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Comic-Con 2009: Day Two

The first panel of the day featured a wide selection of upcoming Warner Bros. films.  It was a really exciting event, showcasing a lot of great looking projects.  Warner Bros. began by featuring their live-action version of Where the Wild Things Are, being released later this year.  Wild Things star Max Records came out to introduce a series of clips.  He came across very nervous but charming, and the audience seemed to love him.  There was a lot of footage really showcasing the creature effects as well as the world in which they reside.  Overall, director Spike Jonze seems to have done a great job capturing the tone of the story, yet enhancing it in his own way.  Based on the audience’s enthusiastic response, Warner Bros. seems to have a hit on their hands.

Next up was Book of Eli, a post-apocalyptic actioner featuring Denzel Washington, Gary Oldman, and Mila Kunis.  All three made an appearance, as did directors Alan and Albert Hughes.  They showed the atmospheric teaser, and then proceeded with an audience Question and Answer session.  I hadn’t heard of the film before this, and it definitely looks interesting.  The presentation didn’t leave a huge impression, but it created awareness, and is definitely something I’ll be paying attention to as it gets closer to release.  Also of note is the revelation from Gary Oldman that the next Batman film WILL begin filming next year, for a release in two years.

Immediately following this presentation came the Nightmare on Elm Street remake.  I am a huge Nightmare on Elm Street fan, and found myself simultaneously nervous yet excited to see what they had done to my beloved franchise.  I am extremely pleased to report that the teaser looked great.  Unlike most of the horror remakes, reimaginings, etc. this seemed full of atmosphere and suspence.  And yes, it featured the famous Freddy jumprope chant.  They didn’t showcase the new makeup on Freddy, but the iconic hat and sweater were the same.  So far, this one is looking promising.

One of the big surprises of their presentation was for The Box, the new film from Richard Kelly starring Cameron Diaz and James Marsden.  All three showed up for the panel.  I had heard of the movie, but didn’t really know much about it.  They showed us four and a half minutes of the film, and it looks great.  Based on a short story by Richard Matheson from 1970, it felt like an episode of The Twilight Zone.  Set in 1976, it’s the story of what happens when a couple is presented with a choice.  If they push a button on a box, they will receive a million dollars but a stranger will die.  Of course, the button is pushed, and the rest of the movie shows what happens next.  I don’t know the context of everything shown, but it looks really intriguing.  During the Q&A session, Kelly informed us that the film contains no profanity and is desiged as thought-provoking, challenging fare.  I can’t wait. 

After this came Jonah Hex, based on the (apparently) very popular comic book.  I personally had never heard of the character, but the audience seemed extremely enthusiastic.  Of course, this may have also been due to the presence of Meagan Fox.  Either way, they showed the preview and then brought out the director and stars Josh Brolin and Fox.  Overall, I wasn’t too impressed.  The film was described as an “anti-hero spaghetti western” with lots of action and some supernatural elements.  It looked fun, but nothing more.  It was loud, there were lots of explosions, and from what I could tell, not much plot.  The film doesn’t ome out until next year, so maybe it will prove more compellng later on, but right now, I’m not sold.  The following Q&A proved almost as annoying as yesterday’s Twilight panel, with guys going to the microphone simply to drool over Fox.  Hearing how amazingly hot she is over and over again got really annoying, really fast. 

And Warner Bros. saved the best for last.  As soon as Jonah Hex finished, with no introduction whatsoever, Robert Downey Jr. came on stage and began talking up his new film, Sherlock Holmes.  I don’t think I’ve seen anybody play to an audience at Comic-Con as well as he did this morning.  He reeked of confidence, even joking about how extreme it is.  He had the audience eating out of his hands.  He played some footage, which all looked great, and then brought out his wife and Joel Silver, who served as producers on the film, and Rachel McAdams.  There was an informative Q&A session that went pretty in depth into the making of this film.  They talked a lot about the source material and the actual production itself.  This movie looks like a lot fun, and I think it will make a fortune

And that was the Warner Bros. panel.  It was a lot of fun, and there was a ton of great new footage.  They sold themselves well, and it looks like they have a series of films that will play well outside of the Comic-Con crowd.  There was lot of promise, and hopefully, they will all live up to these presentations.

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Immediately following the Warner Bros. panel came the Disney animation panel.  So far, this and Avatar have been the highlights of the convention.  The panel began with no introductin, simply going straight into the opening scene of Toy Story 2.  In 3-D.  Yes, they are re-releasing the first two movies in three dimensions and it looks great.  The sequence shown was amazing.  It feels as if the movie was made for 3-D all along.  Everybody was completely blown away, and you could feel the excitement in the room as the scene progressed.  As soon as the footage ended, John Lasseter came out to thunderous applause.  He told us that for two weeks, beginning October 2, the first two Toy Story movies will be shown in this new format as a double feature. 

He then proceeded to show a specially made preview for the 3-D release.  The preview feature Woody, Buzz, Jessie, and Rex all discovering 3-D.  On top of being hilarious, it really demonstrated the power of this new technology. 

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Next up came the director of Toy Story 3, Lee Unkrich.  Over three years in the making, this time will focus on “the day Andy grew up.”  It begins with him heading off to college and that’s all the plot they would give.  He did say that this film would be the most emotional of the three.  He then told us that Barbie’s role would be much bigger this time around, and as such, Ken would become the newest featured character.  Ken will be voiced by Michael Keaton, and based on the short film shown featuring Ken, he will fit right in.  The film was called “Groovin’ With Ken” and was supposedly a discovered interview with him back in the 60’s.  It was a hilarious introduction to the character, and the audience loved it.

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After this came the Beauty and the Beast presentation.  Being released on Valentine’s Day, they have converted the film into probably the best 3-D I have ever seen.  Honestly, I thought the 3-D was more stunning than the new Toy Story footage.  Considering Beauty and the Beast was hand-drawn, I found this truly impressive.  This 3-D went beyond simply creating depth, it was truly immersive.  They showed the opening musical number in the town, and it felt like I was completely enveloped in the image.  I have never seen anything like it.

They transitioned from the Beauty and the Beast footage directly into something called Prep and Landing.  As Lasseter explained, Pixar has a tradition of creating short films to go with their feature films.  They do this both to encourage new talent as well as push the technology.  Chris Williams, the writer and director of Bolt, pitched a concept in which Santa’s elves go into each home to prepare for Santa’s arrival.  Lasseter decided that instead of making a Pixar short out of this, they would make it into a half-hour Christmas special through the Disney label.  They showed the opening sequence, and it was highly entertaining.  It wasn’t Pixar good, but it was really solid nonetheless.  Prep and Landing will air on ABC this holiday season.

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After this, Lasseter started discussing his desire to bring back traditional hand-drawn animation at Disney.  At the beginning of the panel, he had explained that as soon as Pixar and Disney formed their partnership, the very first thing he did was reinstate hand-drawn animation.  And we are just now seeing the first results of this action.  The Princess and the Frog is the first film in this format to come from the Lasseter era at Disney.  After bringing out John Musker and Ron Clements, who also directed the Little Mermaid, they showed approximately eight minutes of the film.  There are seven original songs by Randy Newman and the first clip featured one these numbers.  It was extremely catchy and a great treat to see the return of this style work from Disney.  This particular sequence featured the villain, a Tarot-Card reading voodoo practitioner.  The other sequence involved the introduction of a firefly named Ray.  It wasn’t quite as exciting, but still a lot of fun.  I really hope this movie does well and proves that there is a desire for this type of work.

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The last presentation at this panel was for Hayao Miyazaki.  A legend in the animation world, Miyazaki is response for such beloved films as My Neighbor Totoro, Spired Away, and Howl’s Moving Castle.  Next up for this animation giant is Ponyo, coming out on August 14 in 800 theatres (his widest release yet).  He got the longest standing ovation I have ever seen in my many years attending Comic-Con.  They showed us a pretty long sequence from the film, and it was gorgeus.  All hand-drawn, the sequence featured a lot of water and it looked great.  After this Lasseter and Miyazaki were presented with the Inkpot Award, a Comic-Con trophy given out for achievement in animation. 

Disney put on one of the best shows I’ve seen at the Convention.  The future is looking very bright for the future of animation, and I am extremely excited to welcome its return.

Comic-Con 2009: Day One

Comic-Con International 2009 is in full force!  This year the annual convention celebrates its 40th anniversary.  No one who has visited Comic-Con over a decade ago could have ever imagined it to grow to be so large.  In fact, Comic-Con has become one of the largest trade shows in the world.  Originally featuring mostly comics, Comic-Con now covers everything from movies to fantasy drawings to little figurines.   I was of course here for the movies though.

I am interested in many other aspects of the convention, but it’s impossible to cover everything.  You will need quite a few people covering the many panels and events throughout each day.  Wednesday is now preview night and just as congested as the rest.  Therefore, below are some of the highlights from Thursday.

Hall H: –
Quite a crazy scene Thursday morning as all the crazy fans waited to see their favorite moviemakers and actors in Hall H.  This hall has a capacity of around 6,500 patrons and it can remain full all day.  We were unfortunately stuck with a Twilight panel later in the day.  This caused many tweens to be in line all day and taking up many spots during the earlier panels as they waited to get the best seats for Twilight.  Luckily, the Twilight fans seem to be mostly hidden.  It appears most Twilighter’s know that they are hated by most Comic-Con fans and the others are strictly there just for the one panel.  Not much are a bother since many are with their parents and keep to themselves as the other dressed-up fans take their presence at the convention.

A Christmas Carol –
I’ve already seen most of the footage of this Robert Zemeckis tale of the Christmas classic, but I would like to add that they decided to include roughly 5 more minutes to the scene screened last month.  The movie is still looking fantastic and utterly creepy!  I’m still not too sure how well this will sit with children though.  The audience seemed to really enjoy it, but I didn’t hear much of the buzz afterward.

One major note was Roger Zemeckis’s non-answer to an audience members question concerning the possibility of a Who Framed Roger Rabbit sequel.  He claimed he could neither confirm nor deny whether or not there was a sequel in works.  In regards to a follow up question about a possibility of 3D CGI use in the sequel, Zemeckis states that they will stick to 2D animation IF this film ever gets off the storyboard.

Alice in Wonderland –
Talk about an energetic applause!  The crowd erupted in applause when Alice in Wonderland was mentioned.  Of course without any less of applause, Tim Burton was called to the stage.  I guarantee you that every member of the audience was excited to be in the room at that time.  There was no new footage shown besides a trailer release.  This was however a different trailer then the official trailer released online.  Most of the footage is the same besides a couple different shots.  It’s cut a little differently and does not feature a narration by the Mad Hatter.  Nonetheless, everyone seemed thrilled.

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Patton Oswalt, the panel’s moderator, loved it so much he showed three times and seemed generally excited.  Might I add Tim Burton had a little surprise for us.  Take a wild guess?  Well it surprised me.  Johhny Depp appeared on stage to a standing cheer of constant camera flashes with me included.  He only came out to say hi, which was enough for me.  He wasn’t listed on the program, but some people were quite upset he didn’t sit in on the Q & A session.

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Some previously released concept art was displayed and character design was shortly discussed before moving on to…

TRON LEGACY –
Yes, that is the new official name of the sequel.  I am very happy that this isn’t a reboot but rather a sequel taking place many years in the future.  Due to the fact that I always thought the original was ridiculous even though being a classic, I didn’t have my hopes up on this.  Somehow director Joseph Kosinski has appeared to steer this franchise in the right direction.  I’m sure others behind the project including Sean Bailey and original writer and director Steve Bailey have helped out as well.

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Jeff Bridges returns to his role as Kevin Flynn, but I was more concerned about the new art direction.  Great new concept art was shown including a new two-seater cycle that I believe was said can be used on and off the grid.  Also shown is a new take on the “light-cycle” as well as a 2.0 version that is supposed to be from the 80’s.  The test footage from last year was re-shown but now in 3D and another scene where the old arcade is found.   There wasn’t too much shown, but I hope that Tron Legacy appeals to more than just the past Tron fans.

Cloudy With a Chance of Meat Balls –
This movie has a very clever plot as Columbia Pictures and Sony Pictures takes us on a goofy 3D adventure when a small town starts to rain food.  Odd… yes, fun… absolutely!  However, this corky film does not have much interest to me.  Although this should be a great film for families with younger children, I don’t expect this to do great in the box office.  The animation is basic and reminds me of new CG animated children television shows.  Hopefully this take on the classic children’s book will compensate for the lack of quality.

The Hole –
Joe Dante (Gremlins 1 & 2) is back with his new innocent horror film that he claims is not going to give children nightmares.  What is he talking about?  This film is about a hole found in a basement that is unlocked allowing crazy dolls to climb up and terrorize the children.  Sweet dreams kids!

The Hole is your classic, cheesy, scary movie that would have worked perfectly in 1990.  From the clips shown, there are no new tricks or story here.  The kids appear to have to just stop the evil characters coming after them while trying to stay away from random set-up shots in order to make you jump out of your seat.  For example, the kid quietly steps backward toward the camera as a hand reaches out to the kids’ shoulder strangely enough causing a really loud strike of noise.  So original, but in Joe Dante’s defense, he does claim this is his take back to 80’s horror genre.  Nothing to see here kids.  Keep the line moving.

The Final Destination –
Was there anything I need to say about this 4th film of the franchise?  It claims to be THE Final Destination, but producer Craig Perry practically states that this is not necessarily the last of the franchise.  Say it ain’t so!  Perry started off by saying that he found a new way to tell the story by including 3D.  What he really is saying is that New Line Cinema figured that they could make the same movie with different outrageous ways to kill people as long as they just add the 3D tag to it.  The newly improved 3D technology is good, except it is never good just as a gimmick.  If I’m not mistaken, 3D is supposed to enhance the story.

3D is not an excuse to redo a film.  The Final Destination series needs to end.  The clipped showed plenty of 3D gore, but failed to show any type of new plot.  I guess if you want to see stakes going through people’s heads or body’s being sliced by chain-linked fences, then you have found the right movie.

Astro Boy –
At this point, me and half of the audience is forced to sit through Summit Entertainment panel to get to James Cameron Avatar.  Okay, it wasn’t Summit the audience was concerned about, but rather Twilight coming up.  That’s for later.

Astro Boy is a classic superhero CG animated story set in a futuristic world.  Our hero is a robotic kid with special powers that takes on many adventures but essentially is set to find his own destiny.  The new trailer revealed is cute, but hasn’t sold me.  The producers wanted to make a movie that would appeal to children and adults as well.  Astro Boy stars Freddie Highmore, Nicholas Cage, Nathan Lane, Donald Sutherland, and Kristen Bell along with exclusively announced at Comic-Con; Samuel L. Jackson and Charlize Theron.

Sorority Row –
It’s an Audrina Patridge movie.  You can probably judge whether or not you want to watch Sorority Row just from that.  This film has been in the works for a long time and already been test screened with little to no praise.  Sorority Row is about 5 sorority girls playing a prank on a guy by pretending he killed one of their sisters while having sex with her.  As the girl pretends to be dead, the prankee ends up killing her for real by accident.  It’s pretty ludicrous.

Everyone involved tries to cover up what happened only to be stalked by a serial killer that knows what they did.  Judging by the footage shown, this will be great for those teenagers who haven’t seen any I Know What You Did Last Summer films.  It looks like a fine horror film, but again, nothing new.  Besides, it’s Audrina Patridge from “The Hills” who got little to no cheers.  I guess there aren’t too many “The Hills” fans at Comic-Con.  Sadly enough, Carrie Fischer is in this movie. Strange choice for her, but would have made this panel much more interesting if she would have stopped by.

Sorority Row comes out September 11, 2009.

The Twilight Saga: New Moon –
After becoming deaf from the loud screeches from teenage girls sitting around me, two clips from the movie were shown.  Since I have no desire to see Robert Pattison and Taylor Lautna with their shirts off, I am going to have to say New Moon looks just as bad as the first film.  I have no doubt that all the hardcore fans will enjoy this second film.

The first clip features Bella, Kristen Stewart, being taught how to ride a motorcycle from Jacob.  Bella ends up falling of the bike because she keeps seeing Edward, Taylor Lautna, and is distracted.  Jacob quickly comes to the rescue by taking off his shirt and using it to wipe off the blood on her face.  It is blatantly obvious that these characters are just taking off their shirts to make their audience happy.   Everyone was laughing around me during these segments except for the few teenage girls behind me screaming and about to melt because their favorite actors were on stage.

The second scene features Bella running in an Egyptian looking town to get to Edward.  Excuse me for not really knowing as I have not seen the first film nor have I read the books.  Apparently Bella is stopping Edward from going into the sun, at least that’s what it seemed to me.  The clip cuts as Edward was just about to step outside, of course not before he took off his robe to reveal his man cleavage.  I guess it was nice to see Kristen Stewart running in slow-motion.

Speaking of Kristen, she definitely is the most eccentric out of the cast.  During the entire panel she would have her head down, running her hand through her hair, and staring off to space as if she was on something.  Everyone in the audience seemed to be making a big deal about this, but I’ve seen interviews of her before and this is how she acts.  No big deal.  All the main actors on the panel did seem to be a little out of it though; yet again the questions asked weren’t exactly compelling questions.

Avatar –

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James Cameron’s return to feature film is looking good… looking real good!  James Cameron seems generally thrilled about this film and really built it up for everyone in attendance.  Cameron stated that this is a film that explores the curiosity he had during childhood.  It is for the 14-year-old boy with a great imagination in his head interested in elaborate new worlds and space exploration.

This film is absolutely beautiful.  In fact, it’s mesmerizing!  About 25 minutes of the film was shown featuring several different clips.  The bulk of the clips took place on a planet called Pandora with many different types of creatures in a completely new type of environment.  The world created by Cameron is even more amazing.  There is endless amounts of detail everywhere and being it is in 3D, makes it as if you apart of this world.  The few scenes shown were so captivating that I really started to feel I was living in this world.

Avatar was conceptualized 14 years ago, but due to limited money and special effects technology, Cameron had to shelve this treatment.  It was 4 years ago when he pulled this treatment out and realized how relevant it is to today.  Avatar is about our world and society as human beings and how we are practically destroying our own planet.  The film is about war and conservation of our environments yet told in a way much like Disney/Pixar’s Wall-E.

The acting by stars Sam Worthington, Sigourney Weaver, and Zoe Saldana is fabulous.  Avatar features motion-capture technology allowing the actors to be in a stunning world that can be manipulated easily.  The creatures the humans transform into are of the native people of Pandora called the Na’vi.  These are 10-foot-tall blue creatures with tales and slightly different facial features.  The realism amazed me as I began to think I was just watching tall blue-painted actors run around the screen.

Avatar is going to be getting a lot of buzz soon.  Keep an eye out for this one.  If you cannot wait, James Cameron is holding “Avatar Day” Aug. 21st where he is trying to get as many IMAX and big screens as possible to play 15 minutes of the movie for free.

Avatar comes out Spring 2011.

Drawn Together Movie: The Movie –
If you know “Drawn Together”, then you know how raunchy it is.  Just wait for the movie!  Expect more raunchiness and attacks at other famous cartoon characters.  Basically the plot is about how they don’t have a plot and need to find one in order to save the show from being cancelled.  This is quite funny as the show has been canceled.  They are trying to get Comedy Central to pick-up the show again though.

This panel was hilarious as all the voice actors besides Adam Corolla were there and did a sex scene in their voices and commented toward many other things in their respected voices.  I had no idea how talented these voice-actors were.  Their credits include “Rugrats”, “Animaniacs”, “Inspector Gadget” and more.  The movie looks great if you’re a fan of the tv show no doubt.

Torchwood: Children of Earth explodes onto DVD and Blu-ray

1965: Twelve children are gathered together on a deserted moorland before being surrounded by a harsh, bright light… and then they are gone.

Today: All over planet Earth, children stop moving. Stop playing. Stop laughing. Stop everything. Then, as one, they begin to speak with the same voice, announcing to the governments of the world the imminent arrival of a new alien threat. “We Are Coming, We Are Coming…” As the British Government closes ranks, it issues a death warrant against Captain Jack and Torchwood. Now forced to flee for their lives, it becomes clear to the Torchwood team that this isn’t the aliens’ first visit to Earth, and a terrible price is going to be paid for sins of the past…

This July, BBC proudly brings to DVD and Blu-ray the much-anticipated new installment of Torchwood – BBC AMERICA’s highest rated television series – with the release of Torchwood: Children of Earth. Premiering July 20 – 24 on BBC AMERICA – this epic five part television event rejoins Captain Jack Harkness (John Barrowman, Doctor Who) and his alien fighting team – Gwen Cooper (Eve Myles, Little Dorrit,

Merlin) and Ianto Jones (Gareth David-Lloyd, Doctor Who) – who are still coping with the death of two of their closest friends. Now they are faced with their fiercest threat to date – one that sends the future of Torchwood and the human race spiraling into danger. Special guests include Peter Capaldi (In The Loop, Skins, The Thick of It), who plays the role of Mr. Frobisher – a civil servant who is hiding a terrible secret; Paul Coply (Coronation Street, The Bill) as Clem – the survivor still haunted by his past; and Liz May Brice (Bad Girls, Hustle, The Bill) as Johnson – the cynical covert government agent determined to expose Torchwood. Boasting the entire 5-part series, the 2-disc set also contains the Torchwood Declassified – a look behind the scenes featuring cast and crew.

This is an alien invasion story, but not one like we’ve seen before. Without spoiling the surprise, the sins of the past come back to haunt a number of people. What blew me away was how shocking, yet realistic, the behavior of the individuals in positions of power seem to be. These are men and women in the highest echelons of government and the military who are making impossibly difficult moral choices.

At the beginning of Children of Earth, children around the world suddenly stop where they are and begin screaming. A few moments later, they go back to normal like nothing had happened, with no memory of the event. This action repeats itself several times until all the children chant “We are coming.”

That’s why this series is so groundbreaking. This isn’t one of those “comfortable” alien invasions that we’ve seen time and time again. It’s so far from Close Encounters of the Third Kind and The 4400 that it is an almost entirely different genre.

Included in this two disc collection is the special “Children of Earth Declassified,” which aired on BBC America alongside the mini-season. It goes into the production utilizing interviews with producers, writers, cast, and crew.

Watch the trailer:

If you love good science fiction, you can’t get much better than Torchwood and Torchwood: Children of Earth continues their amazing run with a great story and some shocking revelations about the past.

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Movie Review: "Orphan"

Somewhere in there has to be a decent little girl, right? John, Esther’s father seems to see it, but we know better, the poster told us so. Orphan has all the pieces for a creepy kid horror movie, but they never seem to come together. The movie relies far to heavily on the BOO! scare. It seems every other minute, the film tries throw something at you to make you jump whether it makes sense or not. The film quickly becomes a game of peek-a-boo. Is there someone behind that curtain or isn’t there? Well, you’re going to find out and when you do, the camera is going to jerk really fast and there is going to be a really loud noise, so no matter what you’re going to jump. Apparently, this is the only thing that constitutes a scare. The sad part is how much this takes away from what would have potentially made this film scary, a creepy sadistic little girl.

Orphan is the story of a family who adopts an eight year-old, who is then able to manipulate them all against each other. This storyline is almost identical to the 2007 film Joshua, which also stars Vera Farmiga as the mother, only this time she’s the one being alienated by the child. Farmiga plays Kate who is the only one able to see that Esther is up to something, but is met with much skepticism from her husband. With no support Kate is unable to protect her family. Esther’s ability to manipulate and inflict pain on Kate is very haunting, but the scares get too gimmicky and they loose their potential.

Somewhere in this movie is an effective horror flick, but like its title character there’s something definitely wrong with Orphan.

ECHELON CONSPIRACY on DVD & BLU-RAY

Called “a cyberspace thriller for the male action crowd” (The Hollywood Reporter), the edge-of-your-seat suspense ride ECHELON CONSPIRACY makes a breathtaking debut on DVD and Blu-ray July 21, 2009 from Paramount Home Entertainment.  Featuring an all-star cast including Shane West (A Walk to Remember), Edward Burns (Saving Private Ryan), Ving Rhames (Pulp Fiction) and Martin Sheen (The Departed), the high-tech action-thriller weaves an engrossing story of greed, intrigue and the price of national security.  Mysterious cell phone messages promise a young American engineer untold wealth — then make him the target of a deadly international plot.  Dangerous security operatives chase the engineer across the globe, while a powerful government official pursues a mysterious agenda that threatens the stability of the entire world.

Computer whiz kid Max Peterson (Shane West) receives a mysterious package prior to his departure from Bangkok and after another successful networking job. Inside the box is a mobile device that asks him to stay another day and cancel his flight. Believing it to be a hotel gimmick, he goes along with it, but later learns that the flight he would have been on crashed, killing all aboard. The device next asks him to buy a particular stock which, hours later, shoots up over 300% in value. After missing out on that tidbit, Max begins to take the fortunate-telling device more seriously, heading to Prague and subsequently winning millions by following its exact instructions in a casino. When casino security chief John Reed (Ed Burns) becomes suspicious of Max, he attempts to seize the young man for questioning but is beaten to the punch by FBI agent Dave Grant (Ving Rhames). Max soon finds himself in the middle of a technological conspiracy, at the center of it an advanced computer system known as “Echelon” that has becoming self-aware, constantly monitoring and influencing Max to do whatever it needs of him to complete its diabolical plan.

Echelon Conspiracy on Blu-ray begins unimaginatively by taking on that cold, steely blue appearance but later delivering a wider variety of colors and lighting schemes. Several outdoor shots throughout — whether in Bangkok, Prague, or Moscow — often deliver solid depth, fine detail, and a fabulous array of colors. Other shots take on a slightly more bland appearance. The inside of the Prague casino never looks all that convincing, and while awash in color, it takes on a decidedly warm appearance that highlights red and oranges considerably. Even a red dress sticks out like a sore thumb and looks so fake as to appear almost animated, like something out of The Spirit. On close examination, details sometimes don’t impress all that much; close-up shots of various objects, for instance the cardboard box in which Max discovers the mobile device, appear hazy, undefined, and soft. However, general objects that tend to look good in the better Blu-ray transfers, sidewalks, building façades, and clothing, do impress here. Flesh tones often veer towards a shade of red or orange. Blacks, too, are all over the map, ranging from solid to bright to drowning out detail. Echelon Conspiracy does feature a healthy dosage of film grain than generally gives a film-like look, but several other negatives throughout some of which are victims of poor production design.

Without an original bone in its celluloid body, Echelon Conspiracy can only hope to impress with creativity behind the camera and decent performances in front of it, but the film wallows in mediocre-to-poor production values, standard direction, a forgettable score, an unoriginal script that features dimwitted characters, and a sluggish pace. The movie strikes out at every turn; not one character is memorable nor does even one scene stand out, the result a movie that most are likely to forget an hour after the credits roll. Even the Blu-ray presentation fails to make much of an impression. The technical presentations muster up decent enough picture and sound, though at the expense of supplements. No extras, Echelon Conspiracy makes even for a questionable rental.

Pushing Daisies Season 2 on DVD

Dig into a delicious second helping of Pushing Daisies, the multiple Emmy® Award-winning series that USA Today’s Robert Bianco calls, “a wholly original, rich-hued delight.” In this season, Papen County’s Pie-Maker with a witching finger for waking the dead and his alive-again love Chuck have more on the menu than a Terrifying Bee-Man and a Deep Fried Chicken Magnate.  The secrets are served deep-dish when family skeletons  — both literal and figurative — loom over the Pie Hole and its patrons.  As jockey cum waitress Olive Snook joins a nunnery to mend her broken heart, the Pie-Maker who broke it hides Chuck from her Aunt Vivian and mother Lily, who believe she’s dead.  Naturally, this results in resurrecting Chuck’s father, who actually was dead.  Private Investigator Emerson Cod has daddy issues of his own when his baby-stealing baby-mama finds herself at the center of a damned dam murder case.  This wondrous, witty and moving confection is as irresistible as the Pie-Maker’s three-plum pie.

Of all the shows affected by the 2007 Writer’s Strike, none were struck harder than Pushing Daisies. When it premiered that fall, it was not only a winner with critics but a ratings success as well and seemed ready to build on that momentum to really break out. But then the strike shut everything down just as things were clicking. Even worse, however, was ABC making the baffling decision that when the strike ended, rather than try to rush a few more eps out, their three biggest freshmen shows (Daisies, Private Practice and Dirty Sexy Money) would all be held back until the fall 2008 season. Needless to say, being off the air for ten months led to a downturn in interest and while the show still had critical hails and a core group of fans (including myself), it just wasn’t enough to gain big ratings. After being removed from the air in November, the show ended up burning off its last three episodes a month ago.

Even more than the first season, the show shines brightly in a way words can never adequately describe with wild angles and even stop motion animation to add to the wild stories. With some great guest stars (such as Fred Williamson and Fred Willard), wild plots, unbelievable sets and some of the absolute best dialogue you’ve ever heard topped off by a wonderful cast, you feel absolute anger at the network for canceling such a gem. It’s frustrating since there are still subplots up in the air (such as the full secret of Ned and Chuck’s fathers) that promised so much more amazing adventures. But now, fans can enjoy this classic for what it is: One of the most perfect tasty treats television has provided in years.

 

The cast helps it along immensely. Again, Pace and Friel forge one of the best romances television has ever seen, their chemistry absolutely perfect. The smiles they have are so infectious, you can’t help but get sucked in and the tragic touch that they’re unable to fully consummate it gives the relationship a unique touch that makes their talks all the more meaningful. They’re helped further by great subplots over the season. Pace discovers that his absent father had a family with twin brother magicians who still worship the man and Ned wrestles with whether to tell them the truth. Friel handles Chuck discovering the truth about her mother in a wonderfully emotional way while the plot involving her father is the dramatic high point of the season. Through it all, they handle their own unique love and make it shine all the way.

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WATCHMEN Director's Cut on DVD & Blu-Ray

Warner Bros’ latest superhero epic packs and even bigger punch on DVD and Blu-Ray.

Last year, when I heard a new superhero movie was coming out, I shook my head at how much Hollywood latches on to trends with their movies.  Just look at the last few years, when one hyped movie is about to come out, 3 others with the exact same premise get released as well.  1997 had “Dante’s Peak” and “Volcano,” 1998 had both “A Bug’s Life” and “Antz” and “Deep Impact” and “Armageddon.”  The trend continues.  When someone lands on a good idea, four other people jump on the money train.

This is not the case with Warner Bros’ latest release to DVD and Blu-Ray, “Watchmen.”  This is not some last-minute jump on the bandwagon to success and riches, but a 23-year journey from print to the silver screen.  Previous to the film, I had never heard of or read the graphic novel, and wasn’t sure what to expect, but I was in for quite a ride.  Directed by “300” director, Zack Snyder, “Watchmen” follows an alternate reality where masked vigilantes exist and have had their effect on America’s history since their emergence in the 1930s.  Now, these are not the superheroes that the general public is use to seeing in movies.  Watchmen, while part of the DC Comics’ universe, does not have any mention of the more widely recognized Superman, Batman, and Wonder Woman.  This is not a world of superheroes as we know it, but more of a world of masked crusaders with exaggerated abilities.

The movie, based on the 1985 graphic novel of the same name, follows our heroes following their forced retirement as the U.S. moved into the cold war with Russia, and how they manage to overcome the stigma placed on their vocations by society to come around save the day, though not in the usual frosted Hollywood happiness.  Applauded and panned by critics alike for its much darker portrayal of the superhero genre, “Watchmen” draws you into this world with exceptional ease, catching you up to date with the storyline that very few are familiar with prior to watching and pushing you down further into the action, emotion, twists and turns while dazzling the viewer with cinematic beauty.

Much like his previous film, “300,” Snyder based many of his shots directly from the graphic novel, giving it a very authentic look that matches so well with the plot that follows the original so closely.  Though the film had to take some liberties and adjust some plot points, a reason why the project was released in 2009 instead of the original goal of 1986, the end product is hailed by most as the perfect screen adaptation of the revered graphic novel.

When I first watched it in theatres, I was blown away and had to take a couple days just to process what I had seen.  I didn’t know if I even wanted to see it again.  However, skeptics and fans alike can rejoice at the release of the director’s cut of the DVD, which, among many other bonus features, has 24 minutes of bonus footage that wasn’t in the theatrical cut.  These scenes, like the glorious battle sequence leading up to Hollis Mason’s death and the proceeding scene where the new Night Owl discovers this turn of events, are all parts from the graphic novel that have been seamlessly reintegrated into the film so that the viewer is just greeted by a fuller viewing experience.

The director’s cut of “Watchmen” will be released on DVD and Blu-Ray on July 21st, 2009.

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Innovative Entertainment Technology Drives ‘World of Color’ – the Next Milestone in Expansion of Disney’s California Adventure

Elaborate preparation is underway for “World of Color,” the spectacular nighttime water show that will astound guests with its magnitude and creativity when it debuts in spring 2010 as the next major milestone in the expansion of Disney’s California Adventure park. Surpassing all Disney water productions, “World of Color” will bring Disney animation to life with powerful fountains that become stars of the show as they create the world’s largest projected water screen.

For months now, guests at Disney’s California Adventure have been peering into the lagoon near Paradise Pier as Walt Disney Imagineering and Creative Entertainment have installed the massive infrastructure and innovative technology that will create the stage for this extraordinary combination of music, animation and stunning water effects. Teams of Disney workers have built nearly an acre of superstructure to support the complex “World of Color” production.



“World of Color” will combine hundreds of magnificent fountains, dazzling colors and an all-new kaleidoscope of audio and visual effects to take water-infused entertainment to a new level of artistry. The production will flood the senses, taking audiences on an imaginative journey into the colorful worlds of animated Disney classics such as “Alice in Wonderland,” “The Lion King” and “Pocahontas,” along with Disney•Pixar films “Toy Story,” “WALL-E” and many more. 


Disney’s newest production features an unprecedented infrastructure of water effects, larger-than-life projections, lasers, fire, fog, surround sound and stunning images. This technical wizardry, combined with classic Disney film sequences, will create a breathtaking emotional experience for guests as jaw-dropping effects sweep across the lagoon, soar into the sky and rush toward the audience.

A newly designed 9,000-capacity viewing area will provide Disney’s California Adventure guests the best view in the park of this exciting nighttime extravaganza. The show lasts approximately 25 minutes.

Some of the technical magic behind ‘World of Color’ includes:

  1. Nearly one full acre of engineered superstructure, longer than a football field and capable of settling on three levels – one for the performance, one under the water surface and one for maintenance
  2. More than 1,200 powerful and programmable fountains
  3. A vast underwater grid with more than 18,000 points of control. Each fountain has multiple points of control for lighting, color intensity, water angle, height and more.
  4. Fountain heights that range from 30 feet to 200 feet in the air (by way of comparison, Mickey’s Fun Wheel reaches a height of 150 feet, some of it below the edge of the lagoon)
  5. A precise system of flame projections, lasers, and special effects that will flood the senses as guests experience the animation
  6. Scenic elements that rise more than 80 feet above the lagoon
  7. The world’s largest projected water screen – a wall of water 380 feet wide by 50 feet high for a projection surface of 19,000 square feet
  8. Nearly 30 high-definition projectors


For information on “World of Color” and other Disneyland Resort attractions, or to plan a celebration or vacation at Disneyland Resort, visit www.disneyland.com, call 866/60-DISNEY or contact local travel agents. To explore the expansion plans for Disney’s California Adventure, visit www.DisneysCaliforniaAdventure.com.

Check-out Behind-the-Scenes Photos

BBC Video Presents Wild Pacific – A Fascinating Voyage of Discovery

I am going to be a student my entire life.  Not because I can’t seem to pass basic Psychology, but because I love learning.  Whether I am in a class, or just in the supermarket, I love learning new things everyday.  Sometimes, I enjoy using my new knowledge to seem cool at parties, but mostly I just enjoy learning about the world we live in.  For this reason, I loved BBC Earth’s latest project released to DVD, “Wild Pacific.”

The same team of filmmakers and scientists that brought us “Planet Earth” and “Blue Planet” now brings us a more in depth look at the world’s largest ocean, the Pacific.  Teeming with over 20,000 islands that only make up one percent of its surface, the Pacific is unfolded for the viewers’ educational pleasure in this six-hour, two-disc director’s cut, complete with an extra 10 minutes per episode going behind the scenes of the process to exploring such an expansive topic.

Complete with the smooth, vocal narration of Benedict Cumberbatch, “Wild Pacific” dazzles the eyes as well as the intellect with BBC’s expert team of high definition cinematographers capturing jaw-dropping sights ranging from the creation of islands by underwater volcanoes to the first flights of Albatross chicks.

And not only is it amazingly informative, but it looks gorgeous.  For anyone that longs to escape away to some tropical island for vacation, or just to escape from our everyday life, this DVD set is pure heaven.  With professional teams that include world-renowned surf-filmer, Bali Strickland, the viewer is treated to such sights as the underbelly of a crashing wave and schools of fish numbering in the thousands moving in tandem.  Above water, we are taken into a world of islands that range from tropical rainforests with volcanic mountains to secluded sandbars or snowed-in beaches.

Aside from the eye-candy of the landscapes presented, many of which renewed my dream of becoming exceedingly rich and building a mansion on my own island, “Wild Pacific” also documents hundreds of different types of animal life.  Many of these animals had never before been filmed, and BBC Earth had the honor of bringing their likeness to the TV screens of millions worldwide.  It was moments like these and the excitement that came with them that woke me out of the drooling stupor invoked by the numerous paradisiacal settings I had been seeing.

Overall, I thoroughly enjoyed the experience, though I wouldn’t suggest trying to sit and digest the whole six hour series in one go.  It is more enjoyable to be able to process what you’ve seen for a while before moving on to the next episode.  BBC Earth’s series, “Wild Pacific,” is distributed by BBC Worldwide through Warner Home Video, Inc. and is available on DVD July 14th.

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Soundtrack Review: "Harry Potter and the Half-Blood Prince"

Having not yet seen Harry Potter and the Half-Blood Prince, I go into this review at a definite disadvantage.  A movie’s soundtrack is designed as an accompaniment to what is happening on screen, and yet listening to this soundtrack I am forced to separate the music from the image and formulate an opinion as to the success of the album.  Taking this into account, I found composer Nicholas Hooper’s work to be adequate but nothing more

It’s possible that his work here is perfectly suited for the emotional beats on-screen but on it’s own there isn’t a whole lot of substance to be found.  This is definitely an improvement over his own work on Order of the Phoenix, which isn’t saying much.  He brings back a couple of musical cues from that film, but as a whole, appears to be going for a more subdued and subtle approach.

The first three soundtracks in the Harry Potter franchise were composed by soundtrack icon John Williams and comparisons are inevitable.  Williams’ work on those films (especially the first and the third) was comprised of big, sweeping themes which transported the listener into the world of the films.  The tracks were memorable and felt as magical as the films themselves.  In the Half-Blood Prince soundtrack, I found myself repeating several tracks in an attempt to retain what I had just listened to.  People will definitely not be walking out of the theater humming anything from this film.

We’ve reached a point in the franchise where the story is much darker.  As such, the music needs to be darker.  Hooper definitely succeeds on this front.  There is an air of desperation throughout.  Obviously, there is tragedy in this film.   As stated above, the music is subtle, but the tragedy is felt.  I really think that the music will work better when paired with the movie than on its own.

This isn’t to say that nothing works on its own.  Four or five tracks really shine.  There are a couple of action cues that prove relatively exciting, although frustratingly short.  There is also an intriguing track towards the end that incorporates fractured and disjointed dialogue incorporated into the music.  It is one of the few truly unique moments in the soundtrack.

The disc runs slightly over an hour and contains 28 tracks.  While my reactions overall run slightly negative, I really find myself wishing for more.  Every track is so short that I wasn’t able to get into any of them as much as I would have liked.  I’m sure there is much more music in the actual film and I really look forward to hearing what was missing.

I’m also very excited to discover how the music complements the movie itself.  I’m sure Hooper’s work does exactly what it needs to do in the film.  I just hope that when he begins writing the score for Harry Potter and the Deathly Hallows, he is able to create something worthy for what is sure to be an amazing finale to an amazing franchise.

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Movie Review: "Harry Potter and the Half-Blood Prince"

Eight years after Harry Potter made his debut on the silver screen with The Sorcerer’s Stone, the franchise’s magic beams as bright as ever. The initial appeal of the Harry Potter series was the mystical appeal of the incredible fantasy world that many of us dreamt about. Even though the magical world just beyond the Leaky Cauldron is now embedded in every Harry fanatic’s mind, the love for these books and films has never dwindled. J.K. Rowling not only created a fantastical world, but an ever intriguing drama within it.

The latest installment to the film franchise, Harry Potter and the Half-Blood Prince, propels the series forward not only by pushing forward the plotline, but by keeping these maturing characters fresh. Any fan of the series has undoubtedly noticed the dark nature of the thickening plot. The emergence of Voldemort and his Death Eaters has cast a shadow over the entire wizarding world, making the consequences of Harry’s every action dire. Throughout the series, Harry has always shied away from his famous name, but here he embraces his role as The Chosen One in a number of ways. He uses his celebrity status to seduce important information from teacher and he carries out missions for Dumbledore. As a hero, Harry truly comes into his own.

Despite the dark nature of the plot, it is balanced out by easily being the most humorous film of the series and possibly the second most funny of the summer (behind The Hangover of course). In the past, Rupert Gint as Ron has admirably carried most of the comical relief efforts by himself, but this time he gets help. Hogwarts might easily be mistaken for a witty version of Bayside High (Saved By The Bell). The awkward and humorous situations never seem to end and surprisingly never take away from the real action being taken place.

For its dark spellbinding action and witty humor, Harry Potter and the Half-Blood Prince is the best installment into the film’s franchise and one of the top films of the summer.

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Movie Review: "(500) Days of Summer"

[*Author’s Note:  I felt that it should be mentioned that it is almost impossible to give a brief synopsis of this film since its main progression is often fueled by subtle actions rather then major landmark moments. Thus, the following review truly hopes to serve as encouragement for you to quickly trade in your Potter tickets and go see this truly beautiful classic in the making]

When most men hear the phrase “Romantic-Comedy” they usually envision a lost coin toss between their significant other, but Fox Searchlight’s latest film takes aim to change that. The premise may be disguised as the simple scenario of boy meets girl, however 500 days approaches the famous (and often sought after) perfect romance a different way, with a realistic dose of pain and a surprisingly hopeful outlook.
 
From the very beginning we are warned by the film’s Narrator (the often snarky voice of reason) who states “this is not a love a story” a statement we forget almost instantly as we are introduced to our hero, Tom Hanson, who is earnestly embodied by the instantly lovable Joseph Gordon-Levitt. Tom is one of the few remaining modern day romantics, who finds himself working at a Greeting Card Company, even though Tom once hoped to be an architect now he sits at his desk in waiting for “the one”. Enter Summer Finn, played with a sense of unexplainable beauty by the lovely and delightfully awkward Zooey Deschanel, Summer joins the staff as the new assistant, and does not share Tom’s belief or hunger for love.

Regardless of Summer’s original disinterest the days go by (and often out of order) showing the passionate progression of Tom’s feelings for Summer, from beginning to end. The inevitable relationship is filled with its giggly ups and heavy downs, but even the familiar moments are filled with a fresh sense of purpose.

The story finds itself carried on the shoulder’s of Gordon-Levitt and his hopelessly romantic perspective, but does also receive reinforcement from the powerful chemistry of the 500 days supporting characters, from Tom’s younger sister Rachel and her worldly advice, to the jaded input of Tom’s romantically impaired chums McKenzie and Paul. These characters provide a dialogue and connection so real; one could not help but be reminded of their own personal confidants and their often misplaced opinions.

Overall, it should be stated that the power of this film is not found in one particular element, but in the almost fated unity of all its different components, a process that echoes the very pattern of the love the movie aspires to describe.

Almost instantly inviting the viewer into the colorful and almost unrecogonizable streets of Los Angeles with bright cinematography, Director Marc Webb helps to deliver a very quaint and playful visual picture, (and at several points even incorporating some good old fashioned split screen filming) This intentionally colorful setting is not only one without nudity and gratuitous sexuality but one stuffed to the brim with old school charm and music that serves as a cultural time machine. The mere fact that the movie manages to leave itself chronologically ambiguous, aside from the transitional countdown, is powerful proof for this timeless story.

Praise is due to relatively green-horned writers Scott Neustadter and Michael H. Weber, whose gentle handcrafting of personal experience into screenplay, expresses a shared understanding of the rippling impact in even the smallest events on one’s the heart, an understanding which manages to keep this film and its sorted timeline well-paced and fresh.

Following the note of well-paced freshness, much credit also goes to composer Andrea von Foerster who masterfully arranges a moving soundtrack anchored by two particularly beautiful pieces by Russian anti-folk artist Regina Spektor, that manage to layer into the piece’s overall glisten.

Truthfully, I never thought that I would find myself falling in love with a movie, but director Marc Webb’s modern day “not quite love” story has proved me wrong. A film for anyone those who finds themselves still salvaging belief in true love, finally Hollywood has delivered a story just for you, one that carefully carries a realistic message while portioning in a good old fashioned pinch of hope. Which is why this movie gets: 5 hundred out of 5 hundred days of Summer. (5 out of 5)

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