics, today announced its new DASH Series line of dash cams. This next generation of Drive HD Dash Cams are the most technology packed, user friendly, and reliable dash cams yet. These new dash cams by Cobra will be on display at CES Unveiled, January 7^th from 5:00 – 8:30 pm in the South Seas Ballroom at Mandalay Bay; Pepcom Digital Experience on January 8^th, from 7:00 pm – 10:30 pm at the Mirage; and ShowStoppers @ CES January 9^th from 6:00 pm – 10:00 pm in the Lafite Ballroom at the Wynn Hotel.

All new DASH Series models will feature an ultra-wide 160° lens to record 1296P Super HD video. Footage is optimized to minimize glare, offer crystal clear visibility of license plates, and provide unparalleled night time recording. DASH Series models are loaded with features including loop recording, G-Sensor accident protection, advanced parking mode, auto date/time, and lane departure and collision warning systems. Xtreme Heat Protection utilizes a super capacitor to reliably function in even in the harshest conditions.

The DASH 2216D and DASH 2316D are dual view models that include an additional rear camera that allows for front and rear simultaneous recording. The included Y-Splitter and 14-foot extender cable allow for the rear camera to the interior of the vehicle or the road behind. Exclusive video editing software allows for viewing front and rear video simultaneously as well as cropping or merging clips.

The DASH 2308 and DASH 2316D are iRadar® enhanced models that add smartphone connectivity to integrate with the Cobra iRadar app. This patent pending technology provides alerts to upcoming speed and red-light cameras, live police locations and caution areas. With over 3 million downloads, these alert locations are continuously updated in real time by other Cobra iRadar users on the road.

In addition to iRadar integration, the DASH 2308 and DASH2316D pull location and speed data from the smartphone and embed it into video files on the dash cam. Route information is then displayed on a map view so that you can see exactly where the vehicle was at any point while playing back a recording. Date, time, and time zone information are automatically pulled from the phone to the dash cam so that video timestamps are always accurate. This is especially useful for long road trips or when crossing into new time zones.

The Drive HD DASH Series Dash Cams will be available in March 2018 for a retail price ranging from $129.99 – $219.99

Kick-off 2018 as The PEANUTS Characters Take Over Knott’s Berry Farm!

By

Socalthrills Staff

-

January 3, 2018

The Knott’s PEANUTS Celebration, an all-new Seasons of Fun event uniquely dedicated to celebrating the beloved PEANUTS characters, invites guests to step inside the pages of a Charles M. Schulz comic strip as the characters take over the entire theme park for the very first time. The newly introduced event will take place on weekends beginning January 27th through February 25th plus President’s day, February 19th. The limited time celebration invites fans of all ages to join in on the fun by introducing new ways for guests to play and interact with the PEANUTS Gang throughout the park. The event will feature special PEANUTS inspired décor, new social media worthy comic strip photo ops, new character experiences, live shows, exclusive merchandise and deliciously themed treats to complete this whimsical celebration.

The celebration will have plenty of surprises hidden around every corner. One-of-a-kind photo opportunities will be available throughout the park allowing guests to pose alongside their favorite characters or step into a PEANUTS comic strip to create a unique and lifetime memory. The vibrant décor will include full size comic strip props like Charlie Brown’s kites and the iconic kite eating trees which will adorn the park’s pathways. Guests will have the chance to meet with the beloved PEANUTS characters throughout the day as the characters appear at unexpected locations for special interactions.

Camp Snoopy Theater presents an all-new show where Lucy and Charlie put their talents to the test in Lucy and Charlie’s Balancing Act. Also in Camp Snoopy, the Grand Sierra Railroad invites kids to celebrate with the PEANUTS Gang as they head to the Beagle Bonanza in this new ride overlay.

The PEANUTS inspired festivities continue at the Birdcage Theatre as the park introduces an experience that gives both the young and the young at heart a lesson on how to draw their favorite PEANUTS character. The PEANUTS Sketch School will include our resident art teacher who will provide step by step instructions on how to draw the perfect PEANUTS masterpiece. After class is dismissed, a special showing of a classic PEANUTS television special will be shown in the theatre.

Franklin and Linus are on a Western escapade as they transform into cowboys in the new PEANUTS Cowboy Jamboree at Calico Park. The boys are looking to challenge guests with some of the rootinest, tootinest games in Calico. Also in Ghost Town, everyone’s favorite messy pal, Pig Pen will be making his Knott’s Berry Farm debut as he hosts a special meetup at the Livery Stables with some of his favorite animal friends.

The celebration continues at the Calico Mine Stage where the PEANUTS characters have two all-new musical surprises for guests. During the day Sally and Schroder will host a retrospect of music in The Music Goes Round and Round where they’ll have the audience dancing in the aisles. At nightfall the stage will transform into a musical extravaganza as the park presents the first ever Woodstock’s Musical Festival. The musical event will feature the Peanuts Gang joined by the family-friendly indie band The Jelly of the Month Club, performing a high energy rock concert for the whole family. Guests will also uncover hidden fun as they venture into Fiesta Village were Lucy and Sally have taken a journey south of the border as they have been introduced to the colorful dancing of Mexico. Lucy and Sally’s Fiesta Fantasy will bring lively music, traditional costumes and live performances to the Fiesta Village stage.

The best way to enjoy every weekend of the all-new Knott’s PEANUTS Celebration and all of the other Seasons of Fun is with a 2018 Season Pass. A Regular Season Pass includes unlimited admission in 2018 to Knott’s Berry Farm with no blackout dates, and a Gold Season Pass includes unlimited admission in 2018 to both Knott’s Berry Farm and the newly expanded Knott’s Soak City Waterpark with no blackout dates. Regular passes are just $94 or six easy payments of $15.66 and Gold Passes are $113 or six payments of just $18.83. These offers end April 8, 2018. Applicable taxes and fees apply online. Payment plans are only available at knotts.com.

The Disney Diaries: The Last Jedi Galaxy Premiere

By

Maverick Bohn

-

December 22, 2017

“…Something truly special!”

It’s hard to believe that The Last Jedi is now playing in theaters and has been seen by countless fans across the galaxy. After almost two years of mystery and anticipation, we now have a new Star Wars film.

The Disney Diaries: The Last Jedi Galaxy Premiere — Star Wars: The Last Jedi..Rey (Daisy Ridley)..Photo: Jules Heath..©2017 Lucasfilm Ltd. All Rights Reserved.

Though there have been a huge wave of different opinions on the film and how it fits into the Star Wars universe, this was a big release and for those who braved the surge of fans seeing the film opening night, a very memorable adventure.

Did you get your tickets in time for the big event?

If you have ever been to an opening night for Star Wars, you know it’s a huge wave of surprises, excitement, and in some cases, stress. Just like a peak day at Disneyland, or in the mad scramble for a spot in a highly anticipated convention panel, all is on the line and there isn’t any time to lose. Being the first to see a movie is a real challenge, but a fun and lasting tradition worth the effort.

Flashback to my reaction at the Force Awakens opening event.

I had the opportunity to participate in AMC’s opening night double feature event. Since we were shown The Force Awakens before The Last Jedi, the party started in the afternoon and was the quickest way to avoid the evening rush of fans finding their way through the crowds for the evening shows. After the insanity of Star Wars Celebration, this was a huge breath of fresh air.

Especially with a ticket as big as Star Wars, there are so many different events and venues to choose from. I opted to take the easy path and the familiar route. Just like last year, I went to one of the local AMC venues. Based off my past experiences, I knew it would be fun and would add to the memories that I’ve had in previous film releases. It also meant I would get to see the movie in IMAX, which definitely adds a big plus.

Movies have a special magic to them, and so does going to the movie theater. That anticipation, that level of unknown is electrifying. What makes it even better is being there with fellow fans and nerds to share in the adventure. Everyone is happy, everyone is ready, and everyone knows what you are there for.

Flashback to 2015 and getting ready for The Force Awakens

When the lights go down, you can feel the energy of everyone around you. It makes the laughter, cheers, and gasps more powerful. Seeing the film at home is a different type of feeling, but not nearly as fun in my opinion. Still, you never know what to expect, and that is when stories are made.

When the moment finally arrived and the lights again went down for The Last Jedi, we were all met with a bit of of a mishap. The opening crawl began, people threw up their hands in excitement, and the title, “Episode VII- The Force Awakens” began to scroll. The moment was ruined, and everyone was frozen. Rather than let myself sit there and wait for the venue to figure out the problem, I hopped the rail and ran out the doors. Within seconds, I rushed over and explained the situation.

By the time I went back into the auditorium, other fans began to follow my lead and all rushed out to see if the news was given to the employees. Sitting back down, I let the crowd know with a laugh that the staff knew and we all sat and waited for the reel to start itself over. Yet, The Force Awakens still made one more appearance and everyone began to wonder if we would ever get to the movie.

Thankfully, the third time was the charm, and our prayers had finally been answered. We had a new movie and all was right with the universe. That mix up was just as unforgettable as the rest of the experience. It added some funny twists and turns, and really gave me a unique opportunity to save the day.

Overall, I couldn’t be happier and am thankful for yet another chance to be a part of a big opening night event. We shall see what the future holds, as we now have Solo: A Star Wars Story as well as Episode IX to go.

For now, we will have plenty to talk about with The Last Jedi. In case you haven’t had a chance to see it, or would like to learn more about the latest installment, feel free to check out our review of the film.

STAR WARS: THE LAST JEDI Movie Review

If you still thirst for more, please visit www.starwars.com for all things Star Wars that include breaking news, events, and exclusive content.

As always, May the Force be with You!

Motown a treat for the senses at Segerstrom Center for the Arts

By

Cori Graham

-

December 22, 2017

Motown is a time-travelling love letter to one of the most important eras of music history. The audience is taken on a musical journey through the career of Berry Gordy, Motown’s ambitious and laser-focused creator, spanning from 1938 to 1983. You will find it hard to not get out of your seat and dance along with the 66+ songs featured, and at one point, you may even get a chance to participate!

The portrayals of Motown legends like Smokey Robinson, The Supremes, The Temptations, Marvin Gaye, The Jackson 5, and Stevie Wonder (to name a few) are so realistic. Audience members screamed at the entrance of an artist as though it was the real deal. Some vocals missed the mark a bit, it is very difficult to imitate Smokey Robinson with conviction. I was personally blown away by Trenyce’s portrayal of Diana Ross, Matt Manuel as Marvin Gaye, and Cartreze Tucker as Stevie Wonder. All three actors sounded exactly like we were listening to their character counterpart live. Manuel and Tucker even looked exactly like Marvin Gaye and Stevie Wonder. Kenneth Mosley was a stand-out as Berry Gordy, what a voice!

I love the music of Motown, and was a bit saddened by how rushed each song was. They are able to fit a lot of music into the show, but at the cost of never finishing a single song. The costumes were beautiful, most notably for The Supremes, and overall the performances were very exciting. Having almost no previous knowledge of Berry Gordy’s involvement in Motown, it was a fantastic history lesson, both in the history of the label as well as how Motown was effected by the changing political climate in the 1960’s and 70’s. The staging seemed a bit off at times, to where it almost had the feel of college theater. I was not sure if this was actually the case, or if they were not prepared for the smaller space at Segerstrom. Some of the directing and blocking felt a bit amateur as well, where the scene did not seem completely convincing due to slight physical overacting and heavy emphasis on clarity of lines delivered.

Overall, I enjoyed the show. I thought the time-warp to the hey-day of Motown was a treat for the senses. The audience screaming at the sight of Diana Ross or a young Michael Jackson reminds you why Motown was so successful.

In Defense of Star Wars: Expectations in a Galaxy Far, Far Away

By

Maverick Bohn

-

December 21, 2017

Star Wars: The Last Jedi Rey (Daisy Ridley) Photo: Lucasfilm Ltd. © 2017 Lucasfilm Ltd. All Rights Reserved.

This past weekend’s release of Star Wars The Last Jedi has been one of the most interesting, emotional, and overly dramatic film debuts that has the potential to rival the angst and anger of Anakin Skywalker himself.

Easily said, Episode VIII has drawn some harsh criticism this week from some of the core fan base and raises to question what the makes a good Star Wars film. Do we focus on the use of practical effects, the use of nostalgic references? Perhaps it is the story and flow of the narrative? What can a director or Lucasfilm possibly do to give us the Star Wars story that every fan has been craving?

The answer is simple: Nothing.

The backlash we see with The Last Jedi isn’t unfamiliar territory. In fact, it’s a trend all too easy to recognize. Vader pun intended. Star Wars fans are fickle, hard to please, and have become so attached to the franchise that no matter what we are given, we will never be truly satisfied.

The Early Days of IV-VI

The start of this emotional powder keg dates back to May 1977. A New Hope was released and the world was introduced to one of the most groundbreaking and revolutionary films in modern cinema. The game had changed, and there was no turning back. It created a blessing and also a terrible curse for fans. How can we possibly top that first breakthrough? How can anything ever be as powerful or as surprising again? The pedestal was created, and the beast of our expectations was born.

Fans await their chance to see Star Wars at Manns Chinese Theater in 1977

Then, when The Empire Strikes Back was released, a radically different Star Wars was given to us all to sink in and appreciate. The medium was shattered, the galaxy was in turmoil, and we were all left wondering what we had just seen.

After all these years, it is considered a cult classic, fan favorite, and the best Star Wars film by many. Still, something didn’t quite sit right with everyone. The New York Times‘ review of Empire sheds some light onto the surprising realization that even the best can just as disliked:

“The Empire Strikes Back” is not a truly terrible movie. It’s a nice movie. It’s not, by any means, as nice as “Star Wars.” It’s not as fresh and funny and surprising and witty, but it is nice and inoffensive and, in a way that no one associated with it need be ashamed of, it’s also silly.”

This tug of war between praise and criticism was emphasized with other elements of the trilogy that include the Ewoks in Return of the Jedi and the remastered Special Edition releases in 1997 for the 20th anniversary. The newly revamped films scenes, CG Creatures, and alterations were not accepted with open arms. One of the longest and most hostile debates to this day is the whole “Han Shot First” debacle that spawned from the re-release.

Flocks of fans still get into fights about that scene. The fervor is strong and hot. In the grand scheme of things, does it really take away from the film that much to get hostile about it? We have all had these movies built up in our minds and hearts for so long that any changes feel like a personal attack.

It’s one thing to dislike a change, and in some cases, it’s warranted. Yet, we get hung up on these differences in opinions and forget to pay attention to the positive. It’s worth taking a step back for a second look.

The restorations in 1997 saved and severely cleaned up the footage used for each installment. The process essentially preserved Star Wars at a time we weren’t sure if anything else Star Wars would even exist.

Some of the additional scenes also look amazing. A perfect example is the establishing shot of the Falcon taking off from Mos Eisley. The same can be said for some of the new shots of the Death Star trench run. Getting an up close and personal look at some of these ships creates a cleaner look that compliments the original work rather than detracts from it.

I do agree that fans should have the ability to see the original release of these movies, but without the release of Special Edition, we may not have opened the door to a larger universe or have gotten a wider scope of planets, battles, and key scenes. Star Wars has endured and continued because of those efforts.

The Prequel Era of I-III

Beyond Special Edition, one of the biggest rifts in the fandom came from the release of the prequel trilogy. Universally, the prequel films are disliked and have become a taboo subject when talking about Star Wars. We all know the typical reasons: Jar Jar Binks, Hayden Christensen, CGI, blah, blah. It’s a very worn out record at this point with some of those bitter feelings growing stronger in hindsight as the years have passed.

Yet, these films were widely successful despite critics and mixed feelings towards them. In fact, some of the first reactions to the prequel trilogy were actually quite favorable. If you look at some of the early reactions to The Phantom Menace’s release, a completely different attitude is given towards it all.

There are also a lot of groundbreaking achievements brought forward by the prequels. Despite his lack of fans, Jar Jar Binks was the first fully computer animated character in a live action film. The pod race sequence was revolutionary and one of a kind. These movies had some breakthrough moments that echo the work done on the original trilogy. The funny thing is, there are a lot of fans who don’t even realize those similarities are there.

From a lot of fans’ viewpoints, these films are digitally dominant and do not use practical effects at all. Though George Lucas did heavily rely on the advancement of computer graphics and special effects, a lot of practical wizardry and old school techniques were still used.

The pod racing sequence used real models in both small and large scale to create the entire race portion of the film. Aliens and creatures were also brought to life by practical effects, such as the Neimoidians.

Real locations were used for pivotal points in the series, such as Villa del Balbianello in Italy. One of my favorite shots from the entire franchise is from Attack of the Clones for that reason. It’s a magnificent space and leaves a very memorable impression.

Another example that shows the true magic of the prequel trilogy is the duel on Mustafar. At first glance, it would seem like the entire sequence is digital and computerized. ILM went out and captured real footage of a live volcano site. The set team also built up an entire establishing model of the planet and path for the duel, which was used in the wider shots and later combined with the CG models and real sets used by the actors.

An up close look at the real model used for the lava path in Revenge of the Sith.

The fight scene itself was completely done by Hayden Christensen and Ewan McGregor. There were no stunt doubles used. Every moment of the duel was carefully choreographed, memorized and shot. The actors did not need anything else but practice and when it was all put together, it created one of the most iconic duels in the entire saga.

Regardless, these movies weren’t like the original trilogy. Therefore, they don’t fit the mold of the fan expectation. A lot of the segments that deserve praise and discussion fall to the way side due to the bitter feelings that have grown and stayed with us all this time. It has created a hostile attitude that has made it hard for anyone to show any difference in opinion.

As a fan that enjoys the prequels and isn’t super passionate about the changes to the original trilogy, I am often quieted or shunned by fellow fans. From personal experience, the conversation is very rarely positive.

In some cases, trying to express any form of opinion is not only unwanted, but violently countered. Bullying and abusive behavior are quite common; especially when you look at the fast paced world of social media. The harsh reality of the fan divide dominates the discussion and turns the whole thing sour. Our clash of expectations keeps us divided and scattered.

The Disney Era of VII and Beyond

After what appeared to be the end of the Star Wars story, Disney purchased Lucasfilm and George Lucas was out of the picture. Movies, tv shows, video games, and book deals were struck within nanoseconds of the deal being signed off. Star Wars had life again.

George Lucas and Bob Iger sign Lucasfilm and Star Wars over to The Walt Disney Company in 2013. — George Lucas and Bob Iger sign Lucasfilm and Star Wars over to The Walt Disney Company in 2012.

Immediately after the announcement, controversy spread on whether or not Disney could properly handle the franchise. To add fuel to the fire, Disney discarded the Expanded Universe to make room for new stories and interpretations of the saga.

Though this is a fair reason to be upset, fans lashed out and immediately cracked down on Disney for making such a radical decision. Though, the reason behind their choice was very logical, a cord was struck. Some fans were unable to accept that the EU not only ties the hands of Lucasfilm on what they can produce, but also risks a even higher level of disappointment since our expectations would be extremely high and unmatched with any content the studio could produce.

Instead, a clean slate was given and JJ Abrams was announced to helm Episode VII. As a fan himself, JJ wanted to do his best to honor the original trilogy. The campaign called for practical effects, real sets, and everything Lucasfilm could possibly throw at us to make everyone feel at home with the franchise again. The Force Awakens was that result, and set the tone for the new chapter of Star Wars.

JJ Abrams on set during one of Star Wars' Force for Change initiatives. — JJ Abrams on set during one of Star Wars’ Force for Change initiatives.

At first, you would think this is a win win for everyone. Fans get a movie that fits the mold of their favorite part of the franchise and the creators get a chance to make a big start to a new slate of films. Sadly, that wasn’t the case and despite critical acclaim and overall positive reactions, many fans cried out saying it was a reboot of A New Hope. Critics said the story wasn’t original, and the movie was put under the microscope by the very fans it was created for.

The Force Awakens cast do a table read of Episode VII

Rather than focus on the new characters, differences in tone, and ways that JJ and company gave us a fresh perspective on Star Wars, harsh words were again tossed into the mix. What makes it even more frustrating is that now we have two additional films in the Star Wars canon that have the opposite problem. We can’t seem to agree on what the fans want to see.

Rogue One and The Last Jedi were attempts at taking risks with Star Wars. We were given something different and new. Yet, now the pendulum swings from “too similar” to “too different”. It’s a maddening cycle that doesn’t seem to find a balance.

Rogue One was Lucasfilm's first standalone film. Though very popular, the movie still draws a mixed bag of reviews between fans. — Rogue One was Lucasfilm’s first standalone film. Though very popular, the movie still draws a mixed bag of reviews between fans.

I feel that a lot of fans miss the reason why I like all of these movies and why others might too. What makes Star Wars so special is that it isn’t a one size fits all type of story. There are so many unique and diverse pieces of the puzzle that people young and old can cherish in their own ways that still fits into the collective mass of nerds that makes Star Wars a cultural phenomenon.

Star Wars Celebration Anaheim was one of the greatest experiences for me. All these fans brought together in the real spirit of what makes the franchise so monumentally great.

Whether or not you are fan of Jar Jar Binks, Ewoks, or Jedi Rocks is beside the point. There are fans out there that that appreciate these films in ways that the mainstream may not. Star Wars would have died a painful death a long time ago if there wasn’t a large group of people out there that love these movies for what they are, and not what they could have been. Whether it is Episodes I-III or The Last Jedi, the spectrum is wide and very diverse.

George Lucas, Kathleen Kennedy, and John Williams at the Star Wars 40th Anniversary panel in Orlando in 2017.

Not everyone has the same viewpoint, and that is what makes the reaction to The Last Jedi so dangerous. We’ve gotten to the point where there are Change.Org petitions to remove it from the official canon. There are articles being posted that are investigating the possibility that fans are creating fake spam bots to help destroy the fan user rating on sites like Rotten Tomatoes. One hashtag I have been seeing pop up is #NotMyLuke.

We don’t own Luke Skywalker. We don’t own Star Wars. We are a part of the system, but not the dictators of how it will play out. This line of thought of personal ownership is arrogant and needs a balance. Where will this all end? Why does it matter so much to us as fans to tear down a movie that didn’t fit what we thought it should be?

Some words of wisdom for fans everywhere.

What the response to The Last Jedi is teaching us is that we need to be more open minded and look at the big picture. This may not be “your” Star Wars. It may be someone else’s Star Wars. Respect the road we have come from and where it is leading. The story is more than just your own, and we are all in this together.

May the Force be with you!

Christmas Meets Harry Potter at Universal Studios Hollywood

By

Greg Aragon, Writer Greg's Getaway

-

December 21, 2017

I’ve never been a big “light show” guy. But this changed last week when I experienced the all-new “Christmas in The Wizarding World of Harry Potter” at Universal Studios Hollywood. This is the most amazing and realistic, virtual reality-type light display I’ve ever seen.

To celebrate the holiday season, the theme park has transformed “The Wizarding World of Harry Potter” attraction, including the “Harry Potter and the Forbidden Journey” thrill ride, Hogwarts Castle and the surrounding Hogsmeade village, into a Christmas wonderland, with snow, characters, decorations and a mesmerizing array of projection lights and images.

The adventure begins each night through January 7, 2018 in Hogsmeade Village, where Hogwarts School of Witchcraft and Wizardry is illuminated with colorful imagery and impressive dimensional animations that dance across Hogwarts castle in tandem to a musical arrangement from the Harry Potter movies. The images are huge and incredibly real, with so much definition and vividness that I thought was watching a giant television screen.

Christmas Meets Harry Potter at Universal Studios Hollywood — “The Wizarding World of Harry Potter” is coming to life with Christmas decorations and an incredible light show at Universal Studios

To make the light parade even more rewarding, I suggest going on the “Harry Potter and the Forbidden Journey” ride to start your day at Universal Studios. Opened last year, the attraction is inspired by J.K. Rowling’s world-famous stories and characters that were brought to life in eight Warner Bros. films.

“The Wizarding World of Harry Potter” has been masterfully recreated with impeccable detail as a real-world interpretation. The land, which took five years to create, is faithful to the visual landscape found in the movies and books, including Hogwarts castle which serves as the main focal point.

The highlight of the fairytale land is the ride “Harry Potter and the Forbidden Journey.” A pioneering achievement in theme park technology, the virtual reality coaster is designed in hyper-realistic 3D-HD to fully immerse guests inside the young, bespectacled wizard’s world. The multidimensional thrill ride features groundbreaking robotics, fused with elaborate filmed action sequences and immersive visceral effects.

To get to the ride itself, guests wait in a line that meanders through Hogwarts Castle. While waiting their turn, visitors can admire talking portraits and newspapers, medieval architecture and all things Harry Potter.

While in Hogsmeade Village, guest can sample hot Butterbeer from carts and eat delicious and fun British fare such as Bangers & Mash; Shepherd’s Pie; Beef Sunday Roast (prime rib of beef with Yorkshire pudding and gravy), Beef, Lamb & Guinness Stew; and Fish & Chips at one of the village restaurants. Also within “The Wizarding World of Harry Potter,” is the fun, family coaster, “Flight of the Hippogriff.”

Besides the “Wizarding World of Harry Potter” getting into the Christmas spirit, the “Grinchmas” attraction is also putting on a “Who-lebration” of fun fit for The Grinch, his faithful dog Max and a roster of Who-ville Whos. This annual event comes to life with a towering 60 ft-tall whimsical “Grinchmas” tree covered in light, with lots of fun and live holiday music. “Grinchmas” takes place daily through December 31, 2017.

Another must-experience thing to do at the park is the world-renowned Studio Tour, which takes guests behind-the-scenes of the world’s biggest and busiest movie and television studio where they can also discover immersive thrill rides such as “Fast & Furious—Supercharged;” and the intense “King Kong 360 3-D.” The tour also drives past the infamous “Bates Motel” from the movie “Psycho,” the harbor where “Jaws” lurks, and numerous other famous movie sets.

Other rides and attractions at Universal Studios include the 3D-HD adventure “Transformers: The Ride-3D;” “Revenge of the Mummy—The Ride;” “Jurassic Park —The Ride;” “Waterworld;” and “The Simpsons Ride.”

“Christmas in The Wizarding World of Harry Potter” runs each night through January 7, 2018. Universal Studios is located at 100 Universal City Plaza, Universal City, CA 91608. The Studio Tour is included with all theme park admission. For more information on current pricing, specials and hours, visit: www.universalstudioshollywood.com

THE GREATEST SHOWMAN Movie Review

By

Patrick Campbell

-

December 20, 2017

Sometimes the simplest films can be the ones that transport you to the farthest reaches of your imagination, sweeping you into a land of wonder and magic. A world so fantastical that anything seems possible, and for a brief time all your worries seem to disappear, making life feel whimsical and carefree. This scenario completely encapsulates Michael Gracey’s new film, The Greatest Showman, starring Hugh Jackman as the real life entertainer P.T. Barnum, the man who invented the circus. For a life that large, you have to make an even larger film, and Gracey attempts to do just that. With help of Justin Paul and Benj Pasek, the men behind La La Land and the Broadway hit Dear Evan Hansen, the team is here to give Barnum’s story a larger than life turn of the musical kind.

In The Greatest Showman, we’re taken through a fantastical version of the events that led to Barnum creating the circus. But in this version of Barnum’s life, the world is a wondrous place full of limitless possibilities, interesting people, and grand musical numbers, as we see him go from a poor young boy who with large dreams to a down on his luck father who wants the best for his family. For a man who seems to have everything one should need, it’s not quite enough, and Barnum finds that he feels trapped in a world that’s left him and his dreams behind. But when an unexpected turn of event alters his life, Barnum takes that opportunity to finally grasp what he’s always wanted to do: entertain. With everything to gain and nothing to lose, P.T. Barnum recruits a group of downtrodden group of people who are different from everyone else, and together they put together the world’s most unusual show for all to see.

Under Gracey’s watchful eye, The Greatest Showman flourishes in a unique way that’s really quite fun to watch. The film’s musical numbers are large and sweeping, and yet at the same time, feel incredibly intimate. Every song, every dance move, and every motion the camera makes feels fine tuned for the exact emotional reaction the audience needs to feel, and for a first time director, what he’s able to do behind the camera is incredibly impressive. He puts so much energy into every frame that you can’t help but feel wrapped up in the story and the musical numbers, and I found myself tapping along to it few times throughout the film. From a visual standpoint, the movie is always pleasant to look at, and Gracey does his best to really make the world feel alive. Musicals can be incredibly tricky business, and it’s great that he’s able to handle that so well.

It’s just unfortunate that Gracey’s limited time behind the camera makes the story falter a bit underneath the weight of everything else. The Greatest Showman moves at a very brisk pace, clocking in at just around an hour and forty five minutes, but unfortunately that’s about fifteen minutes too short on the story side of things. While you can fall in love with the music and the characters, the movie brushes past the obstacles that Barnum faces like they’re nothing. Instead of letting the tension build, within a scene most of the problems the characters face is nicely tied up, and we’re on to the next scene. The movie could really use some breathing room for the audience to really feel the tension that certain characters face, but because the film is going for that warm, feel good style that many musicals have, it would rather be fun and light than dour and dark. It’s an obvious choice, and I understand why they feel the need to keep things quick and light, but it seems to be a rather large disservice to the characters and the story at hand. Life isn’t always pretty, and while we see glimpses of that from various sides, it would have been nice if the movie had decided to dive deeper and really make the audience feel the pain and frustration the characters dealt with.

Thankfully, even though the movie falters on the story side, the actors and the music easily make up for that. Hugh Jackman is incredibly endearing as P.T. Barnum, which should come as no shock because Jackman is always likable in whatever he’s in. It’s great to see him getting to throw around his musical chops on-screen for a change, something many forget he can do after his seventeen year-long stint as Wolverine. Jackman really carries this film on his shoulders, and honestly if he wasn’t the lead, the movie wouldn’t work nearly as well. Zac Efron likewise brings his incredible talent to the screen, and he and Jackman work very well together. The duality of their personalities and choices makes for an intriguing friendship, though I do wish we could explore that complexity a bit more. It’s just too bad that Zendaya and Rebecca Ferguson don’t get more to do in the film, as both are good in their respective roles, but they’re not given enough meat to really standout in any way. Michelle Williams on the other hand does get some wonderful work in, and shines in many of her scenes, including a wonderful solo song, but her story really doesn’t get to be explored much which is too bad.

But The Greatest Showman‘s biggest strength comes from its music, and boy is it fun to have a big musical like this back on the big screen. Every song is sweeping and fun, and instantly memorable. The film’s opening number, “The Greatest Show”, making the film explode on the screen in a big way, making it nearly impossible to match that later on. But it’s not without trying, as many of the songs throughout the film come close, with a duet between Jackman and Efron, aptly titled “The Other Side”, and the film’s most popular song, “This is Me”, coming incredibly close. Every song just hits you in the right way, feeling incredibly electrifying, feel good, and it really just puts a smile on your face. This really takes you back to the golden era of film musicals, and that alone makes the movie special.

The Greatest Showman is a very well acted and directed film featuring fantastic music, and an unsurprisingly great leading man turn from Hugh Jackman as P.T. Barnum. While the story suffers from a real lack of conflict, you’ll be hard pressed to really be too frustrated as you get wrapped up in the joy that the film creates. The music is exceptional, bringing to life a long forgotten era of Hollywood back in a big, flashy way. This is the perfect holiday film for families to enjoy together as they’re out at the theater this weekend, and it’s safe to say the soundtrack is going to get a lot of play for many once you step out of the theater. At the end of the day, that’s the best endorsement a musical can ask for.

Disney’s The Nutcracker and the Four Realms New Teaser Trailer

By

Robbie Bulus

-

December 19, 2017

All Clara (Mackenzie Foy) wants is a key – a one-of-a-kind key that will unlock a box that holds a priceless gift from her late mother.

A golden thread, presented to her at godfather Drosselmeyer’s (Morgan Freeman) annual holiday party, leads her to the coveted key—which promptly disappears into a strange and mysterious parallel world. It’s there that Clara encounters a soldier named Phillip (Jayden Fowora-Knight), a gang of mice and the regents who preside over three Realms: Land of Snowflakes, Land of Flowers and Land of Sweets.

Clara and Phillip must brave the ominous Fourth Realm, home to the tyrant Mother Ginger (Helen Mirren), to retrieve Clara’s key and hopefully return harmony to the unstable world. Starring Keira Knightley as the Sugar Plum Fairy and featuring a special performance by Misty Copeland, Disney’s new holiday feature film “The Nutcracker and the Four Realms” is directed by Lasse Hallström and inspired by E.T.A. Hoffmann’s classic tale.

In theaters on Nov. 2, 2018.

Ireland launches first tourism campaign in space

By

Robbie Bulus

-

December 18, 2017

Planet Earth’s first interstellar tourism campaign has taken off – highlighting a destination that is truly out of this world. Perched above the earth in space, a billboard advertising “Earth’s Wild Atlantic Way” features Skellig Michael, an island off Ireland’s south-west coast – otherwise known as Luke Skywalker’s hide-out in Star Wars: The Last Jedi.

As the world sits in anticipation of Star Wars: The Last Jedi,Tourism Ireland, the body responsible for marketing the island of Ireland overseas as a holiday destination, is celebrating the film’s imminent theatrical release with the first tourism campaign in space.

Ireland’s Skellig Michael featured in the final moments of Star Wars: The Force Awakens, where Rey finds Luke Skywalker at the island’s summit.

Since its dramatic appearance in Star Wars: The Force Awakens, Skellig Michael’s stone ‘beehive’ huts, sweeping ocean views and that trademark emerald green have been seen by hundreds of millions, featuring in everything from trailers for the forthcoming The Last Jedi and behind-the-scenes films to a Vanity Fair magazine cover.

The director of The Last Jedi, Rian Johnson, returned to Skellig Michael with his cast in September 2015, picking up the story from the iconic moment in The Force Awakens. The location scouts were so taken with Ireland’s Wild Atlantic Way that key locations in counties Cork, Kerry, Clare and Donegal were handpicked to represent the planet Ahch-to in The Last Jedi – due to hit the big screen on 15 December.

More background and stories about Star Wars filming along the Wild Atlantic Way www.ireland.com/starwars

Long Beach Ballet Brings Holiday Joy in The Nutcracker

By

Maverick Bohn

-

December 18, 2017

The Long Beach Ballet has created something truly magical and wondrous this year for their 35th anniversary production of The Nutcracker. With a fully diverse and large ensemble, every moment is one to savor and enjoy as you are transported into the classic story with a few fresh takes and surprising effects.

Though still done in the traditional style and taste, this production finds a way to bring in some unique flair that creates a very heartfelt and memorable experience. From all ages, each performer builds on the other and works together from start to finish that showcases a vast professional range. Led by the charming Grace Beay as Clara, every single performance is passionate, powerful, and delightful.

The cast is accompanied with a full orchestra led by conductor Dr. Roger Hickman, live animals, and dazzling pyrotechnics orchestrated by John Bordeaux. Each scene flows and gracefully uses the space to its full potential with vast sets, flowing backdrops, and sparkling stars.

The most notable aspect of this year’s production is the teamwork used to put on a truly spectacular rendition of this beloved holiday classic. With a cast of more than 200, a fully dedicated orchestra, stage directors, costume designers, and the hard work of countless others, the production came together flawlessly. The holiday spirit was definitely in the hearts of all involved, and it is safe to say The Long Beach Ballet has the magic touch that will keep the feeling of Christmas alive for all to see and hear.

Show times are Friday, December 22^nd at 7:30 pm, Saturdays, December 16^th and 23^rd at 2:00 pm and 7:30 pm, Sunday, December 17^th at 2 pm and Sunday, December 24^th at 1 pm at the Terrace Theater, Long Beach Convention & Entertainment Center, located at 300 E Ocean Blvd., Long Beach, CA 90802.

Tickets can be purchased through the Long Beach Ballet “Hotline” at (877) 852-3177, and the Long Beach Performing Arts Center Main Box Office, and online through the Long Beach Ballet website, www.LongBeachNutcracker.com. Family-friendly ticket prices start at $34.00 – $78.00 with a special VIP Package also available. Discounts are available for children, seniors, and groups of 15 or more.

Socalthrills.com

DJI Reveals New Handheld Camera Stabilizers At CES 2018

ESCORT Unveils the First Connected Car Radar

Cobra Electronics Introduces New Drive HD Dash Cams

Kick-off 2018 as The PEANUTS Characters Take Over Knott’s Berry Farm!

The Disney Diaries: The Last Jedi Galaxy Premiere

Motown a treat for the senses at Segerstrom Center for the Arts

In Defense of Star Wars: Expectations in a Galaxy Far, Far Away

The Early Days of IV-VI

The Prequel Era of I-III

Christmas Meets Harry Potter at Universal Studios Hollywood

THE GREATEST SHOWMAN Movie Review

Disney’s The Nutcracker and the Four Realms New Teaser Trailer

Ireland launches first tourism campaign in space

Long Beach Ballet Brings Holiday Joy in The Nutcracker

Latest Posts

JAKKS Reveals All New Toys at SDCC

Disney Store’s Mickey Mouse Family Halloween Collection

Theatre Review: Spring Awakening

Your August 2025 Disney+ Streaming Guide

Disney Releases Trailer for “Tron: Ares”

Thunderbolts Treatz Truck Arriving in SoCal with treats