With Super Mario™ Cereal, Nintendo and Kellogg’s® have teamed up to take fans on a breakfast odyssey that will continue long after the cereal box is empty. In addition to collectible Super Mario Odyssey™box art, each Super Mario Cereal box functions as an amiibo™ accessory, making breakfast a more playful experience.
“This powered-up partnership with Kellogg’s is another exciting way for us to expand the Nintendo brand in unique and creative ways,” said Tom Prata, Nintendo of America’s Senior Vice President of Strategic Initiatives. “We are always looking for new opportunities to bring smiles to people of all ages, and this is a fun way to kick off the day.”
The limited-edition cereal box will begin hitting store shelves across the U.S. as early as Dec. 11. Those playing the Super Mario Odyssey gamecan tap the cereal box on the Nintendo Switch™ system, like you would an amiibo, to receive gold coins or a heart in the game. Even the cereal itself has a Super Mario twist, with colorful power-up marshmallows and a blast of mixed berry flavor in every box.
“We are thrilled to pack so much fun into one box of cereal,” said Brad Schwan, Senior Director of Morning Foods Marketing. “The package adds value and excitement for fans, with marshmallow shapes in the cereal inspired by Super Mario power-ups to tie the theme together.”
Remember that Nintendo Switch features parental controls that let adults manage the content their children can access. For more information about other features, visit http://www.nintendo.com/switch/.
The world-famous Queen Mary invites guests to embark on an international holiday expedition this winter with the unveiling of the all-new CHILL, open December 13, 2017 through January 7, 2018. Featuring the first-ever Ice Adventure Park in the U.S., the newly-inspired CHILL offers a rush of icy family fun with nightly entertainment throughout the park including international cultural celebrations, live music, Rockettes-style dance performances, fireworks, light shows, DJs, dancing, tasty food, a nightly Christmas Tree lighting ceremony and much more.
Experience the 38,000-square foot ice park honoring international holiday celebrations with one-of-a-kind entertainment and traditions of Germany, Switzerland, China, Russia, Holland, and the North Pole. Embark in traditional Chinese entertainment in CHILL’s version of the Forbidden City with nightly performances by Shaolin Monks and experience first-hand the beautiful rhythmic movements of the traditional Lion Dance. CHILL’s Kung Fu Forest will offer fireworks every Sunday night. Glide through the finish line of Shanghai Speedway nightly ($5 add on) on CHILL’s big wheel ice bikes. Saunter down Lantern Lane into the Lucky Bamboo and meet CHILL’s Panda Character for warm bear-hugs and unique selfie opportunities.
Take in the traditions of Germany with a stroll through CHILL’s Munich Market and raise a stein to the nightly live tunes from the authentic Alpine Band. Meet the ethereal Christkindle, the German gift bringer and bearer of lights, and shop traditional holiday trinkets and souvenirs at the nightly festive market. Cozy up in Switzerland’s Alpine Square by roasting marshmallows and building gooey s’mores at the toasty fire pit. Dine in the Alpine Lodge, open nightly, serving traditional Swiss bites overlooking the Matterhorn Mountain tubing slide and meet the gift bearer of the Alps, Sinterklaas, for photos and celebrations of the Twelfth Night.
Show off your best grooves as the DJ spins today’s top hits at the Russian Disco in CHILL’s Blizzard Boulevard. Experience the magic of the Northern Lights Show offered nightly at the Aurora Borealis Light show and meet the gift bringers of Russia, Father Frost and The Princess. Holland’s Windmill Way will offer nightly performances on the Illumination stage with hourly performances by Rockettes-style dancers and a nightly tree lighting ceremony. Meet the magical Father Time, Holland’s gift bearer who will share interesting facts on stargazing and how the Dutch discovered the telescope. Skate over to America’s North Polefor a visit and photo with Santa Claus and Mrs. Claus. Visit the Candy Bar to grab sweet treats for the little ones, and liquid candy sips for the adults.
The all-new CHILL also offers an opportunity to experience international fare. Tempt your taste buds with beverages and bites from around the globe including Germany’s Twisted Pretzel and Tasting Tavern and the Brat Haus. Pay tribute to Swiss delicacies with a visit to the Zurich Deli, the Fondue Pot, and the Alpine Lodge’s restaurant: Chateau Bar. Sip on traditional teas in China’s Zen Teahouse and the Hot Pot. Then warm up in the Russian Pierogi Paradise or the Stroganoff and Stew Pot. Curb your sweet tooth with gourmet donuts, make-your-own Gingerbread house or visit the Fire Pit to make holiday s‘mores.
CHILL pricing starts at $29.00 for adults (ages 9+) and $19.00 for kids. VIP Ultimate Expedition tickets are also available starting at $79.00 for adults (ages 9+) and $69.00 for kids. CHILL will run Dec. 13, 2017 – Jan. 7, 2018, excluding Dec. 31, 2017. For more information, including an entertainment schedule, hours of operation and to purchase tickets online, visit http://queenmary.com/chill/
Ever since reading John Steinbeck’s classic 1945 novel “Cannery Row,” I’ve dreamed of Monterey, California. The book’s imagery of old wooden piers, fish packing plants and colorful characters have lingered in my head for years. Add to this a yearning to also experience the world-famous Monterey Bay Aquarium and it’s easy to see why I was so excited to recently visit the town.
My Northern California getaway began on the way home from a stay in Carmel-by-the-Sea. While taking Highway 1 back, a friend and I decided to pull off in Monterey for some spontaneous fun. Exiting the freeway, we followed signs to Cannery Row, where we parked beneath an old building called “Aeneas Sardine Packing Company Cannery.” This was one of the last fish canneries built on Cannery Row, before the sardine industry collapsed in the mid-1940s.
Cannery Row is filled with great shopping, history and ocean veiws
We were now on the historic stretch of land from the book. As we walked down the street, which is now named Cannery Row, we past a few other old and colorful cannery buildings, such as the Monterey Canning Co and the Cannery Row Company, which have been turned into gift shops, coffee shops, clothe stores, restaurants and hotels, with nautical themes and references to the novel. We then grabbed an ice cream cone at a place called Dippin Dots and I read some local history.
The area began getting busy in the 1850s when Chinese fishing families crossed the Pacific in junks, settled at Point Ohlones (“China Point”) and helped establish Monterey’s fishing industry. After the Southern Pacific Rail Road arrived in the 1880s, the harbor began to grow and in the early 1900s the Monterey canning industry began, with the building of various canneries.
When World War I hit, the demand for fish products grew and additional canneries were erected and new fishing boats arrived. Then the Great Depression came and the industry was rocked, but managed to survive thanks to the usefulness of sardines as food and fertilizer.
The Cannery Row Monument is a tribute to the famous novel and people of the fishing industry
It was in this tumultuous period that Steinbeck drew inspiration for his masterpiece Cannery Row, which followed the exploits of down and out characters against a backdrop of brothels, flophouses, a Chinese grocery store and the laboratory of a marine biologist named Doc.
While touring town, we came to Steinbeck Plaza and found The Cannery Row Monument, which pays tribute to nine important characters that played pivotal roles in Cannery Row’s history, including John Steinbeck, marine biologist Ed “Doc” Ricketts and some of the Chinese fishermen who helped start the industry. The monument is located on a wooden pier, with incredible views of Monterey Bay.
Tiny shacks once used by local canning workers are preserved on Cannery Row
Across the street from the monument we bought a Monterey t-shirt at Mackerel Jack’s Trading Co. and then discovered some of the actual tiny, bungalow houses used by the early cannery workers. The simple, one-room shacks are well-preserved with original furniture and plaques on the outside to tell the stories of the Filipino, Japanese and Spanish workers who occupied them.
The pier on Cannery Row offers great food and views
At the end of the very busy and touristy Cannery Row street is the Monterey Bay Aquarium, where we spent a couple of hours visiting with sea otters, sharks, seahorses, tuna, penguins and thousands of other marine animals. In addition to changing special exhibitions, the facility’s acclaimed permanent exhibits include a towering three-story kelp forest; touch pools and other hands-on exhibits; the award-winning Splash Zone family galleries; and the million-gallon Open Sea exhibit.
As the aquarium’s largest exhibit, the Open Sea is highlighted by a 90-ft window which offers a front row seat to huge tuna and sharks, glittering schools of sardines, and slow-moving sea turtles. Nearby, colorful puffins await their next meal, and brilliant jellies pulse through the water.
The Monterey Aquarium showcases ocean life in incredible exhibits
The Kelp Forest is another must-see. This 28-ft-high exhibit is one of the tallest Aquarium exhibits in the world and offers unique views of sardines, leopard sharks, wolf-eels and a host of other fishes as they weave through swaying fronds of kelp.
For more information on visiting Monterey and Cannery Row, visit: www.seemonterey.com or www.canneryrow.com. For more information on the aquarium, go to: www.montereybayaquarium.org
Now that Oogie Boogie and the spooky haunts have officially vacated Disneyland, Santa Claus and Mickey have decked the halls and castle with their seasonal best. Christmas has arrived and will be with us until January here at the Disneyland Resort.
The Christmas Fantasy Parade has returned along with many seasonal favorites that span both parks that take over the majority of the park in holiday splendor. Though not much has changed from year’s past, you may find a few hidden gems and surprises sprinkled in with the familiar.
Toys for all the children!
One of my personal favorites is the addition of holiday themed movie posters in Cars Land. Similar to the Halloween overlay, we get a punny look at Disney classics that really steal the show. Luigi and Mater also have their share of holiday magic with Christmas overlays of both attractions.
These posters are fantastic!
Back in Disneyland, you can still visit Haunted Mansion Holiday and now can trek down to Disneyana to get a replica of this year’s iconic gingerbread house. Though it isn’t rose gold, it’s bound to catch a few eyes for those hardcore Disney collectors.
You can also find some nice “Nightmare” themed ornaments for sale.
Speaking of collections, Disneyland has finally brought back some more vintage Mickey designs for their Christmas accessories and merchandise. The past few years have been heavily dominant to a more Victorian sense of style and I am so glad to see some more classic Disney touches to the stockings, tree skirts, and items you can bring home for your own holiday designs.
Moving past the glitz and glamour of the storefront windows, another important thing to remember during the season is food. In Disney California Adventure, The Festival of Holidays has come back with a tour of various food and drink to enjoy. For $45, Annual Passholders also get to grab a “Sip and Savor Pass” that gives them 8 food/drink vouchers that can be used for any of the booths at the festival (excludes alcohol).
I was able to try the Baked Cheesy Scalloped Potatoes, Braised Lamp Cheeks, and Holiday Mickey and Minnie Cookies. There are plenty of foods I want to go back and try, creating a great incentive to visit the parks more than just once.
Candy, Chocolate, and Coco!
During Halloween time, I made a habit of trying something new each weekend. From the bison burger to the hot mac and cheese cone, I had no complaints. Trader Sam’s is definite on the holiday list, along with a yule log, and potentially any other chocolate or peppermint offering they can throw at me. Christmas is the perfect excuse to drink and be merry!
This past weekend was my first trip back and I still love every moment of it. This time of year, though very crowded, is comforting and special. I can’t wait to venture back in and see what else I can discover.
It makes me also think about how things will be with years to come. Change is just around the corner, and though Christmas time is a reliable constant at Disney Parks, there are new additions that are bound to take center stage. Viva Navidad over in Paradise Pier is a great example of that. Though still a new concept, it’s a beautiful display of cultural immersion and spectacle that has become an annual tradition. It’s something I have really learned to appreciate.
Disney California Adventure is a great platform for new ideas and I would love to see more diverse options in the next few years. The Festival of Holiday’s inclusion of various music and performance art from around the world is a testament to that. It’s a positive message that really deserves to be noted.
Meanwhile, Disneyland has let go of some of it’s newer additions by axing Jingle Cruise this year. Though the initial year’s launch didn’t float everyone’s boat, the second year really turned some heads.
I’m really sad to see all those holiday puns go down the drain, but maybe there will be some new risks and chances for future holiday fun. As long as we don’t see Disney acknowledge the Star Wars Holiday Special (which doesn’t exist in my universe) when Galaxy’s Edge debuts, I am perfectly ready to see what’s coming next.
Disney Pixar’s newest animated film, Coco, is filled with Latin culture and traditions. The press conference began with a surprise folkloric dance with mariachi.
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Across the cast, everyone was humbled by the opportunity to share the Latin tradition of Dia de Los Muertos with the world. We had the opportunity to meet with the cast, producers, and directors to hear how Coco came to fruition.
The panel began with the host directing the questions and then opened the floor for those invited to the event to ask questions. The host began by asking how the cast felt about the premier of the film, premiered at El Capitan Theater. The cast felt like they were on Cloud Nine from the modern cultural masterpiece.
So how did Coco come to fruition? Lee Unkrich and Adrian Molina discus this topic:
LEE UNKRICH: So Darla, and Adrian, and I all worked on Toy Story III together. And when we finished that film, I started to think about what was next, and I had a few different ideas that I was kicking around. And one of them was the idea of telling a story set against Dia de Mortos. I had always been interested in the tradition, and I spent some time doing some research, and really trying to understand more than I already knew. And the more that I dug in, the more that I learned about how central family is to this celebration, and that Dia de Mortos is, you know, is all about this obligation that we all have to remember our loved ones, and to pass their stories along. And I just really started to see the potential to tell a unique story, to tell a story that could only be told in animation, that could be visually dazzling, but also had the potential to have a real emotional core to it. And that was really kind of the beginning of this journey. And we immediately headed down to Mexico and started – went on the first of what proved to be many lengthy research trips, to spend time learning about the traditions, learning about the culture, and spending a lot of time with many beautiful families down in Mexico.
HOST: Interesting. Adrian, for you, having a Mexican background, how does it feel to be writing and co-directing this film?
ADRIAN MOLINA: It has been a pleasure. It has been, you know, the highlight of my career up to this point. I started on the film about a year and a half to two years into the production. I had finished the storyboarding on Monsters University, and it just one of those ideas that ticked off so many things, or checked off the boxes of so many things that I’ve always wanted to see in a film – that it deals so strongly with this idea of family, Miguel and his musical passion, and especially the expression of these Mexican traditions. You know, it’s one of those things that I felt like I had a lot of experience to bring to it, and also just the – the way we work at Pixar, it’s such a collaborative effort, and to be able to work with all of these actors, all of these musicians, and to really bring to life this culture on screen was something that I was thrilled by.
We got to hear from the voice of Miguel, Anthony Gonzalez, about his experience with his first movie.
ANTHONY GONZALEZ: Oh, well, I just really loved the making of it. I loved being with Lee, Darla and Adrian in the booth, and other people. And there was just so much fun, because it was very easy for me because I had the guidance of them three, and it was just – it was like a breeze for me, and it was just so much fun doing the voice of Miguel.
Anthony Gonzalez is a talented and ambitious 13 year old. This is one of the reasons why he landed the role. Lee explains his experience with Anthony Gonzalez auditioning for the role of Miguel.
LEE UNKRICH: At his very first audition, you know, we had him read a bunch of scenes, script pages. And then when we were all done, he took out a CD, and he said, “I brought a song I want to sing to you.” And at that point, we didn’t even know if Miguel was going to be singing in the movie, so that wasn’t part of the audition. And unfortunately, we didn’t have a CD player that day, where we were. So Anthony, true to his great spirit just said, “Oh, well, whatever – I’ll just sing it a cappella.” And he launched into this beautiful, like, 10 minute long, sweet rendition of this song, sung just to the few of us. And you know, we were already wowed by his audition, and then that just really sealed the deal.
Coco showcases a lot of Latin culture, specifically Mexican culture, throughout the entire film. So how did the rest of the cast feel about the opportunity to share their culture? We got to hear from Gael Barcia Bernal, voice of Hector, and Edward James Olmos, voice of Chicharron.
GAEL BARCIA BERNAL: Oh, wow, it – I mean, it is such a privilege to be here, I mean, to be now, right now, talking to you, to be talking about the movie, to know the result of it, because it is – it is always an act of faith in a way, no? I mean, and then
you get invited to – when I got the invitation to meet with Lee, with Adrian, and with Darla and talk about the movie, I remember how already I was so convinced about it, you know, before going into the meeting with them. And after the meeting, I was just amazed by the amount of research; also the incorporation – the – kind of like the holistic kind of approach that they were trying to do to the Day of the Dead celebration, that they were also putting forth a very personal point of view, as well – which ultimately, personal point of views are what make a movie good, you know – is what makes a movie good. And I was willing to jump into that, into that trip, you know, and to interpret that point of view. And now the results – I’m just – you know, I’m – it has transcended all my expectations. And this is what happens when the film becomes good, as well, but there’s nothing you can expect that will match a result when a film is good. It’s just – it overcomes it, you know, it’s impressive. So I mean, I’m really happy for, and proud, and lucky to be part of this, with all this great team, with all this collaborative effort, me being a little part of it, being able to put forth, as well, into the world, a very, you know, story, a little fable about a mythology, and a tradition that I hold very dearly, like the other mortals, and that – very proud, as well, that Mexico can give this to the world, you know, and everyone in the world can adopt this tradition, this reflection on death – you know, which is a very, very important thing to do, I think, in life.
EDWARD JAMES OLMOS: when they asked me to play the role, I was privileged. I mean, this became a real honor, because it – that character is what the story is. I mean, every single person in the room that’s seen that movie understands very well that what it means is if you don’t remember your loved ones, they’re gone. If you don’t tell the stories of that loved one, they cease to exist. And it was that simple. And so when I ended up – they asked me to do it, I said, “Of course. It’d be my honor.”… And as it went along, and I – then my part came in, and I said, “Oh, my God,” I emotionally – I felt emotional for this guy. And Chicharron became, within a matter of a minute and a half to two minutes, became someone that I could identify with, you know – a relative, a friend, a person, that – and is said, “Wow.” … It’s gonna take that long for it to resonate throughout the planet, and really take hold of what art does to people in their subconscious mind, and what it does to – I mean, people who have never – are gonna see this movie, are gonna come out really moved, especially if you haven’t thought about your parents, or you haven’t thought about your loved ones, and you haven’t really gotten into your own family, and you haven’t – you’ve been too busy living your life, that you haven’t gone back to even say thank you.
Coco is a very touching movie that will make you feel the love for your family and friends. The cast talks about how they felt about the movie. Alanna Ubach, voice of Mama Imelda, shares her experience about sharing the film with her family.
ALANNA UBACH: Waterworks. I was sitting in between my husband, and my mother. And I told my mother that I had a surprise for her, because she used to sing [PH] Laorona to me when I was a little girl, in order to make me go to sleep. Laorona will put you to sleep if you don’t go to sleep. No – that’s another story. But I was – I kept telling her, “I have this surprise for you.” And she said, “Oh, I can’t wait. I love surprises.” And so the lights dim, and she’s watching it, and she sees Coco, the [PH] Awella for the first time, and she says, “Aye, [PH] yo [PH] Solana.” You’re Coco. I’m like, “No, no, no, Mom. Just keep watching.” She said, “Okay.” I watched her cry, like three times, and then Miguel is finally introduced. “Ay – Alanna, you’re Miguel? You’re the voice of Miguel.” I’m like, “No, Mom, keep watching. Keep watching.” And finally Laorona came on, and it was just waterworks.
The press had the opportunity to ask the cast some questions. Since Coco was an evolving story that was in production for about 6 years we were curious to know how Miguel’s role as a musician developed.
PRESS: Can you talk a little bit about, you know, when you went in to record your music part, you know, how did you feel, and were you thinking about some of your own family members when you sang your songs?
LEE UNKRICH: Well, to just quickly answer the first part of it – from the very beginning, this was an evolving story. We went down a lot of different paths. I think we always knew that Miguel was going to be a musician that he’d be playing the guitar, but we didn’t know that he was going to be singing, necessarily. So at the time that we auditioned Anthony, you know, we weren’t sure of that. But once we knew he could sing we tried to take full advantage of his talents.
ANTHONY GONZALEZ: Okay. Well, when I knew that I was going to sing that day in the booth, I would get so excited, because you know, I love to sing, and especially these wonderful songs that Adrian Molina, Germaine Franco, and other people made – they’re just, they’re just incredible messages. They send incredible messages, and they’re just incredible lyrics that – I love to sing, like Pragardocon, I just love the rhythm, and the melody, and the lyrics, like, “Remember me” – it’s very sentimental. And for me, my grandfather passed away when I was six years old, and he was very special to me because he would always support me in my music career. And so yeah, every time I would come to sing like, songs, it would remind me of him, and it would make me feel like he was there, and he was present with me.
The film is out on November 22, 2017. A perfect time during the Thanksgiving holiday for families to experience this heart-warming film. Coco is filled with surprises that have an emotional core around family values while being a visually appealing film.
It’s long past due for Disney, Pixar and other film production companies to tap into cultural myths beyond those common in Eurocentric storytelling. Moana built upon it beautifully. Now Mexican culture gets a healthy dose of its own with Coco.
Young Mexican Miguel wants to pursue the life of a musician, isolating himself often to practice his guitar stringing. When Miguel’s family consistently negates his desire to chase his dreams, an act of selfishness sends him through to the Land of the Dead. A journey that redefines what Miguel chases in life, the young boy must reconnect with his deceased family members all the while trying to prove he can play music.
A few problems persist with the opening of the film’s narrative. Young Miguel wants to play music but his family, and specifically his abuelita (grandmother) want him to have no part of that. The sordid past isn’t fully fleshed out until later, a fine storytelling device, but the decision to make the family so adamantly against the idea of music itself is a little too hollow. The opening 15-20 minutes of storytelling – a boy chasing his “destiny” – left me concerned it may have been misguided, only using the holiday as “exotic” set dressing to accompany the film. The journey Miguel takes to play music also beckons a cognitive dissonance in how the story materializes. There is no immediate correlation to Miguel’s desire to play music and familial struggle. But something happens to Coco when Miguel winds up in the Land of the Dead. A bridge of flowers, blacklight creature designs, sugar skulls galore and a genuine appreciation for a life long after death. I won’t divulge how Coco does it, and the opening does still stumble in its execution, but the melding of song, history and family perfectly encapsulates the very idea of Dia de los Muertos.
As a Mexican writer, it warms my heart to see our celebrations and traditions brought to life with such astounding visual panache. Dia de los Muertos is about celebrating life after death for those we’ve lost, while also remembering their lives on this plane of existence. Often in media, my country is portrayed with only dirt roads and pavement. There are never attempts to truly capture the beauty enriching the culture or its people. Life is vibrant, colorful and bombastic and rarely more so than on the celebration of Dia de los Muertos. As as are the supporting characters, all of whom feel fleshed out in their own way with purpose or at the very least a fascinating visual design.
The incorporation of music is ultimately vital to the story and its representations. A score by Michael Giacchino accentuates necessary components but original songs by Germaine Franco and Adrian Molina drive a purposeful beauty to the world. This is a story of Mexican culture by focusing on our most marketable holiday. If a corporate decision like this had to be made, it’s at least filled with wonder and treated with respect. It’s the least they could do. Them going the extra mile just gives it that extra push.
Also appreciated is the consistent Spanglish delivered from the characters. There are no subtitles for anybody not understanding the shifting tongues of people talking in the film. It merely is a fabric of the universe, as it is our own. It relegates an authenticity to my people who often do not get a time to shine in the spotlight. An entirely Mexican cast do wondrous voice work here, never delegating us to stereotypes or cardboard cutouts.
There is a sense of history in the world and its characters. Miguel’s journey isn’t strictly about disregarding family to pursue his dream (lest he suffer the wrath of the chancla). The journey in Coco is, at its core, coming to terms with the foundations of family, history and one’s place within it. You can’t build a future without learning of and from the past. The present brings all threads together as they forge onward to a unified future.
There are minor instances in regards to the plot driven aspects of images and photos though those seem like narrative restructuring than anything entirely world breaking. Nonetheless, this movie will be on constant plays throughout Mexican households and it warrants every single viewing. If anything, Coco plays in a visual sandbox where character, theme and emotion triumph over nitpicking any plot logic. Emotion, history and death don’t make much sense anyways. It’s exactly how it should be.
Lets get this straight out the gate: Justice League is a messy little film at times. However, just because it’s a mess doesn’t mean that it’s not an incredibly fun film that’s easy to fall in love with. There’s a certain charm to seeing Batman, Wonder Woman, The Flash, Aquaman, and Cyborg finally sharing the screen together, in a film that clearly loves these characters and the different parts of the DC Universe that they inhabit. It’s just too bad that the studio mandated a run time that cuts into the story and leaves the film’s story and villain paper-thin. What could be a truly great film is regulated to being more of a fun Saturday matinee film, but honestly, maybe that’s exactly what this needed to be.
After the death of Superman in Batman v. Superman: Dawn of Justice, Justice League finds Batman leading a lone crusade to stop the future from becoming the nightmare he envisioned of a post apocalyptic world. With the guilt of Superman’s death weighing on him, Bruce realizes he can’t stop the incoming threat alone, so he must turn to the few super powered heroes he has been able to locate for help. Every minute counts as the villainous Steppenwolf draws closer to retrieving the Three Mother boxes on Earth that will let him reshape the world to his hellscape. Together Batman, Wonder Woman, The Flash, Aquaman, and Cyborg must band together in the name of Superman to save the world and stop Steppenwolf once and for all.
The plot really is as thin as they come, but honestly, that’s ok. Because what Justice League lacks in plot it makes up for in its characters and their interactions. Zack Snyder and Warner Bros. have assembled an excellent cast to bring these iconic DC characters to life. Fans who were eager to see more of Batman and Wonder Woman are going to be pleased that Ben Affleck and Gal Gadot truly shine throughout the film. They’re the rock solid bedrock the film is built on, and both really truly bring their A game to these characters once more. But more importantly, it’s Ezra Miller, Jason Mamoa, and Ray Fisher who truly get a chance to shine as the newcomers Flash, Aquaman, and Cyborg. Miller in particular steals just about every scene he’s in as Barry Allen, which was a very pleasant surprise as that was going to be the hardest part to sell with the TV series version to compete with. This version of Barry is a bit more of a fast talking, socially awkward take on the character who is not only incredibly smart, but incredibly funny as well. Ezra Miller was born to be The Flash, and if we walk away from Justice League learning anything, it’s that this Flash clearly deserves his own film.
But this film truly works because of the team ensemble, as the core players are all clearly loving to not only be together, but being a part of this universe. This movie hinged on whether you could buy the cast together, and if they gelled as a unit, and if the characters could even blend together. Shared universes are already a tricky balancing act, but thankfully Justice League doesn’t feel forced together, and more like a natural conclusion to the story started in Batman v. Superman. The narrative makes sense, and the cast truly sells a world that’s lost and hopeless without Superman. Each character has their own personal demons behind them that help push for a greater good in the world, and that alone makes them standing together in the shadow of Superman both a truly beautiful and heroic thing.
Though Justice League is a ton of fun, and the cast is great, it would be a lie to ignore the film’s glaring issues, or which it does have. The forced run time of under two hours is a huge issue for the film’s narrative and pace, as the film really never gets a chance to breathe in a way that would be hugely beneficial. All the characters are so excellent together that you want to spend more time with the, and the issue is, there’s no downtime for them to really get to interact where they can just get to know each other. Likewise, the shorter run time also makes Steppenwolf come off as a third-rate mustache twirling villain with no real rhyme or reason for what he’s doing. It’s clear that his plot line especially was truncated down by the studio’s mandated run time, which is incredibly frustrating. You don’t need to make him overly complex, but at least give him something to do than yell, “Mother box!” over and over again. While on Steppenwolf, it should also be noted that he’s one of the weakest CGI characters to be in a film in recent memory. Something about the character’s rendering feels off, so he feels overly fake the entire time, which makes for a rather jarring experience.
Still, getting past the problems, Justice League is a really fun time at the theater. The cast is great, and with Snyder’s visual flair and the dialogue of Joss Whedon, the movie truly feels like a special collaboration of sorts. While it doesn’t always fully come together, it works more often than it doesn’t, and to see the team interacting for the first time in live action truly is a geek dream. The good really outweighs the bad, and it’s safe to say that those who have had possibly had a problem with the DC Universe films up to this point may walk away pleasantly surprised by this film. Between Justice League and Wonder Woman, it’s clear that the DC films are headed in a much more optimistic and fun direction, and it’s a great look for the series. Keep an open mind, and give Justice League a shot, you just might be glad you did.
Tervis, the innovative drinkware company long loved for its fresh and expressive designs, continues to revolutionize the industry with its latest, tech-enabled product that redefines the everyday drinking experience. Through the use of a free augmented reality (AR) app, a computer-generated image is superimposed onto your cup, creating a technologically-enhanced —and incredibly fun— new view of everyone’s favorite American-made tumbler.
[videopress YVsPwIPu]
Now available, the first design, featuring a gingerbread man wreaking havoc on gingerbread houses, is perfect for the holiday season. Simply download the free Tervis AR app and sit back and watch this cute little gingerbread man giggle, eat cookies, and have his belly expand as he prances his way around the cup.
“Tervis was the inventor of insulted drinkware back in 1946,” says Tervis President Rogan Donelly. “We continue to be the leader by introducing new technology and ideas to make our drinkware experience enjoyable and personable for our fans.”
Like all Tervis drinkware, this product keeps your hot drinks hot, cold drinks cold, unbreakable, and dishwasher safe. It comes with the Tervis Lifetime Guarantee and made in America.
Powered by Vuforia, this first Tervis AR offering is a limited edition Gingerbread design that retails for $19.99. It’s available now on tervis.com and Tervis company stores.
Ahead of its U.S. debut on Nov. 22, Pixar’s Coco is already breaking records in its first international market, Mexico, where today it will become the #1 film of all time in local currency.
Through Nov. 14 (19 days of release), Coco has taken in 824M pesos and will today pass the 827M pesos earned by The Avengers during its entire run. The film debuted Oct. 27 and has held the #1 spot at the box office for its first three consecutive weeks. At current exchange rates, the Mexico gross translates to $43.1M in USD.
Coco opens day and date with the U.S. in its first additional international markets China (Nov. 23) and Russia (Nov. 24). The film is currently at a spectacular 96% Fresh on RottenTomatoes.
Hollywood’s legendary El Capitan Theatre presents a special engagement of Disney•Pixar’s COCO November 22 to December 10, shown in brilliant Dolby VisionTM Laser Projection & Dolby Atmos® Sound Technology. Tickets are now on sale at www.elcapitantickets.com, by calling 1-800-DISNEY6 and at The El Capitan Theatre box office.
“From the moment the El Capitan Theatre guests experience our all-new COCO inspired Curtain Show they will be swept away on a musical adventure,” said Ed Collins, General Manager of The El Capitan Theatre.
The Curtain Show, a fiesta of lights featuring music and imagery of Disney•Pixar’s COCO, will only be seen at The El Capitan Theatre. The presentation also includes the all-new featurette OLAF’S FROZEN ADVENTURE.
Collins continued, “After the featurette, Olaf himself will appear live on stage – also only at the El Capitan Theatre. And from November 21 to 26, see the Grammy Award Winning MARIACHI DIVAS as seen at Disneyland live on stage with BALLET FOLKLORICO LOS ANGELES as guests enter our theatre during the first week. There’s just no better place than The El Capitan Theatre to enjoy Disney•Pixar’s latest masterpiece.”
On Tuesday November 21, 2017 be amongst the first to experience the new film from Disney•Pixar as part of the COCO Special Opening Night at the El Capitan Theatre with raffle prizes & more surprises! Each ticket will include an exclusive poster, a reserved seat, popcorn in a souvenir tub, and 20 oz bottled beverage.
Daily showtimes are 10:00AM, 1:15PM, 4:30PM, 7:45PM, and 10:50PM* (*10:50PM Show Opening Weekend, Nov. 22 ‐ 26, plus Fridays & Saturdays following.) Showtimes and dates are subject to change. Special group rates for Disney•Pixar’s COCO of $12 for parties of 20 or more are available by calling 1-818-845-3110.
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MOVIE & MEAL with HARD ROCK CAFÉ – Park Once – Enjoy Twice. Book a Movie & Meal Package with the El Capitan Theatre and the Hard Rock Café! For one low price of $40.00 per person. Reservations are required in advance (24 hrs – business days). RESERVED SEAT ONLY – NO CONCESSIONS INCLUDED. Guests will be directed to go to HARD ROCK CAFÉ after their movie. Guests will select their entrée upon their arrival at the restaurant. Menu items cannot be substituted. Tax & Gratuity Included. Additional items, including alcohol, are not included and if ordered, will be paid for by the guest at the time of service.
The El Capitan Theatre will also host TINY TOT TUESDAYS during the first shows on November 28 and December 6; during these special screenings, parents and small children may enjoy the movie in a tot-friendly way—with lights dimmed rather than out and reduced sound levels.65[]’
Back in 2004, Star Wars Battlefront debuted on the PS2 and ushered in a one of a kind Star Wars experience that still holds a special place in the hearts of fans across the galaxy. Since that day, we’ve seen the debut of 4 major releases under the Battlefront banner.
The game that started it all!
As a devoted fan, I’ve had the pleasure of playing every version of Battlefront. Growing up with Star Wars, it was big step closer to being a part of the Star Wars universe.
When that first game came out, my mind was blown. There were real battles, real locations, real experiences. It was one of the most exhilarating feelings and completely unforgettable.
Flashback to 2004.
Sadly, that feeling would be short lived. I moved away from the family console and went into an Internet-less void with no console or capable PC. The best I could do was bum off of my brother during family visits. Every holiday, summer, or short break, you could find me plugging in my controller and jumping back into the action.
Thankfully, college acceptance letters came and gave me an excuse to get a new laptop. I grabbed a PC copy of the original Battlefront II without hesitation.
The game was breathtaking and took a big step up from the first version. We got space battles, a full roster of iconic heroes, and the ability to play online with others. To this day, Star Wars Battlefront II is my personal favorite.
The reason for that is the balance between both eras of the Star Wars saga in both campaign and multiplayer mode. Even if you wanted a solo round, no pun intended, you could switch to “Instant Action” and not have to worry about running out of game to play. Overall, it’s a tough game to beat since it gave you the most content it possibly could.
Strangely enough, even when the game got repetitive, fans found a way to keep the excitement alive. PC gamers had the ability to create MOD maps for the game, playing with the mechanics and adding a treasure trove of new challenges for players. Clans formed and dedicated servers were created to compete, goof around, and hang out in. The gaming clan I was a member of, DDC, lead the way in the PC world and brought me some lasting friends out of the fun.
One of my clan banners for our sniper division. Obviously we didn’t put too much thought into the accuracy of the name.
My gamer tag, Rogue_Kenobi, came from Star Wars Battlefront. I still use it to this day to play with not only my old gaming buddies, but new additions to the franchise with the new EA releases. Overall, I couldn’t wait for the new games to come out. After all this time, I owe that excitement and anticipation to my love of Star Wars Battlefront II.
I took a quick peek at EA’s original Battlefront at Celebration Anaheim.Ready to play.
Now that EA has taken the stage, it’s hard not to compare to what has come before. The first EA Battlefront game received a backlash of harsh criticism and was a tough sell. It was beautiful, and one of the most realistic depictions of the Star Wars universe. Yet, it was very limited in scope and didn’t give us a lot of options. I really enjoyed the game, but can understand why others didn’t stay in for the long haul.
Overall, the game play was stunning. Fans were still on the fence about the future of the series.
Now we have the new Star Wars Battlefront II. This latest version has brought in a lot of what fans have been waiting for: Online Multiplayer, Single Player Campaign, Offline Single and Multiplayer, Multiple Eras, and a few more surprises.
STAR WARS™ Battlefront™ II from EA
I’ve been following the game since the debut announcement and haven’t missed a thing. Though I’m not as tough to please as some hardcore gamers, I still have standards this game will need to fulfill to gain my loyalty.
Hanging out at EA Play 2017.
To test the waters, I drove down to LA for EA Play and got my hands on the Alpha Demo on Theed. You can see my video from the event below:
Moving on to Beta, Battlefront II has shown there is a lot more scope and vision to the content side of things. The beauty and realism of the first version are still alive, but we aren’t stuck feeling like the game is incomplete. When finished, I felt a little bit closer to finding what I’ve been waiting for. I had a sense of hope.
Welcome to a new era!Plenty of new things to dive into!A closer look at the custom arcade options for some offline fun.
Now that we have finally reached release day, I can’t stress enough how ready I am to take on the galaxy and find my place once again on the battlefield. From what I’ve had a chance to play so far, it’s fun, challenging, and filled with new things to discover.
Rey and Kylo Ren’s Last Jedi attire are a special perk for all pre-orders of the game.
Hero play is definitely going to be more interesting since you can cross eras from Luke to Rey. Fans are still awaiting more details, as we have not been given the full hero list. Some teases have been given here and there, but there is plenty of room for some new additions.
Hero Up
Though nothing will ever compare to the original Battlefront II, I am ready to grab my blaster and charge off into the binary sunset. Whether or not you are a fan of the series, I hope to see you out there.
Blast off to Tatooine
You can pick up your copy of Battlefront starting on 11/17 at most major retailers. You can learn more about the game by visiting EA’s official site:
The unequivocally outrageous and hilariously unapologetically over-the-top Broadway smash hit that is “SOMETHING ROTTEN!” has made its debut in Costa Mesa at Segerstrom Center for the Arts. Let’s cut to the chase; There isn’t much more that needs to be said other than it is no wonder why this relatively new show is already so well-loved. If you are looking for a well-rounded musical that will make you laugh nonstop, lets you forget about the real world, and never takes itself too seriously, “Something Rotten!” is your show!
“Something Rotten!” could be described as “Forbidden Broadway” crossing paths with “Spamalot” and a PG-13 rated “Book of Mormon” and then having a love child with every single famous musical from recent memory! This ode to Broadway musicals, regardless of style, is an onstage tribute to all off them. At times it teases the absurdness of the very concept of a ‘musical’ and other times places it front and center on a pedestal, cherishing everything about them.
Taking place in the ’90’s… the 1590’s, the show follows struggling playwrights Nick Bottom (Rob McClure) and brother Nigel (Josh Grisetti). The Bottom brothers, you can see how easily the jokes will come, are finding it difficult to compete with the already infamous Shakespeare (Adam Pascal, “Rent”). Nick quickly figures out that he must do something inventive to gain England’s public interest, so he seeks mentorship from a cooky soothsayer who may be a little off with his predictions of the future.
Taking his new found ideas back to his troupe, Nick finds difficulty in convincing his cast and crew in his silly new concept… but he continues to pursue it as he encounters other challenges with his brothers new love interest, lack of money and backers for the show, and a wife at home that’s trying to be seen as an equal (in the Renaissance era).
A collaboration between the Kirkpatrick brothers and John O’Farrell, “Something Rotten!” is also choreographed and directed by Casey Nicholas (“The Book of Mormon” and “Aladdin”).With his direction alongside songs to such songs as “Welcome to the Renaissance”, “God, I Hate Shakespeare”, and “Make an Omelette”, it should come at no surprise the style of humor at hand.
Keep in mind, the entire first Act is practically just bashing Shakespearean plays, in an intelligently comical way, but make no mistake, it knows where to poke fun without truly discrediting the amazing work of the best-known playwright of all time. In fact, there are countless subtle nods to Shakespeare workings that will fly over many heads, most notably mine as well.
Combining some slapstick and childish low-brow humor with brilliant wittiness and insider jokes for musical fans, “Something Rotten!” finds a niche for a clever yet light-hearted theater-going experience.Finding ways to give nods to such fan-favorites like “Les Miserables”, “Phantom of the Opera”, “Wicked”, “Chicago”, “Evita” and “Rent” to just name of few, Casey Nicholas is still able to create an entertaining show for those that might not be as familiar with the ‘inside jokes’.
While much of “Something Rotten!” has elaborate period specific (though not entirely period accurate) costumes, the look and feel has a romanticized modernized stylized flair including a comedic contemporary look for Shakespeare that reminds me of the self-aware Robin Hood: Men in Tights. Even though the choreography is great and the production the highest of quality, he show does not take itself seriously, and I mean that in the best way possible.
With a talented well-established cast, this production ends without a flaw in the acting department. The Bottom brothers are nothing short of fantastic. McClure has phenomenal stage presence and could carry the show without issue. Grisetti (original Broadway cast) playing his dorky hopelessly romantic brother has perfect comedic timing and characterization.This paired well with his love interest Portia (Autumn Hurlbert) who seemingly would be a perfect Kristin Chenoweth replacement as Glinda in “Wicked”. The supporting cast, while all great, has some notable additions. Brother Jeremiah, a flamboyant Puritan leading crazy man, was brilliantly played by Scott Cote. Probably getting some of the best laughs in the entire show, Cote killed it and I loved how much they played him up. Some gags grew a little tired, but at no fault to the actor. Norstradamus, the fortune-telling soothsayer, was the best comedic character, and brought the house down with “Musical”, the show-stopping number of the show.
“Something Rotten!” is just outrageous fun at the theatre that will have you cracking up all the way home.
Those seeking the show just for Adam Pascal, this is your friendly reminder that his role should be considered as an “also starring” type of role. While Shakespeare is no doubt a vital character, his character has no redeeming qualities. This Billy Idol like portrayal can be annoying at times and left Pascal without a chance to shine himself. His number “Will Power” seems unnecessary and becomes a bit of bore after the initial gag of the song wears off. Again, no fault to the actor, but just seems like just an excuse to cram in solo for Mr. Shakespeare.
It’s a show made for pure entertainment and give a little nod to the musicals we all cherish. The show is in no way attempting to be something its not, but is able to still be a top-notch production with a traditional, glamorous production purposely designed to celebrate classic Broadway. Sure, there is some further plot and subplots that when overly thought about may make them seem unnecessary, but ultimately, “Something Rotten!” is just outrageous fun at the theatre that will have you cracking up all the way home. That’s all that matters in this case.
“Something Rotten!“ is now playing at Segerstrom Center for the Arts through Sunday, 11/19.
you get invited to – when I got the invitation to meet with Lee, with Adrian, and with Darla and talk about the movie, I remember how already I was so convinced about it, you know, before going into the meeting with them. And after the meeting, I was just amazed by the amount of research; also the incorporation – the – kind of like the holistic kind of approach that they were trying to do to the Day of the Dead celebration, that they were also putting forth a very personal point of view, as well – which ultimately, personal point of views are what make a movie good, you know – is what makes a movie good. And I was willing to jump into that, into that trip, you know, and to interpret that point of view. And now the results – I’m just – you know, I’m – it has transcended all my expectations. And this is what happens when the film becomes good, as well, but there’s nothing you can expect that will match a result when a film is good. It’s just – it overcomes it, you know, it’s impressive. So I mean, I’m really happy for, and proud, and lucky to be part of this, with all this great team, with all this collaborative effort, me being a little part of it, being able to put forth, as well, into the world, a very, you know, story, a little fable about a mythology, and a tradition that I hold very dearly, like the other mortals, and that – very proud, as well, that Mexico can give this to the world, you know, and everyone in the world can adopt this tradition, this reflection on death – you know, which is a very, very important thing to do, I think, in life.
Those seeking the show just for Adam Pascal, this is your friendly reminder that his role should be considered as an “also starring” type of role. While Shakespeare is no doubt a vital character, his character has no redeeming qualities. This Billy Idol like portrayal can be annoying at times and left Pascal without a chance to shine himself. His number “Will Power” seems unnecessary and becomes a bit of bore after the initial gag of the song wears off. Again, no fault to the actor, but just seems like just an excuse to cram in solo for Mr. Shakespeare.
