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Blu-Ray Review: "Due Date"

Birth, the expectation of the beginning of a new life created out of love and devotion for a man and wife. The excitement, anxiety and wonderful moment when you get to witness that little person come into the world. The anticipation of birth is exciting for most fathers as it is for the mothers who deliver their children, an event never to be missed. So picture this, you’re a new father, expecting with much anticipation and love your first baby; alas, a business trip comes up right before your wife goes in for her scheduled C-Section. Not to worry, you’ll have plenty of time to fly back and be there for your beautiful wife and new baby. That is, unless, you’re met with a series of events and one very difficult “actor” that eventually lead you to race for your life from the TSA, Mexican Border Patrol, and the cops! Wait a second!! Rewind!

Warner Brothers presents in association with Legendary Pictures and Green Hat films, “Due Date” now available for your viewing pleasure in remarkable Blue-Ray clarity and sound. Robert Downey Jr. (Iron Man, Chaplain) and Zack Galifianakis (The Hang Over, Bored to Death) star as Peter and Ethan in this laugh out loud hang on to your seat comedy brought to you by Director Todd Philips who has brought you Brotastic movies such as “Old School”, “The Hang Over” and “Road Trip”. If you are familiar with Philips’ other films you know there are some pretty unbelievable moments that are not to be missed, and “Due Date” delivers. This film had me shouting at the top of my lungs and laughing until the tears ran down my face.

Peter Highman wants nothing more than to get home to his expectant wife Sarah played by the lovely Michelle Monaghan (Gone Baby Gone, Eagle Eye). While boarding the plane for Los Angeles a series of events leads to Peter getting lead off the plane and escorted to TSA where they proceed to place him on a no fly list only after he’s asked for them to send his luggage to Los Angeles ahead of him. Stuck in Atlanta with no money and no ID he meets up with Ethan Tremblay a wanna-be actor on his way to “Hollywood” to make it on “the TV” accompanied by his little dog Sonny. Peter reluctantly agrees and away they go on a cross country road trip which leads to chaos, mayhem, a broken arm, three fractured ribs, a gunshot wound, multiple felonies and an international incident!!

From being involved in a spectacular and horrifying car accident when Ethan falls asleep at the wheel, to getting a contact high from Ethan’s “medicinal marijuana” and imagining that they are hurtling thru space and time when in actuality they’re going straight for the Mexican border, there is no shortage of insane and impossible situations as Peter desperately tries to keep from murdering Ethan in his sleep and getting to his wife who has suddenly gone into natural labor! And just when you think nothing else can possibly happen to them… it does!

The extras for this film include deleted scenes, a gag reel (which is always good for extra laughs) an action montage which is almost necessary with all the chaos that occurs, and the full segment of Ethan finally achieving his goal of being on “Two and a Half Men”. The laughter doesn’t stop. I found the menus very easy to move through and the selections crisp and clean. The Blue Ray also lets you speed through the  Previews if you are not as interested to watch them but holds them for you on the menu if you’d like to actually watch them.

My only complaint with this film is the a small bit of audio difficulty when it came to the Gag Reel, as the rest of the extras and features happened to be in full surround sound audio the gag reel did not and you almost had to strain to hear it, which is unfortunate as a gag reel, for me, is a great bonus feature.

Go out and rent or buy this fantastic film and get a good group of friends together to watch, “Due Date” on Blue Ray available today in a single pack or a two disk set which includes the Blue Ray, DVD and a digital copy. This film does not disappoint and will have you rolling in your seats. All the characters are hilariously flushed out including the supporting cast has its great moments and Robert Downey Jr. brings to the table another fantastic and hilarious performance. Make sure you wear a crash helmet and remember to, “Check yourself before you wreck yourself!”

Blu-Ray Review: Dungeons and Dragons 2-Movie Collection

For those who are more concerned with quantity than quality, I have good news.  The new Blu-Ray release of Dungeons and Dragons also features the made-for-television sequel, Wrath of the Dragon God.  That’s two movies for the price of one!  For everyone else, this set is nothing but bad news.

I have to admit, I was a little excited when I was assigned this two-movie set.  I’ve never played Dungeons and Dragons, but I love the fantasy genre.  At best, I was hoping this would be a fun surprise that had slipped under my radar, and at worst, I thought it might be a film in the “so bad it’s good” category.  Unfortunately, it actually falls into the “it’s so bad I would rather be doing anything else than watching this garbage” category.

The first film, Dungeons and Dragons, actually has some talented people involved.  I mean, Jeremy Irons is the villain!  Bonus points for that.  It also stars Marlon Wayans and Thora Birch.  Not a bad cast.  However, they all end up doing hideous work.  Irons give what has to be the worst performance of his career, chewing the scenery in a way that quickly becomes uncomfortable to watch.  And then there’s Wayans.  At some point during shooting, one would think that he would have been advised that the constant shrieking was probably not the best way to go.  As for Birch, she looks as bored as I felt watching this.

The “story” revolves around the Empire of Izmer, a world run by the mages in which all others are subservient.  There’s some nonsense about a staff that controls golden dragons falling into the wrong hands, and a quest for another staff that controls red dragons that will prove more powerful than the golden staff.  Or some nonsense like that.  A wannabe Lord of the Rings, the film is basically a quest for that second staff with a team for good and a team for evil simultaneously searching.

The story doesn’t really have any focus, the sets are ugly, the special effects atrocious, and on and on.  I really don’t have anything positive to say about this first film.  At least the second film is a little better.  That’s not to say it’s good by any means, but it doesn’t seem quite as insulting.  The fantasy elements are reigned in a little bit, and it feels a little less campy.  The effects work is just as bad, if not worse, but at least it’s not as goofy.

Interestingly, the only returning character is a villain from the first film.  Even though that character died, he is resurrected several years later, and is seeking revenge on the next generation of those who thwarted him the first time around.  Of course, in doing so, he could end up destroying the world.  Yawn.

As I said above, I’ve never played Dungeons and Dragons in my life, and really don’t know much about it.  For all I know, these films could be very accurate depictions of the world from this game.  If that’s the case, I officially have no interest in ever playing.  For D&D to be as popular as it is, I have to assume that these films do not do the world of the game justice.  There is no way that the stories presented here could possibly have the longevity that the game has built up.

There are a fair amount of extras on the discs, some of which do go into the history of the game.  Most of these extras fall on the second film.  The first film has a couple of commentary tracks, a documentary called “Let the Games Begin,” a making-of featurette, a special effects deconstruction, and the trailer.  These are all pretty generic, run-of-the mill features, but I was still surprised to find so much content on such a throw-away film.

The second film’s features do tend to lean towards the game itself.  In fact, one of the commentary tracks features actual gamers.  There’s also a making-of feature, and an interview with the late Gary Gygax, creator of Dungeons and Dragons.  I’m not going to say I found any of these features all that compelling, but if you are into the game at all, then you will probably enjoy these features more than the film itself.

In watching the films, I knew they would look cheap, but I was surprised at how bad the Blu-Ray actually looks.  It might just be the way the film is shot, but the image felt muddy and washed out, lacking the pop usually present on Blu-Ray.  I don’t know what I was expecting, but I did think it would look better than this.

There really is no reason to buy this collection unless you’re a hard-core Dungeons and Dragons fan.  Then again, the fans might hate it the most.  Either way, these aren’t good films.  Any excitement I had when I began was gone within 5 minutes.  After that, this entire set became a chore.  I very seldom find films difficult to sit through, especially fantasy, but these really tried my patience.  Disappointing on every level, I’d recommend skipping this set entirely.

Blu Ray Review: You Again

If you attended High School any time in the last 50ish years since the birth of the American teenager then you know what cliques, outcasts, and popularity are. Somewhere between playing tag on the playground in grammar school to about 7th grade we hit a wall and the line gets drawn in the sand between the “winners” and the “losers”. But what happens after? What happens when High School is over and you realize that all that baloney wasn’t worth any of it and then what happens; say, 8 years down the line? What if you go from ugly duckling to swan? You, the “loser”, have now blossomed into a beautiful and successful woman with everything you might want leaving most of those bad days behind, but suddenly life gives you a curve ball and you end up face to face with your arch nemesis and even worst what if she’s about to become your sister in law!!

I’ll tell you what happens… calamity, hilarious, brilliant calamity. Touchstone Pictures and Oops Doughnuts Productions gives to home audience’s everywhere, “You Again” (2010) staring Kristin Bell (Veronica Mars, Forgetting Sara Marshall) as Marni, the nerdy outcast  turned gorgeous PR executive, Odette Yustman (Cloverfield, Unborn) as Joanna or JJ the snobby popular head cheerleader turned do gooder nurse and fiancée of Marni’s older brother Will, Sigourney Weaver (Alien, Heartbreakers) as Joanna’s wealthy aunt Mona who happens to also be Gail’s frienemy from High School , Jamie Lee Curtis

(Christmas with the Cranks, Halloween films) as one time golden girl Gail and Marni’s mom, and the hilarious antics of Betty White (The Proposal, The Golden Girls) as Marni’s Grandmother, create a group of women about to be thrown together by the sudden marriage of Will Marnie’s older brother.

This movie offers a plethora of laughter and heartwarming moments, and the DVD offers so many hilarious extras and deleted scenes that beyond the hilarity of the film it gives you so many extra moments of laughter the DVD is totally worth having. You can see that the entire cast enjoyed making this film and you get to see it with brilliant clarity and sound. As an added bonus to those of us who don’t particularly like being bombarded by previews the Blue Ray offers a quick key to speed thru all the previews of which there are several.

I think the only thing I’d give the Blue Ray a negative on is the basic looking menus. It looks like it got put together very quickly and not to impressive. However it’s such a small thing that it’s easily dismissed.

Go out and purchase this delightful Blue Ray which will give you many nights of delightful fun and enjoy “You Again”.


The most talked about new musical on Broadway!

It is extremely unusual for me to go into a play (or movie, for that matter) without any knowledge behind what I would be seeing. It turns out that Spring Awakening is an immensely powerful, and extremely adult, portrayal of adolescent sexuality set in 19th Century Germany.  Didn’t see that one coming.

Having began life as a play in  1891, Spring Awakening has evolved into a thoroughly modern “rock musical.”  Told from the point of view of a select group of students, the play is about the gradual realization of sexuality and the consequences therein.  The themes are timeless, and it feels completely natural to have this historical story told with a modern sensibility.  While the characters and dialogue are all firmly rooted in the past, the music, dance and overall look of the production are very much in the here and now.

In terms of staging, this is a very unusual production.  The music is all performed by a very small orchestra, dead center at the back of the stage.  Consisting of only a piano, guitar, bass, drums, cello, violin and viola, these instruments provide mostly minimalistic accompaniment.  This helps provide a driving power to the music, giving it a bit more of an edge than your standard power ballad.  The cast even jumps into the orchestra occasionally, effectivly destroying any fourth wall that may be present. 

Adding to this unique experience is the fact that there is only one set for the entire production.  Because of this, most of the cast is on stage the entire time.  They have seating on the side of the stage, where select audience members get to watch the show.  When any cast member is not part of a scene, they are usually in these seats with those audience members.  It’s moderately distracting at first, but ends up bringing a really unique look to the production.  Locations are created through minimal manipulation of props, and the dialogue dictates where the story is at any given moment.  The only real visual cues are changes in lighting, and the work here is utterly fantastic.  There is nothing subtle about the stage lighting.  Constantly changing, the tone and energy of each scene is enhanced by these dramatic shifts.  In fact, one of the many Tony Awards this production won in 2007 was for Best Lighting Design.  The lighting really services the story and it’s really easy to see why they won.

In fact, Spring Awakening ended up winning a total of eight Tony Awards that year, including Best Musical.  While the music isn’t all entirely memorable, every song works in service to the story.  There are select standouts, but most of the songs are more about the power and emotion of the scene.  Some of the story arcs that these characters go through are really intense, and the music works perfectly to guide these characters through the necessary transitions.

By the end of the play, all of the characters have gone through major changes; ones that I imagine would be very difficult to portray.  All of the actors are up to the challenge.  Nobody is particularly great or awful in terms of the singing, but they all are fantastic in the way they play their roles.  This is a challenging story, and it has to take a lot of guts for these actors to expose themselves emotionally and physically on stage like they do.  Keep in mind, if this were a film, it would definitey be Rated R.  I was surprised at the frank sexuality on stage, and while it was occasionally uncomfortable to watch, I have to appreciate the commitment that everybody brought to their roles.  I also found it interesting that one man and one woman played every adult character in the entire play, sometimes having to switch within a scene.  Along with the adolescent roles, these two actors put a lot of commitment into what were obviously very difficult roles.

This is not a play for everybody.  It is a challenging work, and sometimes very difficult to watch.  While there is a running story throughout, it feels more like a character study than a standard narrative.  This is all about growth, and there is a maturity to the writing that is very unusual.  Again, I have to reiterate, things get very graphic on occasion.  But this is powerful story, and one whose power is enhanced by these moments.  Personally, I found some of this excessive, but I can see the rationale behind including these moments.  A very adult story, I highly recommend this for a mature audience.  I would definitely suggest leaving the kids at home for this one.

Tickets are available at http://www.broadwayla.org, at the Box Office or by calling (800) 982-2787.

Movie Review: "Gnomeo & Juliet"

Do you ever get the feeling that something seemed like a good idea but perhaps should never have left the drawing board stage of pre production? This is indubitably the feeling that I got after seeing DreamWorks and Touchstones newest animated film, “Gnomeo and Juliet”.

William Shakespeare’s time honored tale of star crossed lovers and feuding families set in the fair city of Verona takes on a strange twist with the entire story being redone by a cast of garden gnomes. The feuding Capulet and Montague clans being replaced by angry neighbors and the city of Verona changed to Verona Place a small street some where in the UK. The red hat gnomes led by Lord Redbrick who is voiced by the incomparable Michael Kane (Batman Begins, Dirty Rotten Scoundrels) are the sworn enemy of the blue hat gnomes who are lead by Lady Bluebury voiced by the always charming Maggie Smith (Harry Potter films, Gosford Park), so is the setting for your rival clans.

Now to the lovers, Juliet, the daughter of Lord Redbrick, is voiced by Emily Blunt (The Young Victoria, The Devil Wears Prada) longs to leave her pedestal and stop being seen as a delicate object, instead she wants to be a butt kicking girl who represents the strength of the red hat gnomes and makes her father proud; and, of course Gnomeo, the son of Lady Bluebury, voiced by James McAvoy (Atonement, Wanted) who is the typical rebel blue hat gnome wanting nothing more than to destroy his rival clan and prove that the blue hat gnomes are the best. Still with me?

The two lovers meet by chance in a neutral zone, which just happens to be the neighboring empty house and quickly realize that they have affectionate feelings towards one another which are quickly dashed as they discover they are from the opposite clan. There is a confrontation between Juliet’s cousin Tybalt voiced by Jason Statham (Crank, The Transporter) and Gnomeo’s best friend Benny, voiced by Matt Lucas (Alice in Wonderland, Shaun of the Dead), after both clans are caught vandalizing the each other’s lawns, where amongst the chaos Benny’s hat gets broken and Gnomeo to avenge his friends lost hat lawnmower races with Tybalt, resulting in Tybalt getting smashed. Yes you read that right, Benny is Gnomeo’s best friend who gets injured… Benny, not Marty, or Mercutio as would be correct in the original play who is the injured party, Benny as in Benvolio? I don’t think we’ll ever know, but obviously the writers believed since they’d taken this many liberties, why not. To make a long story short, there is more chaos as they all believe Gnomeo to be dead, more revenge and in the end catastrophe, but not the catastrophe you might think. There is as always a happy ending but not quite an ending, as the writers who seemed to make such an issue out of the rivaling neighbors through out the film, never resolve the issue between them.

This film did not impress, even the audience full of children did not seem to pay too much attention to what was happening on the screen, they almost seemed confused and weren’t we all. The main characters, even though they were voiced by A list British stars, could not bring me into this very campy and messy film. The writers seemed to throw in every Shakespearean pun and famous quote they could think of in any way they could and didn’t seem to notice small details like the use of the title for the show “As You Like It”, used in two very different ways within the same scene! I do give credit to the supporting voice actors and cast such as the silly and very Latin pink plastic flamingo Featherstone voiced by Jim Cummings (Princess and the Frog, Super Hero Squad Show) who brought some much needed laughter to a rather dull script, and Nannette the frog/nanny for Juliet voiced by Ashley Jensen (How to Train Your Dragon, Extras) who made you laugh with how absent minded and ready for action she was thru the film. Even William Shakespeare’s bronze statue voiced by Patrick Stewart (X Men, Star Trek the Next Generation), who only had a few lines in the whole production was both charming and engaging, unfortunately he was only in for about 5 minutes. The music thru out the film was good, all pieces new and classic from Sir Elton John, and I appreciated that the score seemed to also be comprised of Elton John hits which gave me a small amount of laughter but to the youngsters in the audience not so much.  But even with 6 writers, and an original classic story as well as Director Kelly Asbury (Shrek 2, Spirit: Stallion of the Cimmeron) there was no helping this dreary film.

All in all I would not recommend this film, not even to families with children as the jokes and tired gags are not on the level for kids to understand and not funny enough for adults to appreciate. In fact I found some of the gags dated and out of touch for 2011, is there still a need to do the same slow motion shots from the Matrix films even today? I don’t think so. Perhaps sometimes going back to the drawing board isn’t such a bad thing.

Blu Ray Review: Secretariat

1973 could be considered one of the most memorable years of the 20th  century in American history. Elvis Presley’s concert in Hawaii is first by an entertainer televised worldwide, being watched by more than the Apollo landing, Vietnam War ended, Roe vs. Wade, Watergate scandal, and the oil crisis begins to name a few. Sports alone became a history maker in that George Steinbrenner bought the Yankees, Miami Dolphins won the Super Bowl to be the only perfect season, the first designated hitter rule went into effect, Foreman vs. Frazier, Billie Jean King def. Bobby Riggs in a battle of the sexes tennis match. But none of these brought the country together more than one simple being, an amazing horse, Secretariat.

Mayhem Pictures and Walt Disney Pictures, who brought us the heart wrenching of perseverance and the thrill of an underdog winning in “Miracle” and “Invincible”, have teamed up again to bring us the telling of the whom some would say is the greatest non-human athlete ever.  Randall Wallace (We Were All Soldiers, Man in the Iron Mask) takes the reins of this amazing story of going for it all in the face of adversity and the “Old Boys” club. Weaving the silk that is the story is Mike Rich (Radio, The Rookie) who takes William Nack’s “Secretariat: The Making of a Champion” and covers you such warmth that is a story not just about this exquisite horse but the trials and tribulations of the woman that stood up and said ‘NO’. That woman is Penny Chenery, played by Diane Lane (Under the Tuscan Sun, The Perfect Storm), a well educated woman who must step into her father’s footsteps to show everyone that her passion is just as hot as the next man. Helping her realize her gut feelings are true in nature is Lucien Laurin the ex jockey turned trainer that is down on his laurels and needs a boost. John Malkovich (Murn After Reading, The Great Buck Howard) saddles up as the extravagantly dressed (for the time) Lucien.

It was a coin toss to decide a champion. Christopher Chenery (Scott Glenn) and the richest man in america, Ogden Phipps (James Cromwell) agreed instead of money that a coin toss would be used to give the winner the choice of foals between Phipps’ stallion and Chenery’s mares. Chenery would never see that toss but his daughter Penny (lane) would. Having stepped into the family business after her mom passed away and to help out her father whose health was failing him. Penny had never run a stable before but she knew she had it in her blood. After doing a little research she knew which foal she wanted, and she got it, even though she lost the toss. She had to find a trainer though if she was to prove her theory and on good word she found Lucien Laurin (Malkovich), a trainer and ex jockey who had trained some good horses and some busts. Penny knew he could do it and put her trust in him even though he didn’t think he could do it himself. When the day came for the foal to be born, Penny, Lucien and Eddie Sweat (Nelson Ellis) saw something they had never seen before, a colt stand up almost immediately. They all saw that flash of greatness before their eyes, the chestnut red, they called Big Red. The only issue at hand was dealing with her father’s recent death and inheritance issues she would need to step up with the ‘Old Boys’ and beat them at their own game. Once given that chance to, Big Red loved to run and run he did, with the help of jockey Ron Turcotte (Otto Thorwarth), they ran into history.

What more can I say than this film is just like a horse race. In the beginning it is steady and builds. By the first turn it picks up and there is a lot of jockeying for many parts of the story, by the back stretch you get a clearer picture of what everyone is going thru. The last turn speeds up even more as the stakes are bigger and losing is not an option. Coming around to the home stretch you have a clear view of the finish line and the roses waiting for you. Penny did a lot of what she did by gut feeling. Something many of us never act upon. Let alone everyone thought there was no way she could do it. Not even her own blood, her brother or her husband had faith in her. She didn’t care. She knew what had to be done and who to go to, to help her. Lucien, Eddie, and Ron knew she had faith and knew Secretariat was a winner. There was no stopping this horse that just wanted to run. You can learn a lot from watching this film or even going on YouTube and seeing the clips yourself of this magnificent horse and he’s amazing family. Life is like a race, no matter what, as long as you have the drive, keep running. Make the right moves and the finish line will be right in front of you.

DISC BONUS FEATURES:

BLU-RAY:
The same as the DVD, plus…

• Choreographing The Races – This piece looks at how director Randall Wallace and the filmmakers used innovative tools and technology to accurately and excitingly recreate the Triple Crown races that make the viewer feel like they are standing on the backstretch themselves.

• A Director’s Inspiration: A Conversation With The Real Penny Chenery – Director Randall Wallace sits down with Secretariat owner Penny Chenery to review the movie and some of the key scenes. Penny reflects on what it was like to have been a woman in a male dominated sport and to have been part of horse racing’s most exciting moments in history.

• Audio Commentary By Director Randall Wallace – View the film with optional audio commentary from Director Randall Wallace.

• Deleted Scenes With Optional Audio Commentary By Director Randall Wallace – The same deleted scenes as the DVD, plus four more…
    o Alternate Opening
        o Introduction
        o “Are You A Golfer?”
        o No Time To Rest

• Secretariat Multi-Angle Simulation – Relive Secretariats triumphant 1973 Preakness race by viewing the race from a number of perspectives as well as listening to commentaries from fans, announcers and even the jockey who rode Secretariat to their record finish.

DVD:

• Heart Of A Champion – This feature takes a look at one of the most famous thoroughbred horses ever known. Secretariat was a horse with style as well as amazing speed and an unsurpassed racing record. We interview all the key players from the day as well as today’s filmmakers to learn more about the horse affectionately called “Red.”

• Deleted Scenes With Optional Audio Commentary By Director Randall Wallace
    o Director Introduction
    o Memories
    o Seth Joins The Team
    o Too Soon To Celebrate
• Music Video – AJ Michalka “It’s Who You Are”

EST :
The same as the DVD, plus…
• Choreographing The Races


Blu Ray Review: The Color Purple

A timeless story comes to live once more after 25 years in stunning digital color and sound via Blue Ray magic. Warner Brothers and Amblin Entertainment bring back the original film which stunned audiences around the world and brought us all face to face with the realities and traumas of life in Alice Walker’s “The Color Purple”.

This time honored tale of love, hate, betrayal and hope is brought back to a new set of audiences everywhere with so many beautiful extras and a great insight to the creation of both the incredible Pulitzer Prize winning novel and this Academy Award nominated film.  The clarity of Blue Ray shows the incredible details of each and every character from Celie’s innocent smile to each sparkling red sequins of Sug’s red dress.  There isn’t enough I can say about this Blue Ray to really show you all the incredible joy it was to watch this time honored classic in Blue Ray quality.

“The Color Purple” is a film that opened the eyes to millions around the world as a novel showing us the hardships of life of poor black youth in the South at the turn of the century. Celie and  Netty’s struggles to stay together as beloved sisters thru the mire and abuse of the men around them. From Pa’s incestuous and evil ways, to Mister’s physical and mental abuse which separates the sisters for more than 30 years. We join them thru their journey to find the strengths to say, “no more”.  Whoopie Goldberg (Ghost, Jumping Jack Flash) delivers a stellar performance as Celie the elder of the two sisters whose life has been a series of abusive encounters and heartbreak. As her first on screen performance in a lead role Whoopie Goldberg still stuns me 25 years later at how seamlessly she stepped into the role of dramatic leading lady from standup comedian.  Ghanaian actress Akosua Busia (The Seventh Sign, Ascension Day) brings Nettie to life on the screen playing both young and older Nettie. Her love for her sister persevered even the oceans crossing to Africa and the time it took to find her way home.

The extras for this film include the making of “The Color Purple”, Writing, “The Color Purple”, Casting and Acting “The Color Purple” and several behind the scenes photo stills from production and the actual film. It comes in a variety of languages for both audio and closed captioning which included not only English and Spanish but also French, Italian, Polish, Yiddish and Norwegian.  One of the most brilliant things I believe they did with this film was to put the previews of coming attractions as an option not an obligation at the beginning of the film, they are actually an option you can use to view these at your own discression.

The Blue Ray also includes a 40 page mini digibook which is incorporated as part of the Blue Ray packaging this lovely addition features photos and quotes as well as pieces of information from the production team and Alice Walker herself. For any lover of this beautiful book, and the equally stunning film this is a must have.

There is nothing negative I can say about this amazing and stunning film which I honestly believed could not get any better than when it was first put on screen, until now. The Blue Ray has served as a catalyst to bring a new audience into this amazing and heartfelt story which will open the eyes and fill the hearts of new generations to come in stunning quality and sound.

Movie Review:"No Strings Attached"

Hmmm… you run around life from a young age, always bumping into the same person with whom you have a crush on. Nothing ever happens of course until one day your life gets upended and you just need a release, in the physical sense. What do you do? Are there rules? Keep it secret?

Ivan Reitman (My Super Ex-Girlfriend, Evolution) directs a look into one such relationship and all of its pain and glory. Relative newcomer Elizabeth Meriwether writes a screenplay based on a story by her and Michael Samonek. For good measure we’ll throw in Ashton Kutcher (Valentine’s Day, Personal Effects) with Natalie Portman (Black Swan, The Other Woman) you get a story that takes the moniker of ‘life imitating art’ to a tee by showing life is a romantic comedy, for some of us.

Meet Emma (Portman) and Adam (Kutcher) who have met several times since summer camp, each time ending in a bit of an awkward parting, one time meeting while Adam was with his girlfriend and giving her number to him, one of those awkward partings. Life goes on. When Adam hits a rough patch, dad (Kevin Kline) a well known actor is dating his now ex girlfriend, he just wants to get drunk and…well you know. When he wakes up naked in a house with three others he gets a little nervous but is soon at ease he sees a familiar face, Emma. Feeling at ease that nothing has happened, he was just wasted when he got to her house, things lead to another and the deed is done. They begin a relationship of ‘friends with benefits’. How long will it last before someone begins to fall, in the sense of the heart?

 Reitman is known for many of his comedies and does not disappoint in ‘NSA’. It helps that he assembles a great cast with Kutcher, Portman and Kline anchoring the story. Meriwether and Samonek have given to Reitman not only the heart of a love story but a depiction of how life is a comedy. One scene Reitman directs that is the most accurate portrayal I’ve seen is when Emma and Adam do the deed the first time, the heat of passion, tension of being with someone for the first time and of course the clumsiness that can ensue. It personifies how the film is relatable to anyone that is or has been in a relationship.

Kutcher is right in his element with this film. Comedy is his strong suit and he always has a quirky charm about him, especially playing Adam. Adam is the son of a celebrity dad that just wants to make it on his own as a writer in Hollywood. Unfortunately dad’s status seems to find ways to overshadow his accomplishments. Portman is the one that stands out in this film. As Emma she has built an armor around her that makes her become this unfeeling person. Portman carries this feeling throughout her performance drawing upon her many times of playing in dramas. It is refreshing to see her let loose in this vehicle. Kline is classic as always in his part as the actor dad that thrives off his celebrity status. Enticing young woman, like Adam’s ex, to feel young again and missing out on his son’s life.

The ensemble players are as important as they bring out the comedy of life. Emma’s lifelong friend Patrice is played by Greta Gerwig (Greenberg, Hanna Takes the Stairs) who finds interest in one of Adam’s best friends Eli played by Jake Johnson (Get Him to the Greek). Lake Bell (It’s Complicated, Pride and Glory) is Adam’s over the top production manager of the show he works on, Lucy. The ex girlfriend is played by the femme fatal Ophelia Lovibond (4.3.2.1, Mowhere Boy) and Ludacris (Gamer, Max Payne) as Wallace, Adam’s other best friend that is all about the ladies.

I have always been of the mind when I go to review a movie to be open to what is played before me. When I first saw any of the trailers or commercials for this film I honestly thought it would be your typical romantic comedy. I’m happy, no ecstatic, I keep that open mind. This film is organic in its writing and delivery to the screen. It is the best showing of life’s ups and downs in a true light. The comedy comes just of the situations that anyone of us have been in and laughed at. I applaud Meriwether and Samonek for their insight and Reitman bringing a stellar cast together showing life’s entertaining moments.

When I first saw Emma and the way she acts when someone gets close reminded me of someone very close to me. Emma put up a shield to protect herself from her past and all the emotions that go with it. But what is life if we have no emotions? Adam knew those emotions and always acted upon them, living his life to the fullest. When he got the chance to be with Emma, whatever the circumstances were, he jumped at it and lived. It was just a matter of time that fun and games became love and commitment. Adam had to take down the armor piece by piece. It just took Emma to the point of it being almost too late to realize she didn’t have her armor and he was the one holding it. All Adam wanted was to be with her for who she is. He doesn’t want to change her. He doesn’t want to make her do anything. He just wants to live life with her. Always and forever, promise.

Blu-Ray Review: Raging Bull

It can be a tricky business reviewing films such as Raging Bull.  There is a certain expectation that comes with writing about these “masterpieces,” and Heaven forbid you don’t agree with the rest of society.  It’s been 30 years since Raging Bull was released, and since that time, it has taken on a sort-of mythic status.  In writing a review such as this, you have to acknowledge that fact while being able to simply review the film.  Basically, this is my long-winded way of saying that Martin Scorsese made a terrific film, but one that doesn’t deserve the pedestal it has been placed upon.

I suppose my biggest problem with the film comes from the narrative itself.  Yes, it’s a true story.  And yes, it’s an extraordinary recreation of one man’s life.  But is his life really THAT compelling?  I would argue that it isn’t.  While the story may be true, it’s still one that we’ve seen a thousand times.  In telling the story of a superstar whose personal demons cause him to lose it all, we as a viewer are taken on the same journey we’ve been on several times before.  Whether it be in film, music, sports, etc., this story has been told.

Having said all that, Robert DeNiro brilliantly captures the inner turmoil of boxer Jake La Motta, a fiercely violent competitor who struggles to leave his intensity in the ring.  We witness the chapters of his life from 1941 to 1964, and in this time, we see him rise to prominance in the boxing world, and plummet to becoming his own pathetic punchline in his attempts at stand-up comedy.

I’m sure this has been said many times before, but while this is a film about a boxer, it is definitely not a film about boxing.  It is about this man’s life.  He is a violent, suspicious and angry man.  The back of the box describes La Motta as having “psychological and sexual complexities.”  He definitely has psychological and sexual issues, but I don’t necessarily agree that he was all that complex.  There were definitely some anger issues, but to me, he comes across as just kind of a jerk.  Granted, that may be a massive over-simplification, but I just couldn’t get behind this character.

Now, having said all of that, I have to admit that the film itself is a technical marvel.  Shot in beautiful black and white, the picture is just stunning.  The transfer on this Blu-Ray is meticulous, and by far, the best the film has ever looked.  Scorsese is without a doubt, a master behind the camera.  He takes the audience right into the ring with the boxers and really puts everyone in the midst of the action.  Bobbing and weaving around the actors, you feel as if you are right there with them, and it’s a fascinating place to be.

Not only is he a master of the camera, but he was also able to get brilliant performances out of his actors.  DeNiro infamously “became” La Motta, transforming his body to match the given moment of his story.  By the end of the film, when he has become a pudgy, pathetic nightclub act, it’s hard to believe it’s the same actor.  His performance is the epitome of method acting, and he absolutely deserved the Best Actor Oscar that he won for the role.

This performance gets a lot of attention in the newly-released 30th Anniversary Blu-Ray.  In fact, there is an incredible wealth of material that makes this a must-own for any film buff.  I may not have given the movie itself the written standing ovation that most critics have, but I have to commend this amazing release.  As I mentioned above, the picture looks great, and the 5.1 Dolby Digital, and Dolby Surround sound terrific.  As for the extras, there is an incredible amount of material.

To start, there are three commentary tracks.  The first is a very conversational track with Scorsese and his editor Thelma Schoonmaker.  Then there is a track with several members of the cast and crew, and finally, there is a track with the real people the film is portraying, including La Motta himself.

This particular set includes four new features that have not been released before.  In total, these run a little over 45 minutes, and include “Marty and Bobby,” “Raging Bull: Reflections on a Classic,” “Remembering Jake,” and finally, “Marty on Film.”  These are pretty much exactly what they sound like, with various people looking back on both the film itself, the relationship between Scorsese and DeNiro, the evolution of film itself and Raging Bull’s role in that, etc.  It’s a neat group of extras, and while it’s not very technical, it gives perspective to the film itself.

The most random extra on the set is Cathy Moriarty’s 03/27/81 appearance on The Tonight Show.  I enjoyed seeing this from a historical perspective, but found it odd that they included something so inconsequential for such a substantial film.  On the flip side, the best feature is a fascinating documentary called “Raging Bull: Fight Night.”  This segement is divided into 4 parts, and it covers EVERYTHING you could ever want to know about the film.  Weaving the entire tapestry that is Raging Bull, this is the type of feature worth buying a Blu-Ray for.

Next up is The Bronx Bull, a “behind-the-scenes featurette” that runs just shy of half an hour.  It’s an interesting feature, and definitely worth watching.  After this, they’ve included a shot-by-shot comparison of La Motta’s real fights and the recreations of the film.  It’s incredibly impressive to see just how accurate the film is in this regard.  It’s very obvious that a lot of work went into every detail of making this film.  Finally, rounding out the extras is a piece of vintage newsreel footage from one of La Motta’s fights.

And that is the 30th anniversary of Raging Bull.  While I might not find the film as worthy as most, I definitely appreciate it on a technical level.  After watching these extras, there is no denying that Scorsese and DeNiro are masters of their craft.  While I wish I could have identified with the story a little bit more, I still found watching this Blu-Ray to be an amazing experience.

Movie Review: "True Grit"

What do you get when you have a head strong young woman, a cranky old law man, an obsessed Ranger and Proverbs 28:1?

Still thinking about it? Let me give you a hint, a remake of a classic that sets itself apart while introducing a rough character that many men would love to have been. This time around the tale of Charles Portis is being told through the eyes and imagery of the Coen brothers. Ethan and Joel (Burn After Reading, No Country for Old Men) have brought together another great crew for a film sure to woo the old and young.

“The wicked flee though no one pursues, but the righteous are bold as a lion”, Proverbs 28:1. When a young woman, Mattie, heads to Fort Smith to take care of her recently departed father, she heeds those words. Her father has been shot and killed by the cowardly Tom Chaney, and she aims to bring him to justice one way or another. How is this 14 year old going to do so? Being head strong that she is and book smart to boot she finds the meanest Marshal, ‘Rooster’ Cogburn, to help her. Cogburn is the ‘epitome’ of a lawman of the late 1800’s, always drinking, always getting the job done one way or another. Along her pursuit and eventual hiring of Cogburn to take up her fight and bring her father’s killer to justice, Mattie comes across a Texas Ranger named LaBoeuf (pronounced ‘Le Beef’ in the film). These three unlikely become a posse heading into Indian Territory to track down Tom and anyone who he may have hooked up with, bringing him in to be judged. During their journey ideals will be tested, shots will be fired and their lives will be linked in a way no one could imagine.

Before you even think this is going to be a frame by frame remake, stop right now. The Coen brothers have gone back to the original story and brought to the screen Portis’ novel as it is in the book. This is truly not your grandpa’s or dad’s ‘True Grit’ as portrayed by John Wayne, Glen Cambell and Kim Darby. Oh no. It is a harsh, realistic view of what was considered the entry of the Wild West in the late 1800’s.

Going back and rereading the Portis novel, the Coens are telling the story as the book does, through Mattie. The original film side stepped that little detail and focused on the big draw in John Wayne. Please do not start the torching now because of that comment. John Wayne was an excellent actor and his Cogburn will always be a perennial favorite when you talk about the best western character portrayals but there is more to this particular story than that character. Ethan and Joel saw that and drew upon the determination of Mattie to follow her heart and soul into doing what many were ready to just forget. With the underlying tones of Mattie’s upbringing as a Christian and being well versed in all manners, you feel the Coen’s wanted to create a film that can and does stand apart and alone from any predecessor.

A part of the brothers’ adaptation that I found tough at first was the speech they chose, that of the time period. Being a theater performer and use to a vast array of styles of speech, it is raw getting use to the colloquial verbiage and sentence structure of the time. Some may find this choice of structure to turn them off and those like I will appreciate the authenticity of the nature. It was a tough time for anyone, with so many not educated or bare bones education and those who could afford or find the resources to be educated. This kind of realism in their work is what elevates the Coen’s yet again.

Realism is what takes this film upward in terms of overall enjoyment and enthrall. From the art direction to the music, all is picked out of an old steam trunk of yesteryear and placed ever so delicately on the canvas of the screen.

When I write my reviews I do my research. I looked up Fort Smith and read about its true wild past. Art director Christina Ann Wilson (Alice in Wonderland, Shutter Island) with the assistance of Stefan Dechant (Alice in Wonderland, Where the Wild Things Are), set decorator Nancy Haigh (A Serious Man, Burn After Reading) and production designer Jess Gonchor (A serious Man, Burn After Reading) did the same. Their re-creation of Fort Smith along with the colorful places Portis describes in the novel are far more accurate than has been seen in other adaptations. From the street scenes down the main thoroughfare, inside the establishments of the era or during the venture into the Indian Territory, meticulous thought was put in to bring you into the roughness of life.

Rounding out this creative ensemble is the music of Carter Burwell (The Blind Side, Twilight) and the costuming of Mary Zophres (Iron Man 2, A Serious Man). These two have helped weave a tale with subtle undertones of music and the caricatures of the 1800’s. Burwell feels the emotion of the film with a score harkening to the western style of Arron Copland (Rodeo, Appalachian Spring) and film scoring of John Williams. From the entrance of Mattie to seeing a trapper sneaking out from the brush, Zophres goes all out dressing the actors in style or lack thereof. The costumes are vast in range from well designed and created ladies of the period to the animal skins the mentioned trapper wears. Just to point out when you see this trapper it is a little freaky and then you realize it is a necessity for this character and again along with the talents of all involved draws you into this fascinating tale.

About those doing the telling; Jeff Bridges (Crazy Heart, Iron Man) is hitting the mark with just about every film he has made as of late. With no disrespect to John Wayne, Bridges makes this Cogburn an SOB you come to love. Bridges’ downright dirty and out for himself portrayal is crafty, adventurous, humorous and touching. Matt Damon (Hereafter, Green Zone) at first is tough to watch. As LeBoeuf, Damon does well but does not fit what I would consider an idealistic Texas Ranger. Sometimes coming across comical and inept to be a Ranger is how it is seen and a little too pristine in appearance. Stepping out in her first of what may be many feature films is Hailee Stienfeld:and the protrayal of Mattie is a perfect role to do so. She takes the confidence of Mattie every step and tumble along the trail. You just can’t help but want to get behind her, following her along her journey no matter where it may take you.

It truthfully is a wonderful film to see. It does nothing to take away from the original film and yet makes you appreciate its own originality. A tale that depicts the harshness and the beauty of life in the late 1800’s of America. Rough, business driven, social, expanding, and naïve could describe the time but it is perseverance that built this country and it is that perseverance with which drives Mattie. Her pure want to see that justice comes to those that have wronged her family and the drive to do so with two complete strangers, with their own agenda and drive, to help her. The three will test each other along the way but ultimately see the need to work and be together.

We all have time in our life like these three, in a situation where we have our own goals but must work together if we are ever to achieve them. Some may see this in your family or personal life but most will see this tale at their work. Being thrust together with utter strangers and come out as a team, a family. I’ve been doing this for the past 2 years now. Working with an amazing group of individuals wh
o have their strengths and drive toward a personal goal, yet set them aside to help out more people than we will ever know. Through our own personal trials and tribulations with each other and in our own personal lives, we stand by one another and keep each other’s spirits lifted. I honestly do not know what I would have done these past 2 years if I had not had them in my life. Thank you for all the memories. They will be with me always. As Mattie is able to still stand on her own after finding justice, I know I will be able to go on and be successful. And like Mattie, those work mates, my family, will always be on my mind and in my heart.

 

You can follow my news, happenings and updates around So Cal on Twitter @SCThrillsMarc. See you around town!

Blu-Ray Review: "Legend of the Guardians: The Owls of Ga'Hoole"

When I hear Zack Snyder directing a film, I think of ‘300’ or ‘Watchmen’; action based, graphic novel inspired films that are full of visuals and sounds so intense your body feels every detail. Then I see that instead of a live action film, an animated feature, I get a little skeptical and proceed to forgo the film altogether while it was in release. Now I sit back at home to see this animated story at home and am left stunned. Not in a bad way but rather upset I did not see this film in its full glory on the big screen.

Snyder and Warner Bros. have teamed up with Village Roadshow and Animal Logic to bring to the screen the stories of Kathryn Lasky. Adapted by John Orloff and Emil Stern, ‘Legend of the Guardians’ will take you into the kingdom of the owls.

A young owl, Soren and his brother Kludd are ambitious owls who have been taken from their tree hallow. They find themselves with the Pure Ones; owls bent on taking over the owl kingdoms. Soren does not like this new place and with another young owl, Gylfie, need to escape. Believing in and following his gut, the two young ones set out to find the Guardians whom his father always spoke of. While searching for the path, they come upon an unlikely pair in Digger and Twilight. The newly formed band continues their quest to find the Guardians and bring them to thwart the plans of the Pure Ones.

Kathryn Lasky has created 15 books to date on the Guardians and has the first three brought to the screen by Stern and Orloff. The story they have weaved sets up a wonderful look into the lives of owls. The mirroring of human existence draws you into the story and yet still shows the raw spirit of these animals.

Snyder has brought his sight for breathing life into the story in a way many have not been able to do. Going from live action to animation is a tough transition in some cases and easier in others. Working with actors live on a set is easy in that you can yell ‘cut’ and do the scene over. Then again you may have an actor who can pull out a ‘prima donna’ and there goes your day. In animation you need to be more focused on the issue of several animators work on one character. So you better know what you want before they finish or you could have many people on your case. Snyder does the transition smoothly and works his magic very few have been able to do.

Working with these very talented individuals, Snyder has orchestrated a film for all to see. Much like the owls themselves, the artist ranged from the wise to young; such long time animators as Simon Ashton to new bloods Tohru Patrick Awa and Cecile Dubois-Herry. Along with a talented array of artistic visionaries, they have created an eye caching film that leaves your mind in an uplifting feel of air. From the smooth flight of these noble birds to the effects of flying thru a monsoon, the animation is breathtaking.

The detail Snyder has thrust upon them has raised the bar, especially in regards to the background and visual effects animation. Such details you can come to expect when doing a live action film but not so detailed in animation for something that may be seen for a fraction of a second. The visual effects alone are quite amazing when you feel as though it is filmed using a high speed camera and can see every drop of water that creates a water spiral or the breath of the flames in the forest fire. Bravo to work well done.

Bringing to life the characters to the big screen is a talented group of veterans with a couple new comers. Such notable actors as Sam Neill (Jurassic Park series, Daybreakers) as Allomere, Geoffrey Rush (Pirates of the Caribbean series, The Warriors Way) as Ezylryb, Helen Mirren (The Queen, Inkheart) as Nyra, Hugo Weaving (The Matrix series, V for Vendetta) as Noctus and Grimble, David Wenham (Public Enimies, 300) as Digger, Ryan Kwanten (True Blood, Dead Silence) as Kludd, along with journeymen Anthony LaPaglia (Without a Trace series, Happy Feet) as Twilight, and Joel Edgerton (Whisper, Smokin’ Aces) playing Metalbeak,  have lent their vocal skills to a wonderful film. New comer Emily Barclay has stepped in to playa lead voice role as Gylfie alongside Soren voiced by Jim Sturgess (21, Across the Universe).

With such a diverse choice of voices and styles of acting it is tough to say who stands out in this film. All do great bringing the inflection needed to get you lost in the film and forget the animation and enjoy the story.

If anything were to fault in the film it would be that of the title song, “To the Sky”. It is far from the 30 Seconds to Mars song used in the trailer, which fit the context of the film to a tee. The song used is by Owl City is bright and overly hokey for my taste.

Since this is a Blu-Ray review I should delve into what’s in store for the buyer.

The compilation includes the Blu-Ray along with DVD/Digital Copy discs. This is becoming a standard now among several studios to combine all three formats.  I enjoy the ability to have the digital copy but have consistently had issues after during the download process and have to contact WB’s customer service to get a new password. Once you do get it downloaded it is great to have available, especially if you have children and travel a lot.

The Blu-Ray is presented in 1080p with Dolby Digital 5.1 sound, for English, French, Spanish and Portuguese as well as the corresponding subtitles.

One issue arose while enjoying the film. During the first 20 minutes or so of the film some audio quality was present. The mixing of the background music and speech of the characters was either muddled or over balanced. It eventually was corrected for the rest of the film.

The special features include:

Maximum Kid Mode- Soren acts as a guide of what is in the movie versus reality in the wild. This way to watch the film is fun to educate younger audiences about where some of the owl tales get their real life start.

Legend of the Guardians: Rise of the Guardians- A animated short told by Sorens’ pa. The short is just that, short. The way it is shown feels as if it was cut from the original film and thrown in as an extra.

To the Sky, music video by Owl City- Enough was said earlier.

4 Artwork Galleries- Detailed sketches, watercolors and test used for the making of the film.

True Guardians of the Earth- A presentation with Digger and Rico Rodriguez, of the hit show ‘Modern Family’, taking you inside the true world of owls and how they exist with humans.

New Looney Tunes cartoon: Fur of Flying- This is the first new cartoon with the beloved Wile E. Coyote and that pesky Road Runner. Okay, yes I am biased and love Wile E. Why does that Road Runner have to always have the upper hand? I mean, come on don’t you feel a little sorry for the coyote. That darn bird is always… I apologize for my rambling. It is a fun animated short and foray into the computer animation realm for these tow longtime enemies.

Whether you rent or buy this lovely gem of a film, you
will be happy. It delves into the heart of the young and pulls out the spark of life. Love all who are close to you and never stop learning.

Never stop learning. That is a take away from this film. Soren learns first of the Guardians as legends a kind of folk learning. Then when all seemed lost an older owl takes him under his wing and helps him to learn on the fly, literally. Once out he takes his knowledge of the Guardians and seeks them out with the help of his new family. Learning by doing, hence keep learning. Once he finds the Guardians, an owl takes him under his wing and teaches him the wise ways… you see where I am going. We are never too young or old to learn new things. Some may even say you die a little when you stop learning. I enjoy writing these words knowing that someone will be correcting my English or punctuation (wink, wink) but I take it as a learning experience. Now yes I may come across as upset at the time I’m told. Remember, I am still learning. I will apply the new lesson in the next writing. And keep doing so till I get it right. It is an important lesson to never stop learning. No one person can know or do everything. And when you have a supportive family and friends behind you the sky is the limit. Fly high.

 

Thank you to Alejandra Meleldez for her input on the review and watching this enjoyable film.

[P.s. I’ll be waiting for those tips.  ;-) ]

If you would like to follow news, happenings or events please follow me on Twitter @SCThrillsMarc. See you there!

Blu-Ray Review: "The Town"

Charlestown is one square mile area community in Boston MA that produces the most bank robbers per capita than any place in the world. Stepping in the directors’ seat to tell the story of those who rob and the people of this neighborhood is one of Boston’s own, Ben Affleck (State of Play, He’s Just Not That Into You). Using the novel “Prince of Thieves” by Chuck Hogan and the film ‘Heat’ as his influences, Affleck is stepping up his game as an actor, writer and director.

Doug is cool, calm, collective and about to pull off a bank robbery with 3 of his closest friends, Jem, Gloansy and Desmond. Something’s different this time. They take the bank manager hostage when they leave. Doug, being the brains, reassures the young woman, Claire, she will be okay. During their escape they drop of Claire, unharmed, and head home to Charlestown. After all is said and done the crew blows of steam partying and ‘cleaning’ the money while FBI agent Adam Frawley investigates the robbery. While ‘watching’ Claire, Doug becomes enamored with her and begins a relationship that will test his ties to his friends, his ‘job’ and his past.

Taking part in a movie in more than one capacity is tough for anyone let alone three. Affleck does a phenomenal job as an actor, director and writer with the help of fellow scribe Aaron Stockard (Gone Baby Gone) and new writer Peter Craig. The three collaborated to bring the true nature of this little neighborhood to light. Not just the bad elements, the good people who have lived there for generations. Robbing may have become a trade but it is still the people that make Charlestown what it is an unforgettable place.

Making us feel the realness of Charlestown were not just Hollywood types but those that grew up right in the middle of it. Boston raised Affleck played the lead Doug MacRay alongside the love interest Claire played by Rebecca Hall (Dorian Gray, Frost/Nixon). The head strong, ‘not going back to jail’ friend, Jem played by Jeremy Renner (Hurt Locker, Take), wheelman, Gloansy, is portrayed by Bostonian Slaine (Gone Baby Gone) and techie, Owen, played by Charlestown native Owen Burke, are the crew Doug hangs and works with. Other prominent actors include Blake Lively (Gossip Girl) as Jem’s drugged out sister and Doug’s one time girlfriend Krista. Playing the heavy, Fergie is the journeyman actor Pete Postlethwaite (Inception, Clash of the Titans) and countering as FBI agent Frawley is John Hamm (Mad Men).

Burke is not the only Charlestown native to be lit up on the silver screen. Affleck held casting for several smaller roles to be portrayed by those who live in this tight nit group of individuals and families. Dennis McLaughlin caught Affleck’s eye with his broodiness that he was cast as Fergies’ muscle, as was Daniel Woods and his charm placed himself in the uniform of a Boston PD officer. This is just a sample of those who the production team, especially Affleck wanted to involve; those that have lived and still live in what many believe a birthplace for bank robbers.

From the first shot on film to the end I do commend the Special Effects and Stunt teams. The amount of skill and artistry these teams put into each chase, each gun battle is above par. Besides how many effects people have been able to say the shot the heck out of Fenway Park? 

Being able to step into different shoes during the process became ever so smooth a transition for Affleck as told by the many actors and production crew during the making process. It is all available for you to view in the Blu-Ray extras.

The Blu-Ray is packed with the DVD/Digital Copy disc. This will be extremely helpful if you want to watch the film on your media player when you are in Boston and want to trace the steps of the action.

Presented in 1080p with Dolby Digital 5.1 surround sound in English, French and subtitles for both as well as Spanish give you a good choice for viewing either the theatrical or extended cut versions of the film.

Having not seen the theatrical version I chose to watch the extended. There was some good and bad to that choice. It is an excellent film but having not seen the film it was a little hectic to keep looking up in the left corner to see the ‘camera’ icon to let you know you were seeing an extended cut. This also led to some drastic differences of the two films, not to mention inconsistencies. 

The extended cut offered a more in depth look into the relationship between Doug and Claire. The romance of this action movie needed to be balanced out, hence the cuts in the first place. As noted it provided some odd inconsistencies. In one extended scene Claire asks Doug about his parents, to which 15 minutes after this in the theatrical version part she asks him again as if we would have forgotten she just asked him that.

Overall though the extended cut was a bit long and drawn out and not clear in direction. It would have faired better if someone from continuity sat with Affleck and the editor and pointed out holes or just added them as deleted scenes in the features section. As I go back to watch this film it will be the theatrical version only.

The Blu-Ray offers several options and features to view:

Theatrical and Extended Cut versions with commentary by Ben Affleck- Perhaps I should go back and watch it with the commentary and see if Affleck can catch all the hiccups.

Filming in his hometown Segments include-

‘The Cathedral of Boston’ which looks into all the production company had to do in order to film at the famed Fenway Ballpark. 

‘Nun’s with Guns’ features a scene break down of filming in the north end near which the real bank robbery the scene is depicting happened.

‘Pulling of the Perfect Heist’ takes us behind another real bank robbery that took place in the same bank they used to film. With a little help of a local born retired FBI agent, the production team pulls of stunning visuals that some people who lived thru the event were taken aback by its accuracy.

‘The Town’ is Affleck’s thank you to the town many have given up on, Charlestown. The people and places are chronicled. The shoot was so real as to employ many who lived in the area either in front of or behind the camera.

With such a diverse group working together, you can not help but be pulled into its gritty drama. Well acted, written and portrayed on the screen.

The story itself delves into, do we make who we become or are we made into it. Is it the people and places around us that show us what we are or do we show everyone what we are? I believe it’s a little of both. When we are young we are surrounded by those who care for us, depending on how gives us the mental insight as to whether we are to continue in this life following the same or break out and go anew. It is one of life’s moral dilemmas. Light and darkness have their ideas of family and only you can make a conscious decision to break the mold or create on
e. Believe in yourself first and foremost, then and only then can you live a long, truly happy life.

Thank you to Alejandra Melendez for her input and quick eye and ear to details.

If you would like entertainment news, updates, happenings and events in So Cal, follow me on Twitter @SCThrillsMarc. Se you there!

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